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Estimated from 1 chart position in 1 market.
By chart position
- š¦š¹AT Ā· Music#165500 to 3K
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Est. listeners per new episode within ~30 days
150 to 900š Daily cadenceĀ·401 episodesĀ·Last published yesterday - Monthly Reach
Unique listeners across all episodes (30 days)
500 to 3Kš¦š¹100% - Active Followers
Loyal subscribers who consistently listen
200 to 1.2K
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On the show
From 15 epsHosts
Recent guests
Recent episodes
Music Pros vs. Hobbyists_ What Really Separates Them_[062226]
Jun 23, 2026
Unknown duration
Sync Licensing Mistakes Music Libraries Notice Immediately![061526]
Jun 16, 2026
Unknown duration
How to Make Instrumental Cues More Licensable for TV & Film_.[060826]mp4
Jun 9, 2026
1h 47m 24s
Commercials vs Film & TV_ The REAL Secret to Higher-Paying Sync Placements![060126]
Jun 2, 2026
1h 35m 56s
Inside a TV Editorās Mind_ How Music Gets Chosen for TV![051826]
May 19, 2026
1h 40m 08s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/23/26 | ![]() Music Pros vs. Hobbyists_ What Really Separates Them_[062226] | What really separates music industry professionals from hobbyists? Is it talent? Connections? Expensive gear? Or is it something much deeper? In this episode of TAXI TV, Michael Laskow sits down with legendary producers, engineers, songwriters, and music industry veterans Rob Chiarelli and Michael Lloyd for an honest conversation about what they've learned from decades at the highest levels of the music business. Between them, Rob and Michael have worked on roughly 200 Gold and Platinum records, earned multiple Grammy Awards, produced hit records, supervised film and television projects, and helped countless artists develop successful careers. In this candid discussion, they share: What separates professionals from hobbyists Why talent alone isn't enough The mindset that successful musicians have in common Career mistakes that keep talented artists stuck How professionals approach creativity and opportunity The realities of building a sustainable music career Lessons learned from decades in the recording industry Whether you're a songwriter, artist, producer, composer, or musician trying to take the next step, this conversation is packed with practical wisdom and hard-earned insights from people who've spent their lives making music at the highest level. If you've ever wondered what it really takes to move from being passionate about music to building a professional career, this episode is for you. šŗ Watch Part 1 and join the conversation. | ā | ||||||
| 6/16/26 | ![]() Sync Licensing Mistakes Music Libraries Notice Immediately![061526] | Why do some talented composers consistently land sync placements while others keep getting overlooked? In this episode of TAXI TV, music library owner, composer, and longtime TAXI member Chuck Henry shares the common mistakes he sees from the library side of the sync businessāmistakes that can quietly cost composers valuable placements. After decades in the industry, Chuck has reviewed thousands of submissions and worked with composers at every level. Surprisingly, many of the errors that hurt placement opportunities aren't made by beginnersāthey're made by experienced writers who simply don't realize what's holding them back. In this episode, you'll learn: Common sync licensing mistakes that hurt placement potential What music libraries wish composers understood Why great music alone isn't always enough Submission and production issues that raise red flags How to improve your chances of getting signed and placed What successful composers do differently Chuck also shares his inspiring journey from teaching piano lessons and performing in retail stores to becoming a successful composer and the CEO of a music library. Whether you're writing production music, composing for TV and film, or building a sync catalog, this conversation could save you years of trial and error. Join us live and learn how to avoid the mistakes that can quietly kill sync opportunities before they ever reach a music supervisor, editor, or library. | ā | ||||||
| 6/9/26 | ![]() How to Make Instrumental Cues More Licensable for TV & Film_.[060826]mp4⨠| sync licensinginstrumental cues+4 | Dean Krippaehne | Cue Tips | ā | licensable musicsync placements+5 | ā | 1h 47m 24s | |
| 6/2/26 | Commercials vs Film & TV_ The REAL Secret to Higher-Paying Sync Placements![060126]⨠| sync placementsadvertising music+4 | John Pearson | Chase CardHyundai+8 | ā | sync licensingmusic placements+5 | ā | 1h 35m 56s | |
| 5/19/26 | ![]() Inside a TV Editorās Mind_ How Music Gets Chosen for TV![051826]⨠| TV editingmusic selection+3 | Biagio Messina | ā | ā | TV musicsync music+5 | ā | 1h 40m 08s | |
| 5/12/26 | ![]() Ask Michael Anything_ Sync Licensing Tips, AI Music, & TV Placement Secrets![051126]⨠| sync licensingmusic placements+4 | ā | ā | ā | sync placementsmusic licensing+4 | ā | 1h 42m 28s | |
