You Might Wanna Sit Down 4 This

Episode 109 kicks off with DJXP revealing to the other castmates that, after years of trial and error, experimentation, and exploring different content verticals, the podcast's YouTube channel has officially reached monetization by surpassing 4,000 watch hours within the last 365 days. While celebrating the milestone, the conversation turns reflective as they revisit the uncomfortable Episode 100 discussion where Trivelle and XP bumped heads over what it truly takes to build a successful podcast and the balance between passion, love, discipline, and dedication. Some concessions are made as they revisit that debate, while Trivelle introduces what he believes is the third ingredient necessary for success beyond skill and talent. From there, they pivot to Jay-Z responding to shots Drake sent his way on the critically acclaimed and commercially successful ICEMAN album, which has now spent its fourth week at #1. Jay-Z's response is compared to Drake's own reaction to Kendrick Lamar's "Like That" verse, with parallels drawn between the two chart-topping moments as Janice STFU continues its run atop the Billboard Hot 100. After discussing the recent downplaying of Jay-Z's career by stans and uninformed observers, the conversation naturally progresses to Taylor Swift joining Jay-Z as one of music's two richest figures. Taylor's billionaire status is particularly noteworthy because it is largely music-driven, a rarity in an industry where most artists accumulate wealth through a combination of music and outside investments. The group discusses the achievement and what it means for the business of music. Keeping things firmly in the pop culture lane, the guys then dive into their highly anticipated Summer House discussion, reacting to Parts 2 and 3 of the reunion for the house that Bravo built. Holding almost nothing back, they break down major moments involving Amanda, West, Ciara, and Kyle, discussing whether any real progress or accountability emerged from decisions that largely happened behind closed doors. Following the mega-conversation, XP introduces a series of fascinating relationship questions circulating on Reddit that tie directly and indirectly into many of the themes explored throughout the Summer House discussion, particularly around sex, infidelity, trust, and modern relationship expectations. Things take a more serious turn as the episode concludes with a discussion surrounding the recent verdict in the Karmelo Anthony and Austin Metcalf case. Welcome to the show.

Episode 107 starts with what Trivelle (pictured in the middle) calls, “I’ve been waiting two years for this.” The crew jumps straight into the end of Drake’s Iceman saga, breaking down the stream, the rollout, the Toronto takeover, and the visual-heavy release strategy surrounding the new album(s). From the artistic side to the business side, sales expectations, insider stories, and theories about why Drake approached this release as three separate projects, the conversation covers it all without doing a full review, as the music was less than 24 hours old at the time of recording. As Toronto natives themselves, the hosts dive into the significance of the city references, visuals, and rollout moments that outsiders may not fully understand. After spending nearly an hour unpacking everything Drake dropped, the episode shifts into a story the comment section demanded after a line DJXP said in the previous episode: “One day we’re going to have a real conversation about Marvin Gaye.” XP revisits that statement by reading through some of the alleged controversies surrounding Marvin Gaye and discussing why a proper biopic on him may be far more complicated than other legendary artists whose accusations have remained more of a footnote in their legacy. After the cohosts are left shocked beyond belief, the conversation naturally spirals into a discussion about voyeurism, relationships, and the mindset someone would need to have to want to watch their partner be with somebody else in the name of pleasure. That topic leads directly into a viral story about a woman who had been dating a man serious about marriage, but who continuously delayed taking the next step. Another wealthy suitor stepped in, openly challenged the procrastinating boyfriend, and ended up marrying her within six days. The hosts debate whether that situation is truly crazy considering the unconventional ways many relationships begin. That opens the door for another Summer House discussion, specifically the Amanda, West, and Ciara situation that the podcast has been covering throughout the season. The hosts compare the betrayal dynamics from the viral story to what unfolded on the show behind Ciara’s back, while also discussing the upcoming reunion, the future of the Summer House universe beyond the summer setting, and why the franchise has separated itself from many other reality shows. From there, the conversation pivots into broader reality TV history before transitioning into film and television, including Netflix’s adaptation of Man on Fire starring Yahya Abdul-Mateen II. After discussing his performance and his recent momentum following Wonder Man, the hosts debate the reasons both for and against his rise in Hollywood, compare his trajectory to Michael B. Jordan, and discuss how some actors outgrow television after getting their start there. The episode closes with a broader conversation about Hollywood making room for only a select few Black leading actors at a time, before rounding things out with thoughts on Euphoria, the Toronto Tempo first impressions, and more.

