Stories of Art

Who was Vermeer? And why is his painting of a humble kitchen maid considered one of the greatest achievements of the Dutch Golden Age? Is The Milkmaid laden with hidden religious and erotic meanings, or simply a perfectly realised depiction of everyday life? Join Alastair and James as they unravel the many mysteries of Vermeer's first masterpiece. If you want to see the artworks discussed in this episode you can switch on video in your podcast app at any time. Artworks in this episode: Johannes Vermeer, The Milkmaid, 1657-58, Rijksmuseum, Amsterdam Gerard ter Borch, The Letter, 1660-65, The Royal Collection, London Jan Steen, The Feast of St. Nicholas, 1663-65, Rijksmuseum, Amsterdam Carel Fabritius, A View of Delft, with a Musical Instrument Seller's Stall, 1652, The National Gallery, London Johannes Vermeer, Saint Praxedis, c.1655, National Museum of Western Art, Tokyo Johannes Vermeer, The Procuress, 1656, Gemäldegalerie Alte Meister, Dresden Johannes Vermeer, Girl Reading a Letter at an Open Window, c. 1657-59, Gemäldegalerie Alte Meister, Dresden Domenico Fiasella, Queen Artemisia, c. 1645, Private Collection For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram and Laura Sovilla Producer and Editor: Ben Harding Executive Producer: Emma Cahusac 00:00 Introduction: The Milkmaid 05:35 The Dutch Golden Age and Delft 08:57 Vermeer's Early Life and Family 21:51 Vermeer's Early Works 28:19 Analyzing The Milkmaid 45:22 Meaning and Interpretation 1:02:41 The 1660s: Vermeer at His Peak 1:03:31 The Disaster Year and Vermeer's Death

How did Frida Kahlo manage to emerge from the shadow of her husband, the artist Diego Rivera? And how did a dog with a sock in its mouth lead to the discovery of an affair? Join Alastair and James in the second of three episodes about the Mexican artist Frida Kahlo, as they explore her tumultuous life in the 1930s and the development of her singular style of art. Artworks in this episode include: Frida Kahlo, Frieda and Diego Rivera, 1931, San Francisco Museum of Modern Art, San Francisco Frida Kahlo, Henry Ford Hospital, 1932, Dolores Olmedo Museum, Xochimilco, Mexico City Frida Kahlo, My Birth, 1932, Dolores Olmedo Museum, Xochimilco, Mexico City Frida Kahlo, A Few Small Nips, 1935 Dolores Olmedo Museum, Xochimilco, Mexico City Frida Kahlo, The Two Fridas, 1939, Museo de Arte Moderno, Mexico City For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Frida: The Making of an Icon is on at Tate Modern, London until 3rd January 2027. Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram and Laura Spada Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Elephant and the Dove 00:06:24 Diego's Infidelities 00:12:45 San Francisco and Detroit 00:20:08 Henry Ford Hospital and My Birth 00:41:32 A Few Small Nips 00:45:08 Frida's Affairs 00:51:58 Artistic Breakthrough 00:59:10 The Two Fridas

Why was Michelangelo's Last Judgement seen as so controversial in his lifetime? And what, ultimately, has been his influence on the history of art? Join Alastair and James as they tell the story of the last few extraordinary decades in the life of Michelangelo. Artworks in this episode include: Michelangelo, The Laurentian Library, 1525-50 Copy after Michelangelo, Ganymede, 16th Century Luca Signorelli, The Damned in Hell, 1500-03, Orvieto Cathedral, Orvieto Michelangelo, The Last Judgement, 1535–1541, Vatican City Michelangelo, Study for The Last Judgement, 1535–1541, The British Museum, London Etienne DuPérac, Longitudinal Section Showing the Interior of Saint Peter's Basilica Etienne DuPérac, Piazza del Campidoglio designed by Michelangelo Michelangelo, Rondanini Pietà, 1552-64, Castello Sforzesco, Milan For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Flayed Skin Self-Portrait 00:05:15 The Sack of Rome 00:07:17 Michelangelo's Republican Sympathies 00:17:04 Tommaso di Cavalieri 00:22:45 The Last Judgment Commission 00:37:38 Master Architect 00:42:40 The Final Years 00:48:01 The Rondanini Pietà 00:54:34 Legacy: The Prototype of Artistic Genius

The Sistine Chapel ceiling is arguably the most famous work of art in the world, but why was Michelangelo so reluctant to take on the commission? And just what is it about his art that has led so many regard him as a genius? Join Alastair and James in the third of four episodes charting the remarkable life and work of Michelangelo. Artworks in this episode include: Attributed to Daniele da Volterra, Portrait of Michelangelo, c.1545, Metropolitan Museum of Art, New York Raphael, Portrait of Julius II, 1511, The National Gallery, London Michelangelo, The Sistine Chapel Ceiling, 1508-1512, Vatican CIty Michelangelo, Moses, 1513-15, Basilica of San Pietro in Vincoli, Rome Michelangelo, The Awakening Slave, 1530, Galleria dell'Accademia, Florence Michelangelo, The Bearded Slave, 1530, Galleria dell'Accademia, Florence Michelangelo, Atlas, 1530, Galleria dell'Accademia, Florence Michelangelo, The Rebellious Slave, 1513-15, Musée du Louvre, Paris For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Commission 00:03:56 The Sistine Chapel Building 00:07:58 Michelangelo's Reluctance 00:18:14 Early Struggles 00:30:14 The Creation of Adam 00:44:16 Moses 00:58:42 The Unfinished Sculptures