| 5/5/26 | ![]() Inside a Pro Track_ Developmental Arcs & Edit Points (Live Breakdown)![050426]⨠| music productionsync licensing+4 | Steve Barden | TAXIWriting Production Music for TV | ā | production musicsync-ready+5 | ā | 1h 33m 00s | |
| 4/14/26 | What Nashville Is REALLY Looking For in Country Songs (Right Now)_[041326]⨠| Nashville A&Rcountry music+3 | Steve Bloch | TAXI TVBlack River Entertainment | NashvilleMusic Row | country songsmusic industry+3 | ā | 1h 41m 55s | |
| 4/7/26 | Why Editors Reject Your Music (vs What They Actually Love)![040626]⨠| music placementsync licensing+3 | Dave Kropf | 52 CuesTAXI TV | ā | music supervisorsvideo editors+3 | ā | 1h 44m 26s | |
| 3/31/26 | ![]() Why YOUR Music Doesnāt Get Placed (Sync Agent Explains)![033026]⨠| music placementsync licensing+2 | Jim Thacker | TAXI TVTAXI | ā | sync agentmusic supervisors+2 | ā | 1h 33m 57s | |
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| 3/24/26 | ![]() Reasons Your Music Isnāt Getting Licensed (And How to Fix It)![032326]⨠| music licensingsync placements+3 | Greg Carrozza | TAXI TVTAXI | ā | sync licensingmusic supervisors+3 | ā | 1h 41m 34s | |
| 3/12/26 | ![]() Would YOU Forward This Song_ (Real A&R Decisions)[030926]⨠| A&R decisionsmusic industry+1 | ā | TAXI Independent A&R | ā | forwardsong+1 | ā | 1h 34m 26s | |
| 3/3/26 | Is Your Age Killing Your Sync Licensing Chances_[030226]⨠| sync licensingage in music+3 | ā | TAXI TVTAXI | ā | music licensingfilm music+3 | ā | 1h 34m 00s | |
| 2/24/26 | ![]() 6X Grammy-Winner Rob Chiarelli![022326]⨠| music careerproduction+3 | Rob Chiarelli | TAXI TVGrammy Award | ā | Grammy Award winnermusic production+1 | ā | 1h 48m 50s | |
| 2/17/26 | ![]() How TV Producers Choose the Music They Use![021626]⨠| music licensingsync tips+2 | Biagio Messina | Pacific Standard TimeBiagio+2 | ā | TV producersdocumentary film+2 | ā | 1h 36m 31s | |
| 2/10/26 | ![]() How Editors Decide Which Music to Use![020926]⨠| music licensingsync market+2 | Adonis Aletras | TAXITAXI TV | Cyprusthe United States+2 | sync licensingmusic composition+1 | ā | 1h 40m 26s | |
| 2/3/26 | ![]() What AI Really Means for Music Creators![020226]⨠| AImusic industry+2 | Michael Eames | PENCornell University+11 | U.S. | composersongwriter+2 | ā | 1h 36m 16s | |
| 1/27/26 | ![]() TAXIās Head Screener Answers Members' Questions![012626] | I had a whole bunch of questions I didn't get to ask our Head Screener the last couple of times he joined me on TAXI TV. He's a consummate pro, and you guys seem to love his answers, so I pulled out the unasked questions from his last two appearances and got some great answers! I'm not going to hype this up, but I really think you'll learn how to use your TAXI membership more effectively if you watch this episode. I'm also sure you'll learn how the sync industry really works, rather than relying on sketchy info and opinions from people who know some stuff, but not all of it. Do yourself (and your career) a favor and invest less time than it takes to stream another mediocre movie. Craig and I will give you more accurate inside information about sync than you'd get by taking a full-semester of a college music class. How do I know this? Because they don't teach this stuff in college! Get real-world tips that can make all the difference by watching today's episode. | ā | ||||||
| 1/20/26 | 10 Ways to Become a MORE Successful Songwriter![011926] | Thereās a reason Robin Frederick always packs the ballroom at our conference each year, and gets great reviews when she joins me on TAXI TVāshe researches what the rest of us donāt have time to, and then gives advice thatās straightforward, easy-to-follow, and many would even say, life-changing. At least, songwriters and artists say that, lol. If youāre new to TAXI, new to our email list, or youāve never seen Robin on TAXI TV or at the Road Rally, then youāre about to see why sheās achieved āguruā status among songwriters and artists all over the world. | ā | ||||||
| 1/13/26 | ![]() This Deep Dive Into AI Music Changed How I See It![011226] | There's so much information, disinformation, and countless opinions on the future of music in the shadow of generative AI that it's virtually impossible to keep up with it all. I try, but long-time TAXI member, indie musician, composer, and producer Paul Croteau does a far better job than I do. Paul has what some might call an "obsession" with gathering facts before he forms his opinions, so I listen carefully to what he has to say. In other words, he's done the heavy lifting, so the rest of us don't have to! If you'd like to become far better informed about AI as it relates to the music industry, you really don't want to miss this episode! Actually, if you create music, I don't think you can afford to not watch it. Paulie is a very smart, well-informed person, and you'll be much better informed having heard what he's got to say. | ā | ||||||