Episode 105 kicks off with the crew addressing a viral clip from the last episode, clarifying their comments and reacting to the unexpected attention around their wardrobe. From there, the conversation shifts to Dave Chappelle and the possibility of a return to Chappelle's Show. The crew debates whether a revival could even work in 2026 and expands into a broader discussion about comedy questioning why comedians are expected to constantly create new material, while musicians can rely on their “greatest hits.” Next, they dive into Coachella Week 1, focusing on Justin Bieber’s headline-grabbing performance. With minimal theatrics and a heavy emphasis on vocals, Bieber’s set sparked conversation online especially his focus on newer material and the questionable Macbook youtube gate. The crew also breaks down the business side, including his reported catalog sale and music ownership and how that may have influenced the setlist. The episode then moves into the announcement of the Chris Brown x Usher joint tour, including two major stops in Toronto at the Rogers Stadium. They debate who would walk on stage first (and technically open), how the show could be structured, and whether fans might get a Verzuz-style experience between the two R&B giants. From there, the conversation turns to the Rock and Roll Hall of Fame nominees and honorees, including Wu-Tang Clan, Phil Collins, Oasis, Fela Kuti, Sade, and Luther Vandross, along with the surrounding debates and controversies Noah Gallager has. Switching into entertainment and reality TV, the crew unpacks the drama from Summer House, focusing on the relationship fallout between Ciara Miller, West Wilson, and Amanda Batula, with the reunion looming. The tone then shifts to a more serious discussion surrounding influencer Ashlee Jenae and the ongoing investigation into her tragic death while on vacation in Tanzania. The crew discusses the online discourse, questions around the case, and the troubling narratives emerging on social media. To close out the episode, they touch on WrestleMania and the launch of Toronto Tempo, as Canada prepares for its first WNBA franchise. A packed episode covering comedy, music, culture, and real-world conversations tap in.

The episode kicks off with a deep dive into one of the biggest conversations happening in music right now: AI-generated music and copyright. Following the news that Apple is introducing transparency tags on Apple Music to disclose when artificial intelligence is used in songs, the crew debates what this means for the future of music. With the U.S. confirming that works created purely by AI cannot receive copyright protection without meaningful human authorship, the conversation quickly turns philosophical. Should artists be able to monetize music that uses AI tools? Trivelle argues that any use of AI in music should disqualify it from profit, while OShauN believes audiences will ultimately crave authenticity and push back against AI-generated art despite mass adpotion and current appeal. The discussion branches into whether AI samples in production count as “AI music,” how algorithms on streaming platforms quietly push AI songs into passive listening situations, and why younger listeners might still demand real artists and human connection. The crew also reacts to moments where artists faced backlash for using AI tools, and even jokes about which artists might need an AI tag themselves *ahem Ye* After the AI mega-conversation, Trivelle and OShauN briefly tease their excitement for Season 2 of Paradise, (before spoiling anything for DJXP) before the show shifts fully into movie territory. The guys unpack the BAFTA Awards controversy with actor John Davidson before diving into a celebration of Michael B. Jordan and the cast of Sinners, following their impressive run across the BAFTA Awards, NAACP Image Awards, and Screen Actors Guild Awards. With Jordan stacking wins, the crew debates whether his dual performance has officially entered Academy Awards territory proving OShauN's early analysis right. That conversation leads to a larger appreciation of Ryan Coogler and the incredible way he launched his directing career with Fruitvale Station, before building a run of major box-office hits leading up to Sinners. Looking ahead to awards season, the hosts speculate about which films could compete with Sinners on Oscar night, including One Battle After Another, Marty Supreme, and Hamnet. Along the way the crew also touches on: Timothée Chalamet appearing less than thrilled about Jordan’s SAG win Hollywood potentially fumbling the chance to cast Idris Elba as James Bond Speculation around Damson Idris possibly being considered for Black Panther Jonathan Majors appearing in a film produced by The Daily Wire Auston Matthews visiting the White House Jim Carrey seemingly channeling real-life The Mask energy The episode closes with a major entertainment industry development: Paramount Global potentially catching its white whale in securing Warner Bros. Discovery, after Netflix reportedly backed away from the massive $111 billion price tag.

