
Insights from recent episode analysis
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Podcast Focus
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Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇮🇳IN · TV & Film#5610K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
5K to 15K🎙 Weekly cadence·147 episodes·Last published 2w ago - Monthly Reach
Unique listeners across all episodes (30 days)
10K to 30K🇮🇳100% - Active Followers
Loyal subscribers who consistently listen
3K to 9K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 11 epsHost
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Recent episodes
How Aussie indie games and screen are levelling up with IP
Jun 11, 2026
42m 14s
Your Audience: The Ultimate Market Guide
Jan 19, 2026
45m 40s
Alibrandi to Kangaroo: Kate Woods on directing hits for an enduring global career
Nov 19, 2025
35m 15s
From the Top End to the small screen with Miranda Tapsell and Joshua Tyler
Oct 23, 2025
28m 26s
Saving the planet one set at a time with Karl Liegis and Helen Panckhurst
Oct 6, 2025
40m 13s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/11/26 | ![]() How Aussie indie games and screen are levelling up with IP✨ | indie gamesscreen industry+4 | Joey EggerAri Harrison | Pro Jank FootyUmbrella+1 | Australia | indie gamesscreen industry+5 | — | 42m 14s | |
| 1/19/26 | ![]() Your Audience: The Ultimate Market Guide✨ | marketplace intelaudience insights+4 | Rakel Tansley | Screen Australia | — | market datadeal terms+5 | — | 45m 40s | |
| 11/19/25 | ![]() Alibrandi to Kangaroo: Kate Woods on directing hits for an enduring global career✨ | directingtelevision evolution+4 | Kate Woods | Looking for AlibrandiKangaroo+9 | — | Kate Woodsdirecting+6 | — | 35m 15s | |
| 10/23/25 | ![]() From the Top End to the small screen with Miranda Tapsell and Joshua Tyler✨ | televisionFirst Nations experiences+4 | Miranda TapsellJoshua Tyler | Amazon AustraliaTop End Wedding+1 | — | Top End BubTop End Wedding+6 | — | 28m 26s | |
| 10/6/25 | ![]() Saving the planet one set at a time with Karl Liegis and Helen Panckhurst✨ | sustainability in filmenvironmental practices+4 | Karl LiegisHelen Panckhurst | 60Forty FilmsMatchbox Pictures+3 | — | sustainable productioncarbon emissions+4 | — | 40m 13s | |
| 6/26/25 | ![]() Director Justin Kurzel on embracing your creative voice✨ | filmmakingcreative voice+3 | Justin Kurzel | Ellis ParkThe Order+2 | — | Justin KurzelEllis Park+5 | — | 23m 45s | |
| 5/22/25 | ![]() "Don't think algorithm, think audience": making data work for you in online content with Nico Lockhart✨ | audience developmentcontent production+4 | Nico Lockhart | Screen AustraliaKids IP Incubator+1 | — | YouTubeaudience engagement+5 | — | 45m 54s | |
| 4/24/25 | ![]() NITV are looking for the next great First Nations story✨ | First Nations storiesIndigenous commissioning+3 | Dena Curtis | NITVScreen Australia+1 | — | First NationsNITV+5 | — | 24m 57s | |
| 2/6/25 | ![]() Creator Nicholas Verso on adapting Invisible Boys for television✨ | adaptationtelevision+3 | Nicholas Verso | Invisible Boys | Western Australia | Nicholas VersoInvisible Boys+5 | — | 44m 57s | |
| 12/3/24 | ![]() Access Coordinator Stephanie Dower✨ | accessibilityfilm industry+3 | Stephanie Dower | Screen AustraliaAustralian screen industry | — | accessibilityDeaf+5 | — | 40m 33s | |
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| 11/7/24 | ![]() Audrey: Dark comedy on the big screen with Lou Sanz and Natalie Bailey✨ | dark comedyfeature film+3 | Lou SanzNatalie Bailey | Audrey | — | dark comedyfeature film+5 | — | 29m 45s | |
| 9/17/24 | ![]() Pikelet Pictures' Jessica Smith and Scarlett Koehne on their new online series Videoland | Videoland director Jessica Smith and producer Scarlett Koehne reflect on queer representation and 90s nostalgia in the Series Mania Comedy Competition-winning series. On the latest episode of the Screen Australia podcast, we spoke with Smith and Koehne following their win at Series Mania about their festival strategy and experience premiering in a foreign market. They also reflect on the creation of the queer dramedy and challenges of retro-fitting (literally) a video rental store. | — | ||||||
| 9/3/24 | ![]() Distribution and discoverability of Australian theatrical releases | During the latest episode of the Screen Australia podcast, we explore the changing theatrical distribution landscape. Madman Entertainment's CEO Paul Wiegard and Screen Australia Distribution Manager Anthony Grundy explain how audience behaviour has shifted since the COVID-19 pandemic and reflect on the challenges and opportunities this presents Australian filmmakers in an increasingly global marketplace. Wiegard shares Madman's approach to audience engagement as an independent distributor, while Grundy discusses some of the research and tools available through Screen Australia to support discoverability, including the new Where to Watch function. | — | ||||||
| 8/2/24 | ![]() Updates on the Marketplace and Distribution Landscape | Taking your project to market? Screen Australia Marketplace Manager Rakel Tansley shares the latest marketplace intel and advice to get the best deals on your projects. Tansley breaks down the key terms of finance plans and the market and explains the role of the Marketplace team in supporting Australian producers navigate domestic and global deals, as well as the resources publicly available on the Screen Australia website. She also talks to the key findings of the most recent Post-Financing International distribution of projects between 2020–2023, the current trend of rights, how to make IP and secondary rights work for you, the hidden costs to watch out for when building a finance plan, and shares the top five key territories and regions buying Australian film and television, both in terms of volume of sales and highest spendings. | — | ||||||
| 7/15/24 | ![]() Little J & Big Cuz and writing kids TV with screenwriter Dot West | Screenwriter and media advocate Dot West talks writing animation, reflecting kid experiences on television, and the inspiration behind Little J & Big Cuz. Throughout the episode, West shares her insight on representing First Nations experiences on screen for kids, how ACER influences the narrative, incorporating Language and the power of translations, and her thoughts on the state of children's screen content. | — | ||||||
