60 Songs That Explain the '90s

A song played at every wedding, at every dance, and in every store, “Stacy’s Mom” has cast a great shadow over the rest of the discography of Fountains of Wayne. Today, Rob is here to shine some light on their prolific careers, commemorating the life of legends including the lead bassist and lyricist for the band, Adam Schlesinger. Fountains of Wayne are clearly a 2000s-sounding band, but their lyrics are reminiscent of bands from Rob’s youth like The Cars, giving them a timeless sound. Later, he is joined by music journalist Annie Zaleski, who shares her favorite songs from their catalog, how “Stacy’s Mom” became a novelty song, and the many different projects of Adam Schlesinger after Fountains of Wayne like ‘Crazy Ex-Girlfriend’ and the band Ivy. Host: Rob Harvilla Guest: Annie Zaleski Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie CONNECT Instagram: https://www.instagram.com/60songsthatexplainthe90s TikTok: https://www.tiktok.com/@60songsthatexplainthe90s (00:00) Intro: Starting from the End: Rob’s favorite song from Fountains of Wayne (19:50) This week’s song: “Stacy’s Mom” by Fountains of Wayne (21:24) New Jersey’s prevalence in rock, and the influences of Fountains of Wayne (36:58) The best of Adam Schlesinger’s lyricism (51:08) Fountains of Wayne’s humor (60:58) Interview with Annie Zaleski (77:07) Outro Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pack up your winter gear—we’re headed to the Wisconsin woods. This week, Rob retreats into Justin Vernon’s cabin to remember the buzzy indie album ‘For Emma, Forever Ago,’ which launched the career of the eventual Grammy-winning band Bon Iver. He looks back on how critics and audiences were enamored with the narrative that Vernon wrote the album while heartbroken and alone in the woods, and the way his voice conveyed those feelings. Later, Rob’s joined by The New York Times’ Jon Caramanica to discuss if “Skinny Love” possibly led to “stomp-clap” music and what collaborators like Kanye West and Taylor Swift heard in Bon Iver. (00:00) Intro: Neko Case’s voice as a force of nature (30:19) This week’s song: “Skinny Love” by Bon Iver (32:36) Justin Vernon’s (many) early bands (48:29) Bon Iver’s abstract lyrics (55:05) “Skinny Love” and the narrative of ‘For Emma, Forever Ago’ (01:04:57) Interview with Jon Caramanica (01:33:25) Outro Host: Rob Harvilla Guest: Jon Caramanica Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie CONNECT Instagram: https://www.instagram.com/60songsthatexplainthe90s TikTok: https://www.tiktok.com/@60songsthatexplainthe90s Learn more about your ad choices. Visit podcastchoices.com/adchoices

She sings both kinds of music—country and Western—and you better be grateful for it. Lee Ann Womack followed in the footsteps of icons like Dolly Parton, Loretta Lynn, and Tammy Wynette, but she took even greater inspiration from male country stars like George Jones. After making a name for herself with her captivating tunes, Womack reckoned with love and faith on the beautiful—and melancholy?—"I Hope You Dance," which became a crossover hit and Womack's signature song. Rob is joined by music journalist Marissa R. Moss, who discusses what Womack faced as a woman in country music during the late '90s and 2000s and the selflessness it takes to write a love song to someone who is leaving your life. (00:00) Intro: The Blues Brothers go to Bob's Country Bunker (24:19) Remembering Dolly Parton (38:11) This week's song: "I Hope You Dance" by Lee Ann Womack (41:02) Womack's early tracks and the state of country in the late '90s (57:28) Is "I Hope You Dance" a sad or happy song? (01:05:27) Interview with Marissa R. Moss (01:33:12) Outro Host: Rob Harvilla Guest: Marissa R. Moss Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie Power up your play with Nintendo Switch 2. Instagram: https://www.instagram.com/60songsthatexplainthe90s/?utm_source=ig_web_button_share_sheet TikTok: https://www.tiktok.com/@60songsthatexplainthe90s?is_from_webapp=1&sender_device=pc Learn more about your ad choices. Visit podcastchoices.com/adchoices

Twee aesthetics, songs about fleeting youth (sung by people who are objectively young), and lots and lots of blogs—that’s right, we’re talking about indie rock in the aughts. Today, Rob recounts how Swedish trio Peter Bjorn and John came from humble beginnings before their single “Young Folks” whistled its way to many best-of lists and became one of the era’s defining indie anthems. Later, he’s joined by ‘Such Great Heights’ author Chris DeVille to discuss the legacy of Peter Bjorn and John’s album ‘Writer’s Block’ and how it signals a shift in the commercialization of indie rock. (00:00) Intro: Is the Beach Fossils Bass Toss indie rock’s peak?(26:43) This week’s song: “Young Folks” by Peter Bjorn and John(31:50) The band’s early days in Sweden(36:43) ‘Falling Out’ and PB&J’s songs of fading youth(45:31) Indie twee and Rob’s whistling perils(52:38) “Young Folks” and highlights from ‘Writer’s Block’(01:02:55) Interview with Chris DeVille(01:27:55) Outro Host: Rob HarvillaProducers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia CrerieGuest: Chris DeVille Power up your play with Nintendo Switch 2.CONNECTInstagram: https://www.instagram.com/60songsthatexplainthe90sTikTok: https://www.tiktok.com/@60songsthatexplainthe90s Email us at [email protected] Learn more about your ad choices. Visit podcastchoices.com/adchoices  Learn more about your ad choices. Visit podcastchoices.com/adchoices