Kicking off the post-100-episode era with Episode 101 entitled “Some Pundits,” the first portion of the show is dedicated to the elongated hiatus that began around Christmas. After an injury that Trivelle sustained, he explains what happened and shares lessons learned from people who checked on him. Once reacclimatized and warmed up, the gang acknowledges the new world they find themselves in after six weeks before diving into the big news event of the 2026 Grammys that just passed. While discussing the show in general, they hone in on the Hip Hop and Album of the Year categories (with Kendrick Lamar, Clipse, Tyler, the Creator, and others) and how there’s a kind of statistical pattern where early wins can indicate the likelihood of taking home bigger awards later...certain dominoes have to line up for that to happen. Although Trivelle makes some great points, the conversation expands to the Grammy tributes by Lauryn Hill and Justin Bieber's performance, the weight of jury-decided accolades versus sales, the requirements to be considered for awards, notable speeches, criticisms and more, giving the Grammy section a well-rounded discussion. Because two of the three hosts are involved with filmmaking, the conversation shifts to Oscar previews and the math of how certain Grammy wins can foreshadow bigger Oscar victories. They talk about Sinners, which broke the record with 16 nominations at the 98th Academy Awards, and discuss which categories it can win and which it might lose while still having a successful run. They also give flowers to standout performances from Coogler, MBJ, Delroy Lindo, and Wunmi Mosaku. Talk turns to Marty Supreme and the competitive race for Oscar supremacy, then briefly touches on the Michael Jackson biopic and how its billion-plus projection could change, especially after OShauN reveals plans for a second movie and the idea of splitting the story becomes central. As J. Cole’s new album The Fall Off is out now, Trivelle brings it up and they discuss expectations before OShauN tells the story of what happened with Cam’ron and Cole and the lawsuit. XP also highlights EverythingOShauN’s latest song IMAX (GOOF) playing across Canada during an NBA broadcast to end off the 101st episode.

Episode 99 opens with Trivelle steering the conversation back to the podcast’s early, more provocative days. He boldly claims that whether she admits it or not every woman is aware when a man is interested in her. The group debates what defines a “crush”: is it simply feeling someone is attractive, or something that must be acted upon? From there they shift to music: they discuss Gunna’s back-to-back shows in Toronto at a 10,000-capacity venue. XP points out that’s impressive for an artist performing outside the continental U.S., especially given the efforts to “get him out the way” after the YSL trial and related gang-snitch allegations. Given those pressures, Gunna’s perseverance and ability to organize successful shows earns respect. They ask whether Young Thug could still pull off equal or greater shows in Toronto today debating venue size, promotion, and logistics. Trivelle compares Young Thug’s potential to the recent 3-night run by Vybz Kartel in Toronto, and they mention How Drake surprisingly performed Show 1 on his birthday. XP praises Kartel’s stage presence and overall performance. Then T asks whether Tyla could draw a strong venue in town. Shifting gears, they talk about one of the ongoing social-media controversies: after Elon Musk unveiled Twitter’s new location sharing feature, social-media “stan” accounts are in uproar especially the ones created or rose to prominence during the Kendrick Drake some posting reckless claims. OShauN argues that people who talk recklessly online should have to show their faces and account for their words in real life. They close out by giving love to Wale’s latest release via Def Jam Recordings, and expressing excitement about how the Toronto Raptors are playing lately. Check out Episode 99.

