
Insights from recent episode analysis
Audience Interest
- installation art techniques
- artist personal journeys
Podcast Focus
- interviews with installation artists
- creative processes in art
Publishing Consistency
- weekly episodes released
- active for two years
Platform Reach
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Total monthly reach
Estimated from 5 chart positions in 5 markets.
By chart position
- 🇦🇺AU · Visual Arts#1045K to 30K
- 🇵🇪PE · Visual Arts#2410K to 30K
- 🇳🇴NO · Visual Arts#2610K to 30K
- 🇨🇴CO · Visual Arts#973K to 10K
- 🇫🇮FI · Visual Arts#131500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
14K to 52K🎙 ~2x weekly·42 episodes·Last published 2w ago - Monthly Reach
Unique listeners across all episodes (30 days)
29K to 103K🇦🇺29%🇵🇪29%🇳🇴29%+2 more - Active Followers
Loyal subscribers who consistently listen
11K to 41K
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On the show
Recent episodes
Architectural Installation Pioneer: Donna Dennis on Scale, Space & Feminism
May 26, 2026
Unknown duration
Bonus: Biennale of Sydney 2026 – What Worked, What Didn't & Why It Matters
May 12, 2026
Unknown duration
Art as Playgrounds: Mike Hewson on Infrastructure, Risk & Responsibility
Apr 21, 2026
Unknown duration
Under the Pavement: Tanja Smeets on Materials, Collaboration & Growth
Apr 7, 2026
Unknown duration
Bonus: I Went to Helsinki Biennale So You Don't Have To (But You Should)
Mar 31, 2026
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/26/26 | ![]() Architectural Installation Pioneer: Donna Dennis on Scale, Space & Feminism | I made a 3-minute listener survey to help shape the podcast's future. Your feedback genuinely matters.Fill out here: https://forms.gle/qqHJrMXpsC9UYu2m7Leave a voice message: https://www.speakpipe.com/installationartpodcastBuy me a coffee: https://buymeacoffee.com/installationartpodcastDonna Dennis is one of the contemporary art pioneers who pushed sculpture toward the domain of architecture in the early 1970s. Her complex sculptural installations draw from overlooked fragments of American vernacular architecture.This conversation dives into five decades of art-making in New York's evolving art world. We discuss how she taught herself carpentry, pipe bending and electrical work to build pieces based on her body's scale. How Virginia Woolf's "Shakespeare's sister" gave her the drive to make work even if no one ever saw it. How feminism shaped her False Front Hotels as self-portraits when she decided "women's lives were worthy of study." And why she refuses to use the word "practice" to describe her work.Donna's work is held in collections including the Metropolitan Museum of Art, the Brooklyn Museum, the Walker Art Center, and the Smithsonian American Art Museum.Key moments from this episode:• From failing at abstract painting in Paris to her first steps toward installation• SoHo in the 1970s: how big raw loft spaces made it possible for artists to think bigThe Holly Solomon Gallery story: from studio visit ("we're buying a country house") to "I'm starting a gallery and I want you to be in it"—then Whitney Biennial within two yearsVenice Biennale 1982: realizing in April the show is in June, not 1984—quit your job, six assistants, work doubling in size• A car roll into the river in slow motion, with Donna’s belongings inside – and how that inspired a public artwork that also suffered a tragic end• ”A woman made this!?" The comment that captures why size matteredDonna Dennis is based in Germantown, New York. You can learn more about her work and subscribe to her newsletter on her website: https://www.donnadennisart.comAnd follow her on Instagram: https://www.instagram.com/donnadennisstudio03:00 Hudson Valley Roots04:07 Rapid Fire Warmup05:06 Virginia Woolf Feminist Purpose07:28 Night Studio Rituals09:40 Early Art Calling12:36 From Painting to Installations47:28 Storage Risks49:58 Hidden Vistas51:19 Meaning And Mystery54:34 Audience Boundaries57:09 Vandalism Tale01:04:01 Funding Choices and Final ReflectionsBooks mentioned:Writing Toward Dawn: Journals 1969-1982: https://www.donnadennisart.com/publications/writing-toward-dawnDonna Dennis: A Poet in Three Dimensions: https://www.donnadennisart.com/publications/donna-dennis-poet-in-three-dimensionsAlso mentioned in this episode:Petah Coyne: https://www.petahcoyne.org/ | https://www.instagram.com/petahcoyne/Episode with Petah Coyne: https://installationartpodcast.com/petah-coyne-032Robert Fulton: https://en.wikipedia.org/wiki/Robert_FultonVirginia Woolf: https://en.wikipedia.org/wiki/A_Room_of_One's_OwnGustave Doré: https://www.wikiart.org/en/gustave-doreBen Shahn “The Shape of Content”: https://www.goodreads.com/book/show/284780.The_Shape_of_ContentArt Students League: https://www.artstudentsleague.org/ | https://www.instagram.com/aslnyc/ | @ArtStudentsLeagueNYMartha Diamond: https://marthadiamondtrust.org/ |Carleton College: https://www.carleton.edu/ | https://www.instagram.com/carletoncollege | @CarletonCollegeClaes Oldenburg: https://www.wikiart.org/en/claes-oldenburgJane Bowles “Two Serious Ladies”: https://www.goodreads.com/book/show/215262.Two_Serious_LadiesDeafman Glance by Robert Wilson: https://robertwilson.com/deafman-glanceHistory of Art by Horst Waldemar Janson: https://www.goodreads.com/en/book/show/2693801-history-of-artPeter Schjeldahl: https://www.newyorker.com/contributors/peter-schjeldahlThe New Yorker: https://www.newyorker.com/ | https://www.instagram.com/newyorkermag/ | @newyorkerThe Poetry Project: https://www.poetryproject.org/ | https://www.instagram.com/poetry_project | @ThePoetryProjectHolly Solomon: https://bonhams.shorthandstories.com/the-collection-of-holly-solomon/Andy Warhol: https://www.wikiart.org/en/andy-warholDenise Green: https://www.denisegreen.net/ |Judy Pfaff: https://www.judypfaffstudio.com/ | https://www.instagram.com/judy.pfaff/Whitney Biennial: https://whitney.org/exhibitions/the-biennial | https://www.instagram.com/whitneymuseum/ | @whitney_museumVenice Biennale: https://www.labiennale.org/en | https://www.instagram.com/labiennale/ | @BiennaleChannelO’Flaherty’s: https://www.donnadennisart.com/exhibitions/houses-and-hotels | https://www.instagram.com/oflahertys.nyc/The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media:Instagram: https://www.instagram.com/installationartpodcast/Tiktok: https://www.tiktok.com/@installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: | — | ||||||
