Everything Is Fake

One of the strange things about our new media universe, is how innocuous decisions taken in Silicon Valley - turning a dial, or adding a few lines of code to increase engagement - can change your life. In 2016, Instagram introduced a new way of looking at content: the non-chronological feed. Now, instead of seeing what your friends were posting in the order they were posting it, an algorithm brought you stuff based on search history, likes, and interactions. That’s how tech engineers saw things back then - not just at Instagram, but at Pinterest, and other platforms too - if you engage with something, that must mean you want more of it. Ian Russell believes that this algorithmic change may have altered the course of his 14 year old daughter Molly's life.Presenter: Jamie Bartlett Producer: Caitlin Smith Sound Design: Eloise Whitmore Composer: Jeremy Warmsley Story Consultant: Kirsty Williams Execuitve Producer: Peter McManus Commissioner: Dan Clarke A BBC Scotland Production for Radio 4.Archive: 'Instagram implements big changes to users' feed, ditches chronologixal content' DT Daily; March 16th 2016. US Senate Committee on the Judiciary, Nov 7th 2023If you are suffering distress or despair and need support, including urgent support, a list of organisations that can help is available at bbc.co.uk/actionline.New episodes released on Mondays. If you’re in the UK, listen to the latest episodes of The Gatekeepers, first on BBC Sounds: bbc.in/3Ui661u

The tech pioneers were right: all this connectivity and sharing is creating a new age of freedom and democracy. A global consciousness. Arab Spring, Barack Obama – both fuelled by social media - make the possibilities feel limitless.But, just as the dream to connect everyone is being realised - at the height of technological optimism - everything starts to fall apart.Producer: Caitlin Smith Sound Designer: Eloise Whitmore Mix: Gav Murchie Composer: Jeremy Warmsley Story Consultant: Kirsty Williams Executive Producer: Peter McManus + Heather Kane-Darling Research: Rachael Fulton, Elizabeth Ann Duffy and Juliet Conway Commissioned by Dan ClarkeArchive: C-NET Jan 2007; The Obama White House Archive, April 2011; C-Span, December 2008; C-Span 1996.New episodes released on Mondays. If you’re in the UK, listen to the latest episodes of The Gatekeepers, first on BBC Sounds: bbc.in/3Ui661u

For years something strange has been happening online, but most of us have no idea what’s really going on. Ethnic conflict in Myanmar. A chemistry professor is killed in Ethiopia. A teenager dies in her bedroom in London. A mob storms the Capitol in Washington DC.And that’s the moment that catches Jamie Bartlett’s eye. A few days after the riot, on January 9th 2021, the outgoing leader of the United States is suspended on social media. First Twitter, (renamed X), and then Facebook. A President silenced. It’s a glimpse behind the curtain. For the first time millions of us can see the power of technology companies. They can delete you. They can amplify you. They can change your life. Social media has conquered the world. Jamie Bartlett follows the roots of this story back to San Francisco : the home of Big Tech, where he meets one of the early pioneers of social media who tells him about a strange hand bound book, passed around hippy communes in the summer of love, and how it turned the world upside down. Archive Credits: Wolf of Wall Street, Paramount Pictures; Telecommunications Bill sign in, C-Span 1996; Bloomberg's TicTic 2019; Fox News 2020 Presenter: Jamie Bartlett Producer: Caitlin Smith Sound Design: Eloise Whitmore Music: Jeremy Warmsley Story Consultant: Kirsty Williams Researchers: Rachael Fulton, Elizabeth Ann Duffy and Juliet Conway Executive Producer: Peter McManus Commissioning editor: Dan Clarke. A BBC Scotland Production for BBC Radio 4New episodes released on Mondays. If you’re in the UK, listen to the latest episodes of The Gatekeepers, first on BBC Sounds: bbc.in/3Ui661u