Three Percent Podcast

On this episode, Daniel Hahn OBE joins Chad to talk about his new book, If This Be Magic: The Unlikely Art of Shakespeare in Translation. They discuss how the book foregrounds the roles creativity and interpretation play in translation, what a good companion piece it is to Hahn’s Catching Fire: A Translator’s Diary, the ways this book may bring people to both translation and Shakespeare, and the state of the field as a whole. This episode’s music is “Kate’s Theme” by Kloyd.You can subscribe to the Three Percent Podcast at Apple, Spotify, or wherever you get your podcasts.And be sure to follow our sister podcasts: Two Month Review (Apple, Spotify) and Mining the Dalkey Archive (Apple, Spotify) for more book and industry talk! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com

On this episode, Blake Butler (Molly, Void Corporation, Uxa.Gov, the Dividual Substack) joins Chad to discuss his recent piece, “What I Want In an Ideal Publisher.” They discuss various disconnects in publishing, what makes a great indie publisher, the possibility of doing things in a new way, financial transparency and editorial vision, and much more. Intro and outro music is “Couldn’t Get Ahead” by The Fall.Also, for the month of August, all Open Letter books either written or translated by women are on sale for 40% off to celebrate Women in Translation Month. Shop the whole collection here!You can subscribe to the Three Percent Podcast at Apple, Spotify, or wherever you get your podcasts.You can also find Mining the Dalkey Archive podcast at Apple, Spotify, or wherever you get your podcasts, and watch us on YouTube.And be sure to follow our sister podcasts: Two Month Review (Apple, Spotify) and Mining the Dalkey Archive (Apple, Spotify) for more book and industry talk! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com

In the final entry in this series of podcasts on the NEA (for now . . . there may be a return to industry-based Three Percent episodes in the near future), Chad welcomes Hilary Plum (Cleveland State University Poetry Center, Rescue Press, author of State Champ) and Lissie Jaquette (executive director of Words Without Borders, translator from the Arabic of Minor Detail, Thirteen Months of Sunrise, The Queue, among others) to discuss the way in which nonprofit literary presses distinguish themselves from their for-profit counterparts, and what makes a convincing narrative to attract public and private funding. Specifically: what value can a nonprofit press provide to culture that goes beyond the transactional nature of producing and selling books?Part One of this series is available here and is a scripted presentation on the history of the NEA and various attacks it has suffered over the years. (Possibly the most professional Three Percent Podcast episode ever?) And Part Two is a conversation with three literary organizations and presses about the immediate impact of these lost grants.The music for these NEA episodes is the Matmos version of “Stars and Stripes Forever,” which deconstructs John Philip Sousa’s patriotic march.If you want to support Open Letter’s publications and all related activities—such as this podcast, reading tours, etc.—consider contributing to Deep Vellum Publishing, the nonprofit organization subsidizing and supporting OL’s operations.You can subscribe to the Three Percent Podcast at Apple, Spotify, or wherever you get your podcasts.Mining the Dalkey Archive podcast at Apple, Spotify, or wherever you get your podcasts, and watch us on YouTube.And be sure to follow our sister podcasts: Two Month Review (Apple, Spotify) and Mining the Dalkey Archive (Apple, Spotify) for more book and industry talk! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com

This is part one of a two part series (for now) on the National Endowment for the Arts and the, by now, much reported on letters that NEA grantees received on May 2nd, 2025 terminating or withdrawing their approved funding. In this scripted episode, Chad goes over much of the history of the founding of the NEA, its core mission, the “Culture Wars” in the 1990s, trying to articulate how things are different today, and essentially providing a primer on what the NEA is, what nonprofit publishing is, and what the termination of this funds and possible dissolution of the agency might mean. Again, and for the first time, this is a scripted podcast loaded with information for anyone curious about this particular government organization—much more professional than the usual episode. That said, he’s joined by Kaija Straumanis (The River, High Tide), Tom Flynn (Paratext Publicity), and Brian Wood (Joytime Killbox) to comment on this history and reflect on where we are now with arts in America.Stay tuned for part two, which will be a conversation with three organizations impacted by this letters and how this will impact both their orgs—and the field of literary as a whole.The music for these episodes is the Matmos version of “Stars and Stripes Forever,” which deconstructs John Philip Sousa’s patriotic march.If you want to support Open Letter’s publications and all related activities—such as this podcast, reading tours, etc.—consider contributing to Deep Vellum Publishing, the nonprofit organization subsidizing OL’s operations. You can subscribe to the Three Percent Podcast at Apple, Spotify, or wherever you get your podcasts. Mining the Dalkey Archive podcast at Apple, Spotify, or wherever you get your podcasts, and watch us on YouTube.And be sure to follow our sister podcasts: Two Month Review (Apple, Spotify) and Mining the Dalkey Archive (Apple, Spotify) for more book and industry talk! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com