| 5/12/26 | ![]() Bonus: Biennale of Sydney 2026 – What Worked, What Didn't & Why It Matters | I made a 3-minute listener survey to help shape the podcast's future. Your feedback genuinely matters.Fill out here: https://forms.gle/qqHJrMXpsC9UYu2m7Leave a voice message: https://www.speakpipe.com/installationartpodcastA candid review of the 25th Biennale of Sydney, spanning five venues across Greater Sydney: from a regional gallery that got everything right to an old Power Station full of missed opportunities.I spent 10 hours at the media preview visiting all five venues: Lewers Penrith Regional Gallery, Chau Chak Wing Museum, Campbelltown Arts Centre, Art Gallery of New South Wales and White Bay Power Station. This isn't a comprehensive report, it’s my personal takeaway on what works (and what fails) when it comes to installation art at an international exhibition.The 25th Biennale of Sydney, titled Rememory and curated by Hoor Al-Qasimi, demonstrates something that's come up again and again on this podcast: you can have prestigious artists, important topics and historic venues, but if the lighting is wrong, if there's nowhere to sit, if the space outshines the art… it doesn't work.What I cover:• Why Lewers: Penrith Regional Gallery was the standout venue• Some highlighted works from each venue• The 11-minute sound installation no one experiences beyond 15 seconds – and other accessibility challenges• Documentation vs art – where is the line?• A moment of comparison: do island Biennales create better experiences?00:32 Biennale of Sydney Facts02:57 Penrith Gallery Highlight05:32 Everyone’s Favorite Installation08:06 Chau Chak Wing Museum10:31 Campbelltown Art Centre - Documentary Debate13:21 Art Gallery of NSW Picks17:12 White Bay Venue Challenges22:26 Video Overload Critique26:32 Installation Missteps32:48 Final TakeawaysBiennale of Sydney 2026: Rememory is on view until 14 June 2026, free entryMore info: https://www.biennaleofsydney.art/Review by art critic Christopher Allen: https://www.theaustralian.com.au/culture/worse-than-anticipated-how-the-sydney-biennale-became-a-site-of-mediocrity-and-irrelevance/news-story/efd37fe54c91806748fd89fda76f65f6Also mentioned in this episode:Biennale of Sydney: https://www.biennaleofsydney.art/ | https://www.instagram.com/biennalesydney/ | @biennaleofsydneyVenice Biennale episode: https://installationartpodcast.com/bonus-013Helsinki Biennial episode: https://installationartpodcast.com/bonus-039Lewers: Pentrith Regional Art Gallery: https://www.penrithregionalgallery.com.au/ | https://www.instagram.com/penrithregionalgallery/Nora Adwan: https://noraadwan.com/home.html | https://www.instagram.com/adwan.nora/Chau Chak Wing Museum: https://www.sydney.edu.au/museum/ | https://www.instagram.com/ccwm_sydney/Michael Dagostino: https://www.sydney.edu.au/museum/about-us/our-people.htmlEma Shin: https://emashin.org/home.html | https://www.instagram.com/ema.shin/Tuan Andrew Nguyen: https://www.tuanandrewnguyen.com/ | https://www.instagram.com/tuan.andrew.nguyen/Cambelltown Arts Centre: https://www.campbelltownartscentre.com.au/Home | https://www.instagram.com/campbelltownartscentre/ | @campbelltownartscentre8258Hoor Al-Qasimi: https://www.biennaleofsydney.art/hoor-al-qasimi/ | https://www.instagram.com/hooralq/Joana Hadjithomas & Khalil Joreige: https://hadjithomasjoreige.com/ | https://www.instagram.com/studiohadjithomasjoreige/Art Gallery of NSW: https://www.artgallery.nsw.gov.au/Kuba Dorabialski: https://www.kubadorabialski.com/ | https://www.instagram.com/kubadora/Mia Wasikowska: https://www.imdb.com/name/nm1985859/ | https://www.instagram.com/mia_wasikowska_/Taysir Batniji: https://www.taysirbatniji.com/ | https://www.instagram.com/taysir_batniji/Kapwani Kiwanga: https://www.kapwanikiwanga.org/Ron Mueck: https://ropac.net/artists/63-ron-mueck/ | https://www.instagram.com/ronmueckart/Mike Hewson: https://mikehewson.co.nz/ | https://www.instagram.com/mikehewson/MCA: https://www.mca.com.au/ | https://www.instagram.com/mca_australia | @mcaaustraliaWhite Bay Power Station: https://www.whitebaypowerstation.com/ | https://www.instagram.com/whitebaypowerstation/Christopher Allen: https://en.wikipedia.org/wiki/Christopher_Allen_(critic)Cockatoo Island: https://www.cockatooisland.gov.au/en/ | https://www.instagram.com/harbourtrust/ | @HarbourTrust2088Frank Sweeney: https://franksweeney.art/ | https://www.instagram.com/frankbeee/Hui Ye: https://yehui.org/ | https://www.instagram.com/huiyeist/The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host... | — | ||||||