On Episode 97, the crew starts with the uphill battle of maintaining a podcast as an entity in the creative space where others have thrived. They then move on to one of the big highlights of the last 14 days: the No Limit vs Cash Money battle signaling the return of Verzuz of sorts. Taking place in Las Vegas in collaboration with Apple Music and Universal Music Group-backed/NTWRK-newest acquisition Complex, the discussion then dives into who walked away with the crown. They also explore the widely spoken rumours of what Jay‑Z said about Verzuz in 2021—about no one being able to step in the ring with him. As the crew finds worthy adversaries for him, a Stevie Wonder x R. Kelly discussion surfaces as a potential R&B Verzuz topic—regardless of its merit. They cover Billboard’s new Hot 100 rule intended to get songs in and out faster, which leads into a conversation about Hip-Hop’s “official absence” from the Hot 100 since 1992. DJXP missteps by calling it the Billboard 200 (albums) and not factoring that into the hip-hop presence discussion. He boldly claims Kanye West is the reason for the decline, then provides his actual beliefs on the matter. A bright spot emerges as R&B makes a comeback in conversation and chart metrics with Muni Long (and “Folded” rounding out the top 15 Hot 100). They then praise older artists still making music and close out with a review.

Episode 95 kicks off with a pledge from DJXP: each member of the pod must bring a project released within the last 365 days to highlight for listeners helping combat the algorithm that struggles to keep up with over one million songs uploaded to Spotify every week. From there, the crew dives into Cardi B’s new album after finally hearing it (unlike the last episode when it had just dropped). They follow that with Doja Cat’s VIE, as DJXP gives his thoughts before everyone chimes in on Young Thug’s UY Scuti and YFN Lucci’s latest post-prison release. XP also breaks down Jeezy’s surprise mixtape Still Snowin’, which revisits his iconic sound alongside Don Cannon and DJ Toomp. The conversation shifts to industry friendships/partnerships that turned sour and what types of friendships within it can come back and under what stipulations that can happen, before moving into Bad Bunny’s upcoming Super Bowl performance...the last halftime show under Jay-Z’s Roc Nation contract. The episode wraps up with Toronto topics: Vybz Kartel selling out two (now three) Scotiabank Arena dates via OVO promotion, and XP’s firsthand review of Druski’s controversial Toronto show, including what could have been handled better...You Might Wanna Sit Down 4 This.

Episode 93 starts off with Trivelle chronicling his weight loss journey and how it has changed his ability to cuddle, before the convo shifts to one of the biggest hip hop stories of the past week: the Young Thug leaked jail calls. Convos with a litany of people, including 21 Savage, his now ex-girlfriend Mariah, and more, find Young Thug speaking on his disdain and issues with a plethora of Atlanta key players and music mainstays. These comments can be seen as either pent-up frustration or true feelings. At the time of recording, some of the bigger names had not yet been released, but the group discusses the lasting impact on the Atlanta scene...often seen as the most unified in hip hop, a reputation that’s fuelled their long musical run. Another city that enjoyed a long run, Miami, comes up next with a retelling of Ace Hood’s unfortunate contract situation, in which Khaled had a hand. This leads the convo to previews of two new Khaled songs: the mega posse cut with dancehall and reggae legends Vybz Kartel, Buju Banton, Bounty Killer, and Movado titled “You Remind Me” and “Brother” featuring NBA Youngboy and Post Malone. Cardi beating her court case follows, with the convo stemming from a recent interview where Billboard asked her about a “Big 3” that includes her, Nicki, and Meg Thee Stallion. While OShauN disagrees with the notion of a Big 3 being brought up in every comparative class, DJXP explains why there may be undue pressure on Megan Thee Stallion to be considered among hip hop’s top echelon ...pressure that may come more from her backing than necessarily her skill or versatility. The gang then runs through the new track “Gyatt” featuring two former female rap rivals, Ice Spice and Latto, who buried the hatchet to get the clubs moving with their latest record. Next up is the Drake and Bobbi Altoff interview, with everyone sharing their thoughts on how it went... some enjoying it, others explaining why they could’ve done without it. The convo then moves into sports stories, including Gilbert Arenas and Skip Bayless teaming up for a football show, and the scandal rocking the sports world involving Steve Ballmer and the Kawhi Leonard debacle. A fictitious tree-planting company, allegedly created to avoid salary cap restrictions, is revealed to have been paying Leonard his true value. The Rock’s new movie gets a standing ovation, Will Smith signs a big-picture deal with Paramount, and a heated Reddit debate has OShauN fired up as a woman with a tattoo of her deceased boyfriend on her chest wonders why her new relationships always end prematurely. This episode is jam-packed. Lock in… You Might Wanna Sit Down 4 This.