| 7/2/24 | ![]() Behind-the-Scenes of TikTok series Growing Pains with director Devina Saberi | Filmmaker Devina Saberi shares the inspiration for new documentary series Growing Pains, as well as the challenges and opportunities of documentary storytelling for online platforms, and advice for early career filmmakers. Throughout the episode, Saberi talks about structuring stories for social media platforms, supporting community storytelling, and the challenges of observational documentary – especially while filming your friends. | — | ||||||
| 6/11/24 | ![]() Paul Clarke on Midnight Oil: The Hardest Line and shaping music documentary | Director Paul Clarke breaks down the elements of a music documentary, and the inspiration and process behind his latest feature Midnight Oil: The Hardest Line. Throughout the episode, Clarke shares his approach to research and production for the music documentary format, navigating the complexities of footage and music licensing, and celebrating the legacy of the Oils. | — | ||||||
| 5/24/24 | ![]() Tig Terera: Creating TV series Swift Street | Writer and director Tig Terera shares his experiences creating his debut television series Swift Street, and working with production company Magpie Pictures' Lois Randall and Ivy Mak, and writer Sam Carroll, to develop the series for SBS. He also shares his journey from photography to the small screen, the challenges and opportunities as a self-taught writer and director, reflecting community on screen, and advice for early career storytellers. | — | ||||||
| 5/9/24 | ![]() Building sustainable screen careers below-the-line | Learn more about the new below-the-line training and professional development initiative Screen Careers. Denise and Ken share their insight into the below-the-line sector, and discuss the challenges facing below-the-line workers, the role of training in developing the screen industry, and the resources and opportunities available to BTL crew to build responsive and sustainable careers. Eriksen shares the philosophy and development of Screen Careers, alongside details of their industry-led programming, while Crouch identifies the challenges for BTL practitioners and insight into the role of professional development within the industry. | — | ||||||
| 4/25/24 | ![]() Everything you need to know about the Game Developers Conference | The Future Leaders Delegation and Screen Australia Games team share their takeaways and advice from the 2024 Game Developers Conference. Screen Australia's Head of Online and Games Lee Naimo and Games Investment Manager Amelia Laughlan discuss their insights into the games industry, the significance of GDC for the global community, and the key takeaways from this year's conference. They also introduce the Future Leaders Delegation - a new program from Screen Australia to support underrepresented early-mid career game makers get the most out of their GDC experience. The delegation included Cult of the Lamb writer Jojo Zhou (Massive Monster); game designer and project manager Emma Losin who has worked on space epics Phantom Galaxies and Star Trek Lower Decks; co-founder of new indie studio Fat Alien Cat and game artist Jessica Lyon; Jae Stuart who is lead programmer on the recent Screen Australia Emerging Gamemakers Fund project King Tidal; and creative director of Anecdote Games Jarrod Farquhar-Nicol. | — | ||||||
| 4/11/24 | ![]() Creating White Fever with Ra Chapman and Katherine Fry | Ra Chapman and Katherine Fry share the journey from development to production of new ABC comedy series White Fever. Inspired by Chapman's lived experience as an inter-country adoptee, Chapman and Fry share their experiences developing White Fever for television; juggling multiple roles in front of and behind the camera; balancing the comedic and dramatic in storytelling; representing lived experiences authentically on screen throughout development, shooting, and the editing process, and more. | — | ||||||
| 3/18/24 | ![]() Acting local, working global with producer Kauthar Abdulalim and Blacksand Pictures | Executive Producer and CEO of Blacksand Pictures Kauthar Abdulalim reflects on her Enterprise journey, reaching international audiences with online stories, and authentic Muslim representation in storytelling. Abdulalim talks about embracing online content, supporting meaningful cultural diversity behind the scenes, building a strategic plan for your screen career, and how the Enterprise program strengthened her business skills, as she shares her advice for early career practitioners considering applying. | — | ||||||
| 2/29/24 | ![]() Costume Designer Gypsy Taylor | From The Matrix to 1980s Australia, Gypsy Taylor discusses the art and craft of costuming and the design inspiration behind her most recent projects including the flamboyant pirates of Our Flag Means Death, the fashion-focused sets of The Way We Wore and working with creative collaborator Celeste Barber, and soon the Australian 80s hit The Newsreader. | — | ||||||
| 2/8/24 | ![]() Cannes Critics' Week and Applying to Festivals | Cannes Critics' Week Head of the Film Department Rémi Bigot speaks to the opportunities and ideas behind the program, and its short film extension, Next Step – a weeklong workshop for short film directors selected for Critics' Week to transition to feature films, as well as offering insight into the application and selection process, and Screen Australia's Manager, Festivals and Industry Partnerships Dale Fairbairn shares her advice for applying to festivals. | — | ||||||
| 12/19/23 | ![]() Celebrating 50 years of screen education in Australia with AFTRS | Australian Film, Television and Radio School alumni, award-winning filmmaker Warwick Thornton and production designer Bethany Ryan, alongside AFTRS Council Chair Debra Richards, reflect on 50 years of formal screen education in Australia, and the pathways to set for emerging filmmakers and storytellers. | — | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.