| 4/21/26 | ![]() Art as Playgrounds: Mike Hewson on Infrastructure, Risk & Responsibility | Listener feedback form: https://forms.gle/T6ywdFawXWKLu1UR6Leave a voice message: https://www.speakpipe.com/installationartpodcastA conversation with New Zealand artist Mike Hewson, recorded inside his monumental installation The Key's Under the Mat at the Art Gallery of New South Wales – a 2,500 square meter underground park complete with working sauna, laundromat, barbecues, DJ booth, recording studio and playground that's broken every visitor record the gallery has ever seen.Mike's practice straddles the complex lines between art, infrastructure and public liability. He designs playgrounds that councils don't know how to regulate, builds permanent public sculptures that must survive Australian weather conditions and human interference and he takes on legal exposure that would terrify most artists, all while fighting the perception that making functional, interactive work is somehow "beneath" serious art.Key insights from this episode:• The Christchurch earthquake moment: barefoot in a broken city, wondering whether he should keep pursuing art• Project backlash: dealing with public anger, going into debt on his first major commission and lessons learned• Strategic pivot: setting a new precedent as an artist-engineer• True scope of the AGNSW project and how he sourced materials for it• Hard truth and advice: burnout is not a sustainable business modelMike Hewson is a New Zealand artist based in Sydney. You can find out more about his work on his website https://mikehewson.co.nz/ and follow him on Instagram: https://www.instagram.com/mikehewson See his work in person:The Key's Under the Mat at AGNSW Tank (open until August 2026) https://mikehewson.co.nz/2025/10/the-keys-under-the-mat Coal Loader Palm Grove is a permanent public installation at Sydney Fish Markets: https://mikehewson.co.nz/2026/1/coal-loader-palm-grove Rocks on Wheels public art playground in Soutbank, Naarm (Melbourne): https://mikehewson.co.nz/2022/11/rocks-on-wheels Pockets Park in Pioneers Memorial Park, Leichhardt NSW: https://mikehewson.co.nz/2022/2/pockets-park St Peters Fences at Simpson Park, St Peters NSW: https://mikehewson.co.nz/2020/9/st-peters-fences Illawarra Placed Landscape at Crown Street Mall, Wollongong NSW: https://mikehewson.co.nz/2017/11/illawarra-placed-landscape 02:55 Work Life Balance Reality05:35 Growing Up in Rural NZ08:02 From Painting to Installations19:40 Building Playgrounds as Art27:37 Precarious Look Safe Design32:32 Sourcing Found Materials40:33 Maintenance and Record Crowds45:41 Afterlife and Financial Reality58:51 Geopets Art Fair Hack01:07:17 Contracts, Insurance and Codes01:20:51 Hard Truths And Advice01:25:51 After The Mammoth ShowAlso mentioned in this episode:Christchurch earthquake: https://en.wikipedia.org/wiki/2011_Christchurch_earthquake JR: https://www.jr-art.net/ | https://www.instagram.com/jr/ Columbia University: https://www.columbia.edu/ | https://www.instagram.com/columbia/ | @columbiaSarah Sze: https://www.sarahsze.com/ | https://www.instagram.com/sarahszestudio Lloyd’s: https://www.lloyds.com/australia | https://www.instagram.com/lloydsoflondon/ | @LloydsinsuranceInfrastructure NSW: https://www.infrastructure.nsw.gov.au/ | Gumtree: https://www.gumtree.com.au/ | https://www.instagram.com/gumtreeaus | @gumtreeaustraliaLett Thomas Gallery: https://lett-thomas.com/ | https://www.instagram.com/michaellett | https://www.instagram.com/lettthomasgallery Rirkrit Tiravanija: https://www.davidzwirner.com/artists/rirkrit-tiravanija | https://www.instagram.com/rirkrit_team Sydney Fish Market: https://www.sydneyfishmarket.com.au/ Images courtesy of the artist and Art Gallery of NSWThe Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media:Instagram: https://www.instagram.com/installationartpodcast/Tiktok: https://www.tiktok.com/@installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art https://www.instagram.com/anastasiaparmson.art/ | — | ||||||
| 4/7/26 | ![]() Under the Pavement: Tanja Smeets on Materials, Collaboration & Growth | I made a 3-minute listener survey to help shape the podcast's future. What's working? What's not? Who should I interview next? Your feedback genuinely matters. Fill out here: https://forms.gle/qqHJrMXpsC9UYu2m7Get 15% off your .art domain name: https://get.art/?refdotart=art5044n9z17mpromo code: ART5044N9Z17MA conversation with Dutch artist Tanja Smeets, whose site-specific installations employ diverse and industrial materials (concrete spacers, leaf catchers, textiles, ceramics and 3D-printed steel) to create large scale works that appear to grow organically from architecture and cityscapes.Guided by her catchphrase “Under the pavement the roots are whirling,” Tanja's practice reveals what it takes to work at the intersection of art, craft, technology and collaboration.Key insights from this episode:• Why art school felt like failure• Finding and transforming unusual materials• Residencies at TextielLab and European Ceramic Work Center: pushing porcelain through frying sieves, learning embroidery and more• The volcano eruption: teaching an assistant to knot lentils into lycra via Zoom when flights were grounded• Miami airport interrogation: five suitcases, a letter and threatening border patrol agents with a lecture on artTanja Smeets is a Dutch artist based in Utrecht. Her work has been exhibited internationally including Manifesta and Museum Boijmans van Beuningen. See her work in person atWesterpark, Amsterdam (permanent public sculpture) and Centraal Museum, Utrecht (permanent installation in historic staircase).03:24 Favorite Quote – Under the Pavement the Roots Are Whirling09:35 The Iceland Trip That Changed Everything15:49 From Painting to Installation – When Everything Clicked20:10 A Government Building Commission – Dripping Through Multiple Floors22:50 How the Opportunities Started Coming29:24 TextielLab – Combining Felt with Leaf Catchers33:09 European Ceramic Work