The crew dives into Toronto’s yearly Caribana tradition and the “diaspora wars” that break out when some festivalgoers push back against hearing Afrobeats at an event rooted in West Indian culture. From there, the conversation shifts to Drake’s island/Afro-inspired record with Central Cee, Which One, sparking a look at surprising Drake songs that despite massive popularity never hit #1, and the tracks that blocked them. On the heels of will.i.am’s controversial take that Black Thought is miles ahead of Jay-Z, the group examines a wild album track sequencing before launching into an unexpected head-to-head: Prime Fergie & her Black Eyed Peas run vs. Gwen Stefani & her No Doubt era. The ongoing 50 Cent vs. DMX debate segues into a bubbling 50 Cent vs. Jay-Z matchup, leading DJXP to present real-life scenarios for and against Hov being ranked above Black Thought. DJXP also praises Metro Boomin’s project for capturing a specific moment in Atlanta’s “Black Boy White Boy Swag” polo era post-White Tee/Snap and pre-Future/New Atlanta run. The episode wraps with reactions to one of Trick Daddy’s wild takes on women 35+, plus other pop culture moments to close things out.

The gang kicks things off with a deep dive into Drake’s “What Did I Miss” release and the surprise livestream that took over downtown Toronto (Dundas Square, now renamed “Sankofa”). They break down the song, the stream, the rollout strategy, the subject matter, and public reaction. From there they jump to T-Pain’s recent comments about policing artistry and the idea of an artist's exit plan from music. DJXP brings up two documentaries, one on the legendary Sly & The Family Stone, and the other on The Beach Boys, to explore how rare it is for artists to maintain the social relevance Drake still has. This leads to a full-on conversation about longevity in music. The crew discusses the blog era (Wiz Khalifa, Big Sean, Meek Mill, Cole, Kendrick, Drake, etc.) and what caused some artists to lose momentum while others stayed hot. From there a T.I. vs 50 Cent tangent sparks up, followed by a quick update on Toronto’s new Rogers Stadium, where Coldplay is set to do four sold-out shows back to back. Later DJXP brings a funny and unexpected list of “Scary Songs” found online. The crew debates which songs were actually eerie and which ones made no sense on the list (like Marvin Gaye). This leads into a Prince vs MJ moment as Purple Rain enters the discussion. After a spontaneous Thong Song drop by OShauN, the crew dives into What These Btches Want* and the revelation that there was an original version without Sisqó. That opens the floor for a convo about songs that were already perfect before the feature or had features that maybe weren’t even needed. Then comes a relationship discussion sparked by Nigerian music mogul Don Jazzy, who admits he doesn’t have the strength to be with just one woman. The team analyzes the statement, questioning whether it's honest self-awareness or a front for polygamy and whether women actually prefer that kind of transparency. The pod wraps up with some final thoughts on the Diddy case and the conclusions from the most recent rulings.