Every spring, I teach a “World Literature & Translation” class in which I select 10 translations from 10 languages and 10 different translators—most of which I also haven’t read (but which have been on my “to read” shelves)—and force my students to choose one to receive the “Best Translated Book of the Class” prize.And every spring, I want to share our excitement about these various titles, either in the form of interviews with the translators, or by writing something about them. So, over the next few months, I’ll do my best to promote each of these titles—and, when the time comes, let you know which one the class selected to be the winner. A full list of the included titles is below (and yes, I know there are 11, with one overlap language, but we’ve all got to swerve sometimes, right?) and if you’d like to debate which books you loved or disliked, which ones deserve more attention, praise, and, possible, the class prize, please check out the Substack chat, which can serve as a sort of forum for all of these posts and podcasts.Today’s guest is Emyr Wallace Humphreys, who started his translation career working from Brazilian Portuguese before returning to his native tongue, Welsh, to translate one of the most interesting works of Welsh science-fiction ever written. The Last Day came out in 1976 and predicts a future in which human beings give themselves over to a sort of AI computer . . .On this podcast—recorded with my class at the University of Rochester—we talk about the novel, Emyr’s journey as a translator, Welsh literature as a whole, working from a “small” language, Welsh music (shouts to Gwenno and Los Campesinos!), and much more. The music on this episode is “Y Dydd Olaf” by Gwenno.If you don’t already subscribe to the Three Percent Podcast you can find us on Apple Podcasts, Spotify, and wherever you get your podcasts. And follow Open Letter and Chad W. Post on Bluesky for more info about upcoming episodes and guests. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com

[Note: If you subscribe on Apple Podcasts, please resubscribe to this feed. And this one if you listen on Spotify. The others will be going away in the near future.] On the final episode of 2024, Chad, Brian, and Kaija talk about Nico C. and being unmoored from time, last words, footnotes and ellipses, some highlights from the past year, ice, and more. The "Grifters Gonna Grift" t-shirt is still available and still sexy. Next episode will be next week at the regularly scheduled time and will cover pages 189-245 of Rodrigo Fresán's Melvill. You can find the full reading schedule here. This week's music is "Water" by Ra Ra Riot. You can find all previous seasons of TMR on our YouTube channel and on Apple Podcasts, Spotify, etc. Please rate and review! It helps more than you know. Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com

[Note: If you subscribe on Apple Podcasts, please resubscribe to this feed. The other one will be going away in the near future.] With Melville's Fidèle receding into the dark distance, we turn our attention to Rodrigo Fresán's Melvill, a bombastic book about Alan Melvill and Herman and the passing down of stories from one generation to the next. On this special episode, translator Will Vanderhyden joins Brian, Chad, and Kaija to talk about translating Fresán, about the style and word play found in his books, about the footnotes, about what's to come. They also talk about the line connecting this to Confidence-Man, and how to read footnotes. And about the interplay between two narratorial voices in this first part. Also mentioned are this interview with Fresán on Between the Covers, this one with Will Vanderhyden on Beyond the Zero, and this new Fresán story ("Music to Destroy Worlds" (An Exoeriment)") in Southwest Review. And here's where you can get your own "Grifters Gonna Grift" t-shirt mentioned in this episode. Next episode will cover pages 62-123 of Rodrigo Fresán's Melvill. You can find the full reading schedule here. This week's music is "Sink or Swim" by Young Fathers. You can find all previous seasons of TMR on our YouTube channel and on Apple Podcasts, Spotify, etc. Please rate and review! It helps more than you know. Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com

[Note: If you subscribe on Apple Podcasts, please resubscribe to this feed. The other one will be going away in the near future.] Opening with a couple of rants, this week's podcast is spicy and also tries to make sense of a few of the more perplexing parts of the book. There's a wonderful interlude in this section from the narrator themselves, and, apparently, nine jokes? And a magic trick involving coins. You'll have to listen to understand. And here's the "Grifters Gonna Grift" t-shirt mentioned in this episode. This week's music is "Jealousy" by Phantogram. Next episode will cover all of of The Confidence-Man. You can find the full reading schedule here. You can find all previous seasons of TMR on our YouTube channel and on Apple Podcasts, Spotify, etc. Please rate and review! It helps more than you know. Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit threepercentproblem.substack.com