Center Residency47:47 When the White Cube Doesn’t Work48:52 Manifesta Barcelona – Installing on 5th-Century Graves51:17 Building Solo vs Working with Teams56:33 The Commercial Question – “I’m Always Disappearing into Big Installations”01:02:10 Miami Airport – Five Suitcases and the Threat of a Lecture01:06:56 MX3D Collaboration – 3D-Printed Stainless Steel01:11:43 Finding Technical Collaborators and Pushing Boundaries01:17:09 Dream Project01:20:00 Advice for Emerging ArtistsOpening of solo exhibition and launch of new publication and film about Tanja’s work: 11 April 2026 at the Utrecht in Leeuwarden.The book can be ordered via studiotanjasmeets@gmail.comYou can find out more about her work at https://www.tanjasmeets.nl/ and follow her on Instagram https://www.instagram.com/studiotanjasmeets/Also mentioned in this episode:Dyckman Farmhouse Museum: https://dyckmanfarmhouse.org/ | https://www.instagram.com/dyckmanfarmhouse | @dyckmanfarmhousemuseum8502Museum Boijmans van Beuningen: https://www.boijmans.nl/en | https://www.instagram.com/boijmans/TextielMuseum: https://textielmuseum.nl/en | https://www.instagram.com/textielmuseum/TextielLab: https://textiellab.nl/enEuropean Ceramic Work Centre: https://ekwc.nl/en/ | https://www.instagram.com/ekwc_oisterwijk/ @sundaymorningekwc6951David Lynch: https://en.wikipedia.org/wiki/David_LynchEraserhead: https://www.imdb.com/title/tt0074486/Blue Velvet: https://www.imdb.com/title/tt0090756/Kunsthal KAdE: https://www.kunsthalkade.nl/en/ | https://www.instagram.com/kunsthal_kade_amersfoort | https://www.youtube.com/user/KUNSTHALKADEManifesta: https://manifesta.org/ | https://www.instagram.com/manifestabiennial/ | @Manifesta_foundationMondriaan Fund: https://www.mondriaanfonds.nl/en/homepage-2/ | https://www.instagram.com/mondriaanfonds/Museum of Arts And Design: https://madmuseum.org/ | https://www.instagram.com/madmuseum | @madmuseumMuseum Vizcaya: https://vizcaya.org/ | https://www.instagram.com/vizcaya_museum/ | @VizcayaMuseumWesterpark: https://www.iamsterdam.com/en/explore/neighbourhoods/westerpark | https://www.instagram.com/iamsterdamMX3D: https://mx3d.com/ | https://www.instagram.com/mx3d.metal.printing/ | @officialMX3DCentraal Museum Utrecht: https://www.centraalmuseum.nl/en | https://www.instagram.com/centraalmuseumThe Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media:Instagram: https://www.instagram.com/installationartpodcast/Tiktok: https://www.tiktok.com/@installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art https://www.instagram.com/anastasiaparmson.art/Mentioned in this episode:Get your .art domain namehttps://get.art/?refdotart=art5044n9z17m promo code: ART5044N9Z17M | — | ||||||
| 3/31/26 | ![]() Bonus: I Went to Helsinki Biennale So You Don't Have To (But You Should) | Take the listener survey: https://forms.gle/r2EN8w9C7wisUxJe7Help shape the future of the podcast! Your feedback matters. A bonus solo episode about my last minute art trip to Helsinki: what I saw at Helsinki Biennale on Vallisaari island, three must-visit museums (Kiasma, Amos Rex, HAM), and why sometimes the best art experiences require a little effort to reach.Last August, I hopped a ferry from Estonia to catch the closing days of Helsinki Biennale. In a day and a half, I discovered why island biennales create magic, why Nordic countries do art infrastructure better and what Australia can learn from Finland's approach to supporting artists and making contemporary art accessible to everyone.This isn't a comprehensive review, it’s my honest impressions, favorite discoveries and a few rants.What I cover in this episode:• Why the ferry journey to Vallisaari island matters (hello, Cockatoo Island nostalgia)• The challenge of installing art outdoors: scale, setting and competing with historic buildings• Standout works: Sara Bjärland's bronze "inflatable" sculptures, Tania Candiani's immersive bunker installation, Ana Teresa Barboza's woven bark forest• Three essential Helsinki museums: Kiasma (timeless favorite), Amos Rex (new obsession), HAM (Biennale HQ)• Gushing about Helsinki Central Library (Oodi): free recording studios, 3D printing, instrument hire – everything Sydney libraries lack…• Free museum days and artist benefits: how my Australian NAVA card got me free entry in Finland (but not in Sydney... explain that)00:00 Why I Went To Helsinki Biennale01:20 Getting to Vallisaari03:31 Island Setting and Challenges07:06 Scent Art Surprise08:46 Standout Works13:14 Lesson About Rushing15:28 Rainy Day Museum Crawl: Kiasma16:32 Amos Rex and HAM21:44 Finland Artist Perks23:37 Wrap Up and Listener PollResources:Listener survey - help shape this podcast! https://forms.gle/r2EN8w9C7wisUxJe7Send a voice message: https://www.speakpipe.com/installationartpodcast Write an email: https://installationartpodcast.com/contact Also mentioned in this episode:Helsinki Biennale: https://helsinkibiennaali.fi/en/ | https://www.instagram.com/helsinkibiennial/ Vallisaari: https://vallisaari.fi/en_US | https://www.instagram.com/vallisaari.fi Biennale of Sydney: https://www.biennaleofsydney.art/ | https://www.instagram.com/biennalesydney/ | @biennaleofsydneyCockatoo Island: https://www.cockatooisland.gov.au/en/ | https://www.instagram.com/harbourtrust/ | @HarbourTrust2088Olafur Eliasson: https://olafureliasson.net/ | https://www.instagram.com/studioolafureliasson/ Raimo Saarinen: https://www.raimosaarinen.com/ | https://www.instagram.com/raimosaarinen/ Sara Bjarland: https://sarabjarland.com/ | https://www.instagram.com/sbjarland/ Tania Candiani: https://taniacandiani.com/en/ | https://www.instagram.com/tcandiani/ Ana Teresa Barboza: https://www.anateresabarboza.com/ | https://www.instagram.com/anateresa.barbozagubo/ Nabbteeri: https://www.nabbteeri.com/ | https://www.instagram.com/maria_birkhuhn/ | https://www.instagram.com/nabbage/ Kiasma: https://kiasma.fi/en/ | https://www.instagram.com/kiasmamuseum Amos Rex: https://amosrex.fi/en/ | https://www.instagram.com/amoskonst/ Anna Estarriola: https://www.annaestarriola.com/ | https://www.instagram.com/annaestarriola/ HAM: https://www.hamhelsinki.fi/en/ | https://www.instagram.com/hamhelsinki/ Oodi: https://oodihelsinki.fi/en/ | https://www.instagram.com/oodihelsinki/ NAVA: https://visualarts.net.au/ | https://www.instagram.com/nava_visualarts/ | — | ||||||