| 1/6/26 | Will These New Year's Resolutions Help You Get Sync Placements_.[010526]mp4 | I hope your holidays have been warm and inspiring. With 2026 right around the corner, now is the perfect time to reset, refocus, and talk about New Yearās resolutions for musicians that can actually move your music career forward. We'll break down practical ideas and habits for independent artists and songwriters navigating todayās music industry. Itās a long list, so donāt try to do everything. Instead, choose the resolutions that fit where you are right now, and that can create the biggest momentum in the year ahead. Whether your goals are writing better songs, pitching more strategically, understanding the music business, or building a sustainable career, these industry tips are meant to help you make smarter moves in 2026. If youāre serious about your growth as an artist, thereās a lot here to take with you into the new year. | ā | ||||||
| 12/16/25 | ![]() Ask TAXI Music's CEO Any Question, LIVE![121525] | It's been a while since we've done an "Ask Michael Anything" on TAXI TV, so that's exactly what we're going to do on today's show! Ask me anything about TAXI, engineering & production (from the mics and wires aspect), or the music licensing business, and I'll do my best to give straight-ahead, helpful answers. Btw, I was at a session at the Foo Fighters' private studio a few days ago and had my mind blown! I'm going to tell you all about that and show you some photos of the control room, live room, guitar amps, and especially the vintage Neve recording console Dave Grohl bought from the legendary Sound City studio when it closed its doors. Other stuff I'll be talking about... Want to know how many tracks you really need before music libraries take you seriously? I get that question all the time, and frankly, the answer will surprise you! And, Iām going to tell you today. These are the types of questions Iāll be happy to answer, and anything else youāve got! Viewers love these episodes, and I always have fun doing them. | ā | ||||||
| 12/9/25 | ![]() Ignorance Isn't Bliss For Musicians![120825] | There are so many ways to get paid for your work in the age of digital music that I admit Iām confused as to who exactly pays what. One thing I do know is that the people who attended the presentation by the MLC (Mechanical Licensing Collective) at this yearās TAXI Road Rally were SO glad they went! They were so grateful that Iāve invited one of the MLCās executives (Dae Bogan, Head of Third-Party Partnerships) to join us on this weekās TAXI TV. Heās great at explaining why you really could have money just sitting there waiting for you, and what you can do to collect it! I know⦠the cynic in me used to think that sounds too good to be true, but not since I did my homework and found out that itās completely true! It would be really sad to miss out on collecting money your music has already earned for you just because you didnāt know how easy it is to collect it. In this case, ignorance is not bliss! Join Dae and me for this "Do Not Miss" episode! He's really smart, highly informed, and has some very interesting thoughts on how musicians might get compensated in the AI era of music. I think those ideas and concepts might be outside of what we can learn about how the MLC works during the show, but they're so intriguing, I'm going to press him to talk about them, anyway! | ā | ||||||
| 12/2/25 | Navigating Todayās Music Business Is Much More Than the Notes![120125] | Hollywood Score Composer and Film Producer Brian Ralston is one of the most well-informed and articulate people Iāve met during my 50 years in the music business. Heās so clear-headed about so many aspects of the music and film industries that I did a solo interview with him at this yearās Road Rallyāour annual conference. Brian didnāt disappoint! The people in the ballroom felt like they had learned something important. Things they normally donāt think about because theyāre usually focused on the music much more than their career. Because he was so good, Iāve decided to do something Iāve rarely done after the Road RallyāIāve invited Brian to reprise what we did on stage last month, but this time weāre doing it live on TAXI TV! | ā | ||||||
| 11/25/25 | ![]() The Hidden Habits Shared by Successful Media Composers![122425] | During my 33 years as the CEO of TAXI, the Holy Grail Iāve been relentlessly searching for has been that āthingā that makes some composers, producers, songwriters, and artists successful, while others never achieve their goals. What is the āsecret sauce?ā Why some and not others? I recently ran into long-time TAXI member, Chuck Schlacter, in the hotel lobby during our annual conferenceāthe TAXI Road Rally. We started to discuss the mindset and habits of people who are successful in the music licensing world versus those who arenāt. What he had to say made perfect sense, so Iāve invited him to join me on TAXI TV. | ā | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.

![Music Pros vs. Hobbyists_ What Really Separates Them_[062226] episode artwork](https://i1.sndcdn.com/artworks-J4lNH00sjQjsflUy-ycRpaw-t3000x3000.png)
![Ask TAXI Music's CEO Any Question, LIVE![121525] episode artwork](https://i1.sndcdn.com/artworks-TJEvLtvrHKNwqzZO-ARULQA-t3000x3000.png)