ArtTactic

In this week’s episode of the ArtTactic Podcast, host Adam Green speaks with Will Jarvis, Founder and CEO of Gertrude, a contemporary art platform and mobile app that directly connects emerging and independent artists with art buyers, and co-founder of the London gallery The Sunday Painter. Will discusses how Gertrude works, why he believes the current art world landscape has created opportunities for new models, and how the platform aims to support artists who may not have traditional gallery representation. He also shares his perspective on the challenges facing younger galleries, smaller galleries, and rising artists, as well as the barriers that can prevent new collectors from entering the art market. Together, Adam and Will explore what it would take for the art world to become more open and accessible, and how platforms like Gertrude can provide collectors with access, context, and confidence while helping artists build visibility and sustainable careers.

In this week’s episode of the ArtTactic Podcast, host Adam Green is joined by Christine Messineo, Director of Americas for Frieze, ahead of Frieze New York. As New York’s May art week gets underway, Christine shares her perspective on the mood surrounding this year’s fair and the broader art market. Adam and Christine discuss what galleries are looking for when they commit to a major fair, how Frieze New York fits into the city’s busy cultural calendar, and the strengths and challenges of its home at The Shed. They also explore how Frieze supports younger galleries, the continued evolution of EXPO Chicago under Frieze ownership, and what visitors can look forward to discovering at this year’s edition of Frieze New York.

In this week’s episode of the ArtTactic Podcast, host Adam Green is joined by Tim Schneider, founder of The Gray Market. The conversation looks back at how Tim’s 2025 art market predictions played out before turning to his newly released forecasts for 2026, including the persistence of what Tim calls “art market dysmorphia” as galleries simultaneously expand and contract, and why auction houses may generate far more revenue from categories like wine and spirits than from young contemporary art. Adam and Tim also discuss whether brands like Frieze or Art Basel could extend beyond the fair model into other sectors, as well as the growing possibility of US museums financially guaranteeing works at auction. The episode concludes with Adam and Tim each sharing a special ArtTactic Podcast exclusive prediction for the art market in 2026.

In this week’s episode of the ArtTactic Podcast, host Adam Green speaks with Andrea Crane, cofounder of 291 Agency, about the rise of the artist agent and why this role has become increasingly relevant in today’s art world. Andrea reflects on her early career at Gagosian and her long-standing relationship with Cecily Brown, which led her to become one of the first agents in the contemporary art world at a time when this model was still highly uncommon. The conversation explores the founding of 291 Agency, how artist agencies work alongside galleries, and the broader cultural shift around artist and brand partnerships.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with artist Beeple as Art Basel Miami Beach approaches its 2025 edition. Beeple discusses what it was like to experience the explosive rise of NFTs from the inside, how the digital art market has matured since that initial boom, and whether collectors, curators, and institutions are now engaging with the medium in a more thoughtful and sustainable way. The conversation also explores Art Basel’s new Zero 10 section, a long-term commitment to presenting digital art, Beeple’s involvement in shaping its debut, the evolving role of galleries for digital artists, and a preview of the new work he will show in Miami.

As the art world gears up for Art Basel Miami Beach, host Adam Green speaks with Bridget Finn, the fair’s director, about what to expect from this year’s edition. Bridget shares her perspective on the energy heading into Miami Art Week and how the city’s rapid growth and expanding cultural landscape are shaping the fair. She also addresses some of the biggest conversations happening in the art world today, including the pressures galleries face around the rising costs of art fairs, how her team thinks about pricing and accessibility, and what it means when long-time exhibitors decide to sit out a year. Bridget offers an inside look at how she and her team continue to evolve one of the most important fairs in the United States, from innovation and visitor experience to the artworks and presentations she is most excited for people to see.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Arun Kakar, Senior Art Market Editor at Artsy, about the European fall art fair season, focusing on Frieze London and Art Basel Paris. The conversation explores whether London’s strong showing this year signals a genuine comeback, how Art Basel Paris’s new Avant-Première preview affected the fair’s atmosphere, and how sales compared between the two events. Adam and Arun also highlight the most talked-about gallery and museum exhibitions across both cities and reflect on what these two weeks reveal about the evolving balance of power between London and Paris in the international art market.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Cathy Fan, Editor-in-Chief of Artnet News China and co-author of The Asia Pivot, Artnet Pro’s biweekly newsletter on Asia’s art markets. They discuss the rise and recent reckoning of China’s private museum boom. Once symbols of cultural ambition and immense wealth, many of these institutions are now struggling to stay relevant amid shifting economic conditions and changing collector priorities. Cathy explains how China’s private museum sector developed, why it became such a powerful force in the global art market, and what led to its current challenges. She also explores how this slowdown is reshaping the broader Chinese art ecosystem and what the future may hold for these once-dominant institutions.