| 3/17/26 | ![]() Drawing in Space: Monika Grzymala on Tape, Ephemeral Art & Intuition | Get up to 40% off your Hostinger plan: https://hostinger.com?REFERRALCODE=INSTALLATIONARTA philosophical conversation with Berlin-based artist Monika Grzymala, whose spatial drawings transform architecture with nothing but kilometers of black tape, intuition and intense physical labor.Monika's practice is deceptively simple: she works alone, without assistants, using adhesive tape to create immersive three-dimensional drawings that respond to each unique space. But beneath that simplicity we discuss profound questions about ephemerality, energy, presence and what remains when a work only exists for weeks before disappearing…From training as a stone sculptor to making her first site-specific drawing on ice at a Hamburg skating rink, from dumping all her figurative work after one transformative conversation with her professor to developing custom tape formulas with German manufacturers—Monika's journey reveals how radical simplicity can be the most powerful artistic choice.Key insights from this episode:• How one professor's comment changed everything• The longevity of tape installations: 2-3 months before they fall apart (and why that's intentional)• Documentation philosophy: why time-lapse videos don't capture the real process• Living inside an installation: the collector who surrounded herself with Monika's work• Advice for emerging artists: you don't need funding or large studios—just do itMonika Grzymala is a Polish artist based in Berlin. You can find out more about her work on her website: http://www.t-r-a-n-s-i-t.net/ and follow her on Instagram: https://www.instagram.com/monika.grzymala/Monika’s publications: https://www.betterworldbooks.com/search/results?q=monika grzymalaShe is represented byGalerie CRONE: https://www.galeriecrone.com/ | https://www.instagram.com/galerie_crone/BERG Contemporary: https://www.bergcontemporary.is/en | https://www.instagram.com/bergcontemporary/SECCI Gallery: https://www.seccigallery.com/ | https://www.instagram.com/secci_gallery/03:20 Studio Rituals03:48 Berlin Life And Process05:44 Origins And Training08:01 Finding The Line13:25 Ephemeral Tape Philosophy31:24 Hunting For The Perfect Tape32:21 Liquid Drawing Mindset36:14 Funding Ephemeral Installations38:06 Energy, Memory And Reality41:31 Logistics And Documentation56:15 Advice For Young ArtistsAlso mentioned in this episode:MoMA: https://www.moma.org/ | https://www.instagram.com/themuseumofmodernart | @themuseumofmodernartThe Drawing Center: https://drawingcenter.org/ | https://www.instagram.com/drawingcenter/Biennale of Sydney: https://www.biennaleofsydney.art/ | https://www.instagram.com/biennalesydney/ | @biennaleofsydneyTokyo Art Museum: https://www.tobikan.jp/en/ | https://www.instagram.com/tokyometropolitanartmuseum/ | @tokyometropolitanartmuseum7280Louise Bourgeois: https://en.wikipedia.org/wiki/Louise_Bourgeois | https://www.instagram.com/artistelouisebourgeois/Documenta: https://documenta.de/en | https://www.instagram.com/documenta_official | @documenta_officialBogomir Ecker: https://www.artforum.com/events/bogomir-ecker-2-226647/Olafur Eliasson: https://olafureliasson.net/ | https://www.instagram.com/studioolafureliasson/ Dian Woodner: https://patronview.com/patrons/dian-woodnerFrac Lorraine: https://www.fraclorraine.org/en/ | https://www.instagram.com/fraclorraine/ | @49nord6est-fraclorraineKunstlerhaus Dortmund: https://www.kh-do.de/ | https://www.instagram.com/kuenstlerinnenhaus_dortmund | @kunstlerhausdortmund2577Kunstmuseum Basel: https://kunstmuseumbasel.ch/ | https://www.instagram.com/kunstmuseumbasel/ | @kumubaselThe Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media:Instagram: https://www.instagram.com/installationartpodcast/Tiktok: https://www.tiktok.com/@installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art https://www.instagram.com/anastasiaparmson.art/ | — | ||||||
| 2/24/26 | ![]() Behind the Scenes of the Art World: Carrie Scott on Fees, Access & Support | Get 15% off your .art domain name: https://get.art/?refdotart=art5044n9z17mpromo code: ART5044N9Z17MGet Carrie's Artist Inventory Template here: https://www.seen.art/store/p/artist-inventory-template A refreshingly candid conversation with Carrie Scott: curator, art consultant, broadcaster and founder of Seen, a media platform connecting the art world to the real world.This is our most unfiltered episode yet, where we tackle topics that might "get us in trouble": what consultants actually charge, why artists should have elevator pitches (despite what famous curators say), whether museums should pay artists a percentage of ticket sales, and how galleries claim they'll "find you" while rejecting all submissions.Carrie's career spans working with major galleries in Seattle and New York, collaborating with Nick Knight for a decade, launching groundbreaking exhibitions and now building a consultancy that refuses to be motivated purely by commission. She is opinionated, pragmatic and genuinely invested in making the art world less intimidating and more transparent.Key insights from this episode:• The real numbers: what art consultants charge• Why Carrie is building an art consultancy that is not centered around transaction• The controversial debate: should artists have an elevator pitch?