My Favorite Album with Jeremy Dylan

Americanoir singer-songwriter Ben de la Cour joins me to dive into Warren Zevon's iconic self-titled album that relaunched him as a solo artist after years toiling away as a songwriter and sideman. We talk about how the album served as a sort of re-debut album after the little-heard 'Wanted Dead or Alive', Zevon's Forrest Gump-esque early life and career, the autobiographical nature of the songs, Jackson Browne as Zevon's guardian angel, Dylan vs Zevon, the superstar guests that populate the record, the unlikely cover versions, the pitch black humour of Zevon's lyrics and more.

The legendary singer-songwriter Marshall Crenshaw joins me to talk about an artist whose influence changed the sound of music forever. Marshall talks discovering the classic Diddley Greatest Hits record as a teenager growing up in suburban Michigan, the deceptive drone quality to some of the tracks, the origin of the Bo Diddley name, the other players who were an important part of the Bo Diddley sound, the gear Diddley used, how Marshall has injected elements of the soundscape from this record into his own music through the years, the magic of a group of players performing together live in the studio, how technology and budgets has influenced how records are made and more.

Rock'n'roll singer-songwriter Brian Dunne joins me to make a case for 'The River' as the ultimate Bruce Springsteen album. We talk about how it is rarely chosen as the best of Bruce's classic period, how the album was a response thematically and musically to 'Darkness on the Edge of Town', capturing the epic E Street Band live show in an album, the benefits of a double album, class consciousness in songwriting and Brian's experiences seeing Springsteen live and then meeting him when they shared the bill at a benefit concert, and much more.

My guest today is Nashville-based multi-instrumentalist and songwriter Dylan Sevey, best known for his work with The Minks, Ron Gallo, Aaron Lee Tasjan, and the incredible Weird Al Yankovic tribute band Weird Pals. Dylan joins me to discuss Weird Al's 1999 masterpiece 'Running With Scissors'. We chat about the entirely unique place Weird Al has carved for himself within the music industry, how he laid the cultural ground work for future musical comedy acts, the depth of respect and research he puts into each genre he parodies, the origin story of Weird Pals, how at its core Yankovic's catalogue is a celebration of all genres of music, the extraordinary art of the Weird Al polka, and how both a Weird Al concert and a Weird Pals show provides a level of musical breadth and diversity you're unlikely to experience elsewhere. For those attending Weird Al Yankovic's show at Ascend Amphitheater in Nashville on Sept 20, Weird Pals will be playing an after party gig across the road at Acme Feed & Seed after the show. We'll see you there!

Today I'm joined by singer-songwriter Ryan Davis to talk about an album that defines the phrase cult classic - Red Krayola frontman Mayo Thompson's only solo album 'Corky's Debt To His Father'. We talk about how the album came and went on release, only to be rediscovered by later generations following reissues in the 90s and 00s, the combination of Thompson's idiosyncratic vocals and lyrics with the slick session backing band, the influence on Ryan's own lyrics and music and how Ryan managed to get Mayo Thompson to perform the album in full for the first time ever at his 'Cropped Out' music festival.

Today I'm joined by Asleep At The Wheel's Ian Stewart to shine a spotlight on the cult classic fiddle super-group album 'Fiddlers 4' - Cajun legend Michael Doucet, old-time master Bruce Molsky, progressive bluegrasser Darol Anger, and cellist Rushad Eggleston. Ian talks about falling in love with the album as a kid attending fiddle camps, how the album fuses different styles and genre approaches from each member, polyrythms, cross tuning, the fiddle as a star instrument instead of accompanying, the one and done nature of the group, the sometimes prescriptive nature of roots genres, meeting all four Fiddlers 4 and playing one of the songs from the album with Michael Doucet.

You may know my guest Dom Flemons as The American Songster, as a Grammy winner and multiple nominee, as co-founder of the Carolina Chocolate Drops, a radio host or as a music scholar and historian. Each strand is a facet that makes him one of the most interesting figures in American roots music, using his talents and platforms to illuminate it's underappreaciated histories and moving it forward into the future. Today he delves into the historic album from Linda Martell, 'Color Me Country'.

Kayla Hall, one-third of Nashville indie-pop trio Moody Joody, joins me to talk about Shania Twain's iconic 1997 album 'Come On Over'.