Was Michelangelo the greatest artist that ever lived? And where did he learn his unrivalled mastery of marble? Join Alastair and James as they embark on the first of four episodes charting the epic story of the life and work of Michelangelo, known in his lifetime as Il Divino - the divine one. Artworks in this episode include: Michelangelo, The Creation of Adam, The Sistine Chapel Ceiling, c.1512, Vatican City Michelangelo, Head of a Faun, c.1489 (lost 1944) Michelangelo, Bacchus, 1496-97, Museo Nazionale del Bargello, Florence Michelangelo, Pietà, 1499, Saint Peter's Basilica, Vatican City For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Creation of Adam 00:08:58 Early Life 00:18:23 Apprenticeship with the Ghirlandaio Brothers 00:22:10 The Medici Academy and Lorenzo the Magnificent 00:27:03 The Head of a Faun: A Precocious Talent 00:33:47 Crisis and Exile: The Fall of the Medici 00:37:49 The Sleeping Cupid Forgery 00:40:56 Rome and Cardinal Riario 00:44:55 The Pietà 00:55:14 Rising Fame

Following the death of his lover, did Bacon paint one of the darkest paintings in the history 20th century art? And why is opinion so split on Bacon's late work? Join Alastair and James as they argue it out in the last episode on the life and work of one of art history's most colourful characters - Francis Bacon. Artworks in this episode include: Micheal Andrews, The Colony Room I, 1962, Pallant House Gallery, Chichester Francis Bacon, Portrait of Lucian Freud, 1951, Whitworth Art Gallery, Manchester Francis Bacon, Henrietta Moraes, 1966, Private Collection Francis Bacon, Version No. 2 of Lying Figure with Hypodermic Syringe, 1968, Private Collection Francis Bacon, Miss Muriel Belcher, 1959, Private Collection Francis Bacon, Triptych, May–June 1973, 1973, Private Collection Francis Bacon, Study of the Human Body, 1981-82, Musée national d'Art Moderne, Centre Pompidou, Paris Francis Bacon, Second Version of Triptych 1944, 1988, Tate Gallery, London Francis Bacon, Three Studies for Figures at the Base of a Crucifixion, 1944, Tate Gallery, London Francis Bacon, Blood on the Floor - Painting, 1986, Private Collection Francis Bacon, Three Studies for Self-Portrait, 1983, Honolulu Academy of Arts, Honolulu For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac

How did the horrors of the Second World War influence Francis Bacon's first great masterpiece? And what impact did his troubled childhood have on his life and art? Join Alastair and James as they explore the early life and work of one Britain's greatest artists. Artworks in this episode include: Francis Bacon, Three Studies for Figures at the Base of a Crucifixion, 1944, Tate Gallery, London Francis Bacon, Crucifixion, 1933, Private Collection For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac

Why is Hokusai's Thirty-six Views of Mount Fuji so popular? And just how influential were his images on the development of Western art? Join Alastair and James as they explore the final tumultuous, and endlessly creative, decades of Hokusai's long life. Artworks in this episode include: Hokusai, Ejiri in Suruga Province, 1830 Hokusai, Under the Wave off Kanagawa (The Great Wave), 1831 Hokusai, Fine Wind, Clear Morning, 1831 Katsushika Ōi, Nightscene in the Yoshiwara, 1860 Tsuyuki Kōshō, Hokusai and Eijo in their lodgings, before 1893 Hokusai, Tiger in the Snow, 1849 To see images of the artworks in this episode go to heni.com/storiesofart or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction 00:01:19 Hokusai's Artistic Credo 00:03:52 36 Views of Mount Fuji 00:14:58 The Great Wave off Kanagawa 00:30:02 Fire and Tragedy 00:39:13 Final Years 00:43:13 Death and Legacy 00:51:41 The Eternal Wave

How did Artemisia Gentileschi become the first woman to be elected to Florence's Academy of Arts? And why did she end up in London working as court painter to Charles I? Join Alastair and James as they explore how Artemisia continued to forge her own path in the final decades of her remarkable life. Artworks in this episode include: Artemisia Gentileschi, Self-Portrait as Saint Catherine of Alexandria, c. 1616, National Gallery, London Artemisia Gentileschi, Judith Beheading Holofernes c. 1620, Uffizi Gallery, Florence Orazio Gentileschi, Judith and Her Maidservant with the Head of Holofernes, 1624, Wadsworth Atheneum, Hartford Caravaggio, Judith Beheading Holofernes c. 1599, Galleria Nazionale d'Arte Antica, Rome Artemisia Gentileschi, Self-Portrait as an Allegory of Painting, c. 1638, The Royal Collection To see images of the artworks in this episode go to heni.com/storiesofart or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Spirit of Caesar in the Soul of a Woman 00:02:34 Judith Beheading Holofernes 00:09:25 The Revenge Debate: Art and Biography 00:14:38 The Love Letters: Francesco Maria Maringhi 00:21:14 Return to Rome and Marriage Breakdown 00:23:03 Venice and the Plague: Moving Through Italy 00:27:11 Naples and the Cabal 00:33:20 Journey to England: Painting for Charles I 00:35:07 The Self-Portrait: Artemisia or Prudentia? 00:39:00 Final Years in Naples and Legacy