• What galleries mean when they say "don't contact us" (and should you ignore it)?• Creative health as the third pillar of wellness alongside physical and mental health• Practical advice for ambitious artists and where to find helpful resourcesCarrie Scott is a curator, art historian, consultant and broadcaster based in London. She is the founder of Seen, a media platform and consultancy dedicated to connecting the art world to the real world.You can find out more about her work at https://www.seen.art/ and follow her on Instagram https://www.instagram.com/carriescottcurates/00:34 Carrie's Favorite Quote03:34 Background and Early Life07:13 Journey into Art and Education09:58 First Job and Early Career Challenges21:26 Transition to Consulting and Launching Her Own Business40:24 The Value of Installation Art43:48 Challenges in Monetizing Installation Art45:35 Artist-Museum Revenue Sharing52:05 Curating and Supporting Artists56:26 Advice for Emerging Artists01:09:45 Dream Projects and Future PlansAlso mentioned in this episode:Brothers And Keepers by John Edgar Wideman: https://www.goodreads.com/book/show/50891912-brothers-and-keepersOverherd oat milk: https://overherd.uk/ | https://www.instagram.com/overherd.ukThe Wallace Collection: https://www.wallacecollection.org/ | https://www.instagram.com/wallacemuseum | @TheWallacecollectionJean-Honoré Fragonard: https://www.wikiart.org/en/jean-honore-fragonardDickinson College: https://www.dickinson.edu/ | https://www.instagram.com/dickinsoncollege | @dsoncollegeConde Nast: https://www.condenast.com/University of Washington: https://www.washington.edu/ | https://www.instagram.com/uofwa/ | @universityofwashingtonSeattle Magazine: https://seattlemag.com/ | https://www.instagram.com/seattlemag/The Seattle Times: https://www.seattletimes.com/ | https://www.instagram.com/seattletimes/Seattle University: https://www.seattleu.edu/ | https://www.instagram.com/seattleu/ | @seattleuniversityThe Stranger: https://www.thestranger.com/ | https://www.instagram.com/thestrangerseattle/James Harris: https://jamesharrisgallery.com/ | https://www.instagram.com/jamesharrisgallery/Rashid Johnson: https://www.hauserwirth.com/artists/2830-rashid-johnson/ | https://www.instagram.com/rashidjohnson/Nicole Klagsburn: https://www.nicoleklagsbrun.com/ | https://www.instagram.com/nicole_klagsbrun_inc/Matt Day Jackson: https://www.hauserwirth.com/viewing-room/matthew-day-jackson/ https://www.instagram.com/matthewdayjackson/Mika Rottenberg: https://www.hauserwirth.com/artists/23390-mika-rottenberg/ | https://www.instagram.com/mikarottenberg/Jimmy Moffat: https://www.instagram.com/jimmymoff/Art + Commerce: https://artandcommerce.com/ | https://www.instagram.com/artandcommerce/Annie Leibovitz: https://en.wikipedia.org/wiki/Annie_Leibovitz | https://www.instagram.com/annieleibovitz/Steven Meisel: https://en.wikipedia.org/wiki/Steven_Meisel | https://www.instagram.com/stevenmeiselofficial/Nick Knight: https://www.nickknight.com/ | https://www.instagram.com/nick_knight/180 Studios: https://www.180studios.com/ | https://www.instagram.com/180.studios/The Art Show on Sky Arts: https://www.carrie-scott.com/theartshoq | https://www.instagram.com/artshowtv/ | @theartshow791Simonette Quamina: https://www.simonettequamina.com/ | https://www.instagram.com/simonette_quamina/John Pawson: <a href="https://www.johnpawson.com/" rel="noopener... | — | ||||||
| 2/3/26 | ![]() What Installation Artists Need: Nicolas de Oliveira & Nicola Oxley | Get 15% off your .art domain name: https://get.art/?refdotart=art5044n9z17mpromo code: ART5044N9Z17MTry Hostinger: https://hostinger.com?REFERRALCODE=INSTALLATIONARTAn extraordinary conversation with Nicolas de Oliveira and Nicola Oxley, the writer-curator duo who literally wrote the books on installation art and founded the Museum of Installation in London. For nearly 40 years, they've been chroniclers, producers, curators, and advocates for a medium that barely had a name when they first started.From publishing the definitive Installation Art books (1994, 2003) and commissioning hundreds of new works to building an extensive archive – Nicolas and Nicola have been at the coalface of installation art's evolution.In this wide-ranging discussion, they share what it was like convincing galleries that installation art even existed, why good documentation became their mission, and how they've sustained independent curatorial practice for four decades on "absolute shoestring budgets."Key insights from this episode:• How installation art emerged and why galleries insisted it was "just sculpture"• Coining the term "immersive" in their 2003 book (before it became ubiquitous)• Their philosophy of curating as co-production• The economics of independent spaces: how friendships sustain what funding cannot• Why they turned down a massive London space and turned to making books• The difference between installation art and the "entertainment industry" of immersive experiences• Advice for emerging artists: practice comes first, outcomes come laterNicolas de Oliveira and Nicola Oxley are based in London and run SE8 Gallery in Deptford. Their books Installation Art (1994) and Installation Art in the New Millennium (2003) remain foundational texts in the field.They publish artist books under their imprint Mulberry Tree Press and continue to curate exhibitions