Episode 87 kicks off with some light banter and shots at Duke Dennis for allegedly having multiple baby mothers, along with Trivelle demanding time in the studio to finally record a track with OShauN. The spotlight then shifts to the news of OVO R&B duo DVSN ending their deal and signing with So So Def, where they'll now be curated by Jermaine Dupri. This sparks a deeper conversation about the functionality of artist-led labels and whether they really work. The discussion brings up DTP (Disturbing Tha Peace) led by Ludacris, which leads to a fun face-off: Bobby Valentino vs. Chingy, debating who was the better artist from a musician-led label while comparing their top hits. Next up is Lil Wayne’s ‘Tha Carter VI’, (which has officially dropped). A sneak peek of a Mannie Fresh-produced single sets the tone for the group’s reaction. That leads into talk about the Clipse and their upcoming album, along with the controversy surrounding their split from Def Jam, a move that allegedly involved a seven-figure buyout. The gang breaks down the label holdups around their Kendrick Lamar feature, which was reportedly being threatened to be censored or removed for taking shots at Drake. Staying on music, DJXP plays a leaked Lil Baby single that samples a Crime Mob classic. This triggers a debate on modern sampling, including what should be sampled, how it should be done, and some standout examples in 2025. DJXP then stands on a solo hill, boldly claiming that Erykah Badu’s Baduizm deserves the same level of praise and acclaim as Lauryn Hill’s The Miseducation of Lauryn Hill. The conversation shifts to Taylor Swift buying back her masters, Stefon Diggs matching Offset’s energy, and Cardi B’s clapback involving the NFL star. That opens the question: does having a spouse actually help your focus in sports? The gang runs through a quick list of ballplayers who had strong women by their side during their rise. There's a quick detour into Toronto Raptors speculation. Could they actually land Giannis? Reality sets in, and the conversation turns into a wild rabbit hole about Paul George being the unexpected centerpiece in multiple NBA shifts, including the Finals and SGA’s rise. The group reflects on how the Raptors may have been positioned to win another championship during the bubble years if the core roster with Kawhi Leonard had stayed intact. To close the episode, a fiery and emotional final segment breaks out between Trivelle and OShauN, centered around a viral Facebook post from a stepfather venting about being disrespected by his daughter and her mother.

Episode 85 kicks off with the crew discussing Denzel Washington’s new starring role in a Spike Lee joint titled Highest 2 Lowest, alongside A$AP Rocky and Ice Spice. This leads to a conversation about Denzel’s greatness and legacy in acting. Resident thespian EverythingOShauN takes a deep dive into why Denzel considers himself a theatre actor first, before a Hollywood one. Next, the group unpacks Ryan Coogler’s magnum opus film Sinners (spoilers ahead), and a heated debate quickly sparks between Trivelle and OShauN over Michael B. Jordan’s performance playing twins “Smoke & Stack.” This disagreement opens up a broader critique of Jordan’s entire filmography. As that conversation gains traction, XP jumps in to challenge the double standard in how Black actors are held to higher standards of excellence compared to their Caucasian peers, while dropping a controversial name to attempt to illustrate the point. After some well-deserved praise for Sinners, the crew breaks down Delroy Lindo’s iconic performance, the film’s hidden messages and spiritual layers, its commentary on the music industry, and Coogler’s creative decisions around format and how they contributed to the film’s success. During recording, NBA playoff games are unfolding live, interrupting the flow and shifting the conversation to real-time reactions. The Knicks edge out a win to go up 2–0, and Trivelle walks back his previous predictions about the Houston Rockets, offering new takes on their next steps. The focus then shifts to LeBron James, as Trivelle reveals a listener asked for him to be pressed about the viral LeBron clips from OShauN. A heated debate follows comparing peak LeBron vs. peak Jordan, with the cast reliving the highs and lows of LeBron’s dominance in the league. They also touch on Jokic’s continued excellence and Luka Doncic’s need for growth. From there, the episode transitions to music headlines. The crew discusses Bobby Shmurda’s alleged struggles with ticket sales, Busta Rhymes receiving his first Diamond plaque, and the major Afrobeats artists set to hit Scotiabank Arena in Toronto — Rema, Wizkid, and Davido. That is, until XP finds out in real time that Wizkid’s show has been canceled, sparking a conversation about the significance of selling out arenas in markets like Toronto compared to London or New York. As the one-year anniversary of the biggest rap conflict of all time approaches, the gang reacts to the debate between DJ Hed (for Kendrick) and Mal (for Drake) on the Rory & Mal podcast. They dissect the arguments and the direction the battle took. Finally, after Rockstar Games once again delayed the generational release of GTA 6, they surprised fans with a brand-new trailer. XP breaks it down and reflects on the cultural impact a game of that scale holds. Trivelle closes out the episode with updates on football (including the Champions League Final), boxing, and more.