He was the star of the 1980s New York art scene, but was Jean-Michel Basquiat a truly great artist or the product of a booming art market? And why did one of his works sell for more than $110 million? Join Alastair and James as they explore the meteoric rise and tragic fall of one of the most distinctive artists of the 1980s. Artworks in this episode include: Jean-Michel Basquiat Untitled, 1982 Acrylic, spray paint and oil stick on canvas, 183,2 × 173 × 4,8 cm © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Courtesy of Sotheby’s, Inc. 2025 Jean-Michel Basquiat Untitled, 1982 Oilstick on paper, 75.9 x 56.5 cm. Private Collection. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Courtesy of Colour Themes. Jean-Michel Basquiat Mosquito Coil, 1982 Oilstick, graphite and charcoal on paper, 76.2 x 109.2 cm, Private Collection. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Courtesy of Colour Themes. The exhibition "Basquiat-Headstrong" is on at Louisiana, Denmark between 30 January - 17 May 2026. To see images of the artworks in this episode go to heni.com/storiesofart or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction 00:06:19 Middle Class Brooklyn Beginnings 00:08:15 Car Accident and Grey's Anatomy 00:11:38 Family Breakdown and Teenage Rebellion 00:16:42 SAMO: The Birth of a Street Artist 00:15:45 New York in Crisis 00:24:01 Breakthrough: New York New Wave 00:34:15 The Breakthrough Year: 1982 00:37:37 Analyzing Untitled, 1982 00:44:05 Stardom: From Street to Celebrity 00:47:36 Warhol: Mentor, Friend, and Collaborator 00:53:45 Drugs and Decline 00:57:03 Death and Legacy

How did Hans Holbein become court painter to Henry VIII, one of the most notorious monarchs in British history? Without his stunning portraits would the Tudor period burn so brightly in the imagination? Join Alastair and James to find out how Holbein, an artist from a small town in southern Germany ended up kickstarting the story of British art. Artworks in this episode include: Hans Holbein the Younger, The Ambassadors, 1533, The National Gallery, London Hans Holbein the Younger, Self Portrait, c.1542-43, Uffizi Gallery, Florence Hans Holbein the Younger, Portrait of Erasmus of Rotterdam, 1523, The National Gallery, London Hans Holbein the Younger, Portrait of Sir Thomas More, 1527, Frick Collection, New York Hans Holbein the Younger, Study for a Portrait of Thomas More’s Family, c. 1527, Kunstmuseum, Basel To see images of the artworks in this episode go to heni.com/storiesofart or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Ambassadors and Holbein's Legacy 00:04:36 Early Life in Augsburg: A Family of Artists 00:09:54 Moving to Basel 00:12:03 Holbein the Man: Brawls and Beer 00:16:08 The Erasmus Portraits: A Career-Defining Commission 00:26:48 Journey to England: From Basel to the Tudor Court 00:30:13 Tudor England: A Provincial Power with Growing Ambitions 00:34:13 Sir Thomas More: Holbein's First Great English Patron 00:41:12 The Greenwich Revels 00:46:47 Departure from England: An Unfinished Story

In 1870s Paris a group of radical young artists led by Monet, Degas and Renoir decide to take on the art establishment and stage their own exhibition, independent of the enormous state-run art show - the Salon. It was a completely new idea that would transform how artists showed their work forever. But first they need to find a venue and recruit more artists to their cause. Then there’s the nagging question - how are they going to pay for it all? And when it finally opens, will anyone come? Join James and Alastair as they tell the story of the First Impressionist Exhibition of 1874, a turning point in the history of art that marked the beginning of a now world-famous art movement - Impressionism. Artworks in this week’s episode include: Claude Monet, Impression, Sunrise, 1872, Musée Marmottan Monet, Paris Jean-Léon Gérôme, L'Éminence Grise, 1873, Museum of Fine Arts, Boston Edouard Manet, The Railway, 1873, National Gallery of Art, Washington, D.C. Ludovic-Napoléon Lepic, Jupiter, 1861 To see images of the artworks in this episodes go to www.heni.com/storiesofart or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Alastair Sooke and Dr James Fox Additional Research: Catherine Ingram Producer and Editor: Ben Harding Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction to Monet's Impression Sunrise 00:05:21 Second Empire France in Crisis 00:10:28 Understanding the Salon System 00:19:17 The 1874 Salon: Conservative vs. Progressive Art 00:31:37 Formation of the Société Anonyme 00:37:41 Nadar's Studio: The Perfect Venue 00:41:57 Preparing for the Exhibition 00:44:26 Conclusion and Next Episode Teaser