Song Exploder

Paula Cole is a singer, songwriter and producer from Massachusetts. She put out her first solo album, Harbinger, in 1994. Her second album, This Fire, came out in 1996 and was a real breakthrough; she was nominated for seven Grammys, and she won the Grammy for Best New Artist. In fact, that year she was the first woman in Grammy history to be nominated for Producer of the Year without a male collaborator. For this episode, Paula told me about how she made one of the big hits from that album: “I Don’t Want to Wait.” It spent 56 weeks on the Billboard charts. And then, it was heard by millions more, when it was used as the theme song for the hit TV show Dawson’s Creek. These days, Paula has been reclaiming her old music in various ways. A couple of years ago, she re-recorded some of her songs, including “I Don’t Want to Wait.” And that's the version of the song that you’ll hear throughout this episode, and at the end, in its entirety. And on September 10, 2026, Paula is putting out an archival collection of her demos. It’s called Sonic Memoir: Demos 1989-1998. It includes the original demo of “I Don’t Want to Wait,” which you’ll also hear in the episode, as Paula tells the story of how she wrote and produced the song.For more info, visit songexploder.net/paula-cole.

In 2016, Mitski did an episode of Song Exploder about her song “Your Best American Girl.” She had just released her second album, Puberty 2. Later, Pitchfork named “Your Best American Girl” one of the top 10 best songs of the past decade, and Billboard named it as one of the songs that defined the decade. And in honor of the 10th anniversary of the album, there’s a new deluxe version that’s out digitally, and a limited edition vinyl is coming in October. I thought this would be a good time to revisit Mitski’s episode, where she and her collaborator Patrick Hyland break down how “Your Best American Girl” was made. To learn more, visit songexploder.net/mitski

My guest today is John Green. John is the award-winning, #1 bestselling author of books including 'Looking for Alaska,' 'The Fault in Our Stars,' 'Turtles All the Way Down,' 'The Anthropocene Reviewed,' and 'Everything is Tuberculosis.' John and his brother Hank Green have co-created a lot of projects together, including their massive YouTube channel, Vlogbrothers, and their podcast, 'Dear Hank and John.' He also serves on the Board of Trustees for global health nonprofit Partners in Health. And when I asked John if there was a piece of music that changed his life, he knew the answer right away: "You'll Never Walk Alone" by Gerry and the Pacemakers.For more info, visit songexploder.net/john-green.

The band Air is a duo from Versailles, France. Their first EP came out in 1995, followed by their critically acclaimed debut album, ‘Moon Safari,' which was an international hit. Then they made the music for the film ‘The Virgin Suicides,‘ which was written and directed by Oscar-winner Sofia Coppola, based on the novel by Jeffrey Eugenides. The movie came out in 1999, and it was Sofia Coppola’s first film. An album version of Air’s score came out in 2000, and it was nominated for a Brit award. Pitchfork put it at number four on their list of the best film scores of all time. In addition to the instrumental music that appears in the movie, Air also wrote a song for the end credits called “Playground Love.” That song featured Sofia Coppola’s future husband, Thomas Mars, from the French band Phoenix, on vocals. Phoenix was still a very new band, and he and Sofia hadn’t even met yet. Thomas appears on the song under the name Gordon Tracks. So for this episode, I spoke to all of them: Nicolas and JB from Air; Sofia Coppola; Thomas Mars; as well as Brian Reitzell, the music supervisor of the film.For more info, visit songexploder.net/air.