internationally while maintaining one of the most extensive archives of installation art documentation in the world.00:26 Discovering Installation Art01:50 Early Influences and Inspirations06:24 Founding Unit 7 Gallery07:30 The Role of Documentation14:45 Museum of Installation18:30 SE8 Gallery and International Projects20:05 Challenges of Space and Real Estate24:10 Curatorial Practices and Artist Relationships36:09 Writing Process and Collaboration43:02 Funding and Sustainability47:06 Installation Art and the Art Market01:05:08 Supporting Artists Through Time and Commitment01:07:36 Advice for Emerging Installation Practitioners01:17:58 Curating Shows in Different Countries01:24:09 Documenting and Archiving Installations01:43:44 Defining Installation Art and Its FutureSE8 Gallery: https://se8.gallery/ | https://www.instagram.com/nicode.oliveira?igshid=YmMyMTA2M2Y=Installation Art (1996): https://www.goodreads.com/book/show/12208566-installation-artInstallation Art in the New Millennium (2003): https://www.goodreads.com/book/show/1972215.Installation_Art_in_the_New_MillenniumOur interview with Hans op de Beeck: https://installationartpodcast.com/hans-op-de-beeck-018Bonus episode: What is Installation Art: https://installationartpodcast.com/bonus-025Bonus episode: Why This 2026 Venice Biennale Scandal is Splitting the Art World: https://installationartpodcast.com/bonus-031Also mentioned in this episode:Goldsmith’s University: https://www.gold.ac.uk/ | https://www.instagram.com/goldsmithsuol/ | @GoldsmithsUoLArte Povera: https://en.wikipedia.org/wiki/Arte_PoveraYves Klein: https://www.yvesklein.com/en/yves-klein/ |Allan Kaprow: http://www.allankaprow.com/Dan Graham: https://en.wikipedia.org/wiki/Dan_GrahamRachel Whiteread: https://en.wikipedia.org/wiki/Rachel_Whiteread | https://www.instagram.com/rachelwhitereadofficial/Bruce Nauman: https://www.moma.org/artists/4243-bruce-nauman | https://www.instagram.com/brucenaumanart/Edward Woodman: https://jhg.art/events/space-light-and-time-edward-woodman-a-retrospective/Helen Chadwick: https://en.wikipedia.org/wiki/Helen_ChadwickThames & Hudson: https://www.thamesandhudson.com/ | https://www.instagram.com/thamesandhudsonICA London: https://www.ica.art/ https://www.instagram.com/icalondon/Whitechapel Gallery: https://www.whitechapelgallery.org/ | https://www.instagram.com/whitechapelgallery | @whitechapelgalleryCamden Art Centre: https://camdenartcentre.org/ | https://www.instagram.com/camdenartcentre/ | @camden-art-centreMuseum of Installation: https://www.moca.london/moi.html | https://www.tate.org.uk/whats-on/tate-britain/museum-of-installation-archiveNew Museum: https://www.newmuseum.org/ | https://www.instagram.com/newmuseum/ | @newmuseumPhyllida Barlow: https://www.hauserwirth.com/artists/2826-phyllida-barlow/KW Institute for Contemporary Art: https://www.kw-berlin.de/en/ | https://www.instagram.com/kwinstitutefcontemporaryart/Boris Groys: https://en.wikipedia.org/wiki/Boris_GroysGoshka Macuga: https://www.moma.org/artists/131293-goshka-macuga | https://www.instagram.com/gonogo.space/?hl=enHans op de Beeck: https://hansopdebeeck.com/ | https://www.instagram.com/hans_op_de_beeck/Dave Hickey: https://en.wikipedia.org/wiki/Dave_HickeyStefan Brüggemann: http://www.stefanbruggemann.com/ | <a... | — | ||||||
| 1/6/26 | ![]() 30,000 Flowers and Lives Changed – Zadok Ben-David on Installation Art at Scale | Try Descript: https://get.descript.com/s8kjemvu79fzAn in-depth conversation with award-winning sculptor and installation artist Zadok Ben-David, whose practice spans delicate miniature work to large-scale public installations. From his early beginnings in Yemen and Israel to representing his country at the Venice Biennale, Zadok shares the philosophical and practical journey behind his internationally acclaimed work. Discover how he transforms metal into poetic metaphors exploring human nature, evolution, and our relationship with the natural world (and how one installation changed a stranger's life forever).Key insights from this episode:• The path from abstract expressionism at St Martin's School of Art to creating massive figurative installations• How 30,000 hand-painted flowers became one of the world's most travelled installations and the team of assistants who helped create them• Behind the scenes of installing work across five continents, from prisoners in Germany to 70 assistants in Uzbekistan• The commercial strategy that funds large-scale installations through smaller original works• Why Zadok turned down a $1 million public art commission to maintain artistic integrity• The profound moment when his Blackfield installation helped a Holocaust survivor find hope againZadok Ben-David is based in London and Portugal. You can find out more about his work on his website https://www.zadokbendavid.com/ and follow him on Instagram @zadokstudio https://www.instagram.com/zadokstudio/Exhibition “FLOWERS. Art from the Renaissance to Artificial Intelligence” in Rome until 22 February 2026: https://www.chiostrodelbramante.it/post_mostra/flowers-flowers-art/03:27 Work-Life Balance Insights06:15 Journey to Art and Family Influence09:17 Art School Challenges and Triumphs10:19 Moving to London and Early Struggles15:15 Discovering Sculpture and Teaching21:06 First Installations25:17 Animal Metaphors in Art34:25 Global Exhibitions and Unique Experiences38:23 Commercial Aspects of Art40:33 People I Saw, But Never Met44:58 Art Installations Around the World48:58 The Other Side of Midnight54:44 Challenges in Art Installations01:04:37 The Healing Power of Art01:11:40 Upcoming Exhibitions and Contact InformationAlso mentioned in this episode:Anish Kapoor: https://anishkapoor.com/ | https://www.instagram.com/dirty_corner/Jerusalem Art Academy: https://www.bezalel.ac.il/en | https://www.instagram.com/bezalel_academy | @bezalelacademyofartanddesi1460University of Reading: https://www.reading.ac.uk/ | https://www.instagram.com/uniofreading/ | @UniofReadingChelsea College of Arts: https://www.arts.ac.uk/colleges/chelsea-college-of-arts | https://www.instagram.com/unioftheartslondon/ | @UniversityoftheArtsLondonCentral Saint Martins: https://www.arts.ac.uk/colleges/central-saint-martins | https://www.instagram.com/unioftheartslondon/ | @UniversityoftheArtsLondonAnthony Caro: https://www.anthonycaro.org/ | https://www.instagram.com/anthonycarocentre/Aesop: https://en.wikipedia.org/wiki/Aesop's_FablesKrylov: https://en.wikipedia.org/wiki/List_of_Krylov's_fablesKröller-Müller Museum: https://krollermuller.nl/en | https://www.instagram.com/krollermullermuseum/Kunsthal Rotterdam: https://www.kunsthal.nl/en/#tijdlijn-2026-03 | https://www.instagram.com/kunsthal/ | @KunsthalRotterdamArt Gallery of Uzbekistan: https://uzbekistan1.com/art-gallery-of-uzbekistan/Neanderthal Museum: https://neanderthal.de/en | https://www.instagram.com/neanderthalmuseum/ |@NeanderthalMuseumSculpture by the Sea: https://sculpturebythesea.com/ | https://www.instagram.com/sculpturebythesea | @sculpturebytheseaNational Museum of the Republic of Kazakhstan: https://nmrk.kz/en/ | @qazaqstanrespyblkasynynult9862Annandale Galleries: https://annandalegalleries.com.au/ | https://www.instagram.com/annandalegalleries/Ploshchad Mira Museum Center: https://mira1.ru/about | @na_mira1Krasnoyarsk Museum Biennale: https://biennale.ru/Joseph Beuys: https://en.wikipedia.org/wiki/Joseph_BeuysGYRE: https://gyre-omotesando.com/en/ | https://www.instagram.com/gyre_omotesando/ | @gyreTVChiostro del Bramante: https://www.chiostrodelbramante.it/post_mostra/flowers-flowers-art/ | https://www.instagram.com/chiostrodelbramante_roma | @chiostrodelbramanteAndreas Gursky: https://www.andreasgursky.com/ | https://www.instagram.com/andreasgursky_officialAi Weiwei: https://www.aiweiwei.com/ | https://www.instagram.com/aiww/The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media:Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/Mentioned in this episode:Try Descript:https://get.descript.com/s8kjemvu79fz | — | ||||||
| 12/23/25 | ![]() Bonus: How to Do Residencies – And Other Big Questions for Installation Artists | Subscribe to receive new episodes straight to your inbox: https://installationartpodcast.com/subscribeIn this bonus episode, host Anastasia Parmson explores what it really means to approach residencies as an installation artist. Beyond the logistics of time, space, and materials, we dive into bigger questions that shape the medium:• How to make large-scale, site-specific work in short timeframes and unfamiliar contexts?• What happens when you choose temporary or fragile materials instead of archival ones?• Is the value of installation art in the object, the process or the audience experience?• Could installation art be considered disposable or should we always aim for permanence?Drawing from a recent experimental residency at DRAW Space in Sydney, Anastasia reflects on the challenges of working fast, improvising with cardboard and collaborating with others. But more importantly, you’ll be invited to consider your own approach to residencies, materials, and the long-term value of installation art.Whether you’re an installation artist or simply curious about how these questions play out in practice, this episode offers insights and provocations designed to spark discussion.00:00 Introduction and Listener Review01:54 Invitation to Draw Space Residency03:47 Challenges and Initial Thoughts06:10 Execution and Community Involvement08:21 Building the Installation12:01 Final Touches and Open Day15:43 Reflections on the Experiment24:49 Conclusion and Future PlansDid this episode raise questions or spark ideas?We’d love to hear from you! Share your thoughts, stories, or residency experiences:• Leave a voice message: https://www.speakpipe.com/installationartpodcast• Send a DM on Instagram: https://www.instagram.com/installationartpodcast/• Use the contact form: https://installationartpodcast.com/contactBuy me a coffee: https://buymeacoffee.com/installationartpodcastAlso mentioned in this epsisode:DRAW Space: https://drawspace.org/ | https://www.instagram.com/drawspacesydneyMentioned in this episode:Get your .art domain namehttps://get.art/?refdotart=art5044n9z17m promo code: ART5044N9Z17M | — | ||||||
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| 12/9/25 | ![]() Uffe Isolotto on World-Building, Collaboration and Venice Biennale | Get 15% off your .art domain name: https://get.art/?refdotart=art5044n9z17mpromo code: ART5044N9Z17MGreat deals from web host Hostinger: https://www.hostinger.com/referral?REFERRALCODE=INSTALLATIONARTAn enlightening conversation with celebrated Danish artist Uffe Isolotto. Discover his journey from growing up in a remote town in Denmark to being selected to represent his country at the prestigious Venice Biennale.Learn how Uffe balances work and life, the nuances of his collaborative process, and his unique approach to installation art.Key insights include:• The role of music and collaboration in his creative process.• Uffe’s early inspirations and how he evolved from poetry to visual art.• The logistics and challenges of creating large-scale immersive installations and collaborating with other artists and craftsmen.• Behind-the-scenes about preparing for the Venice Biennale and the unexpected aftermath.• Future projects and Uffe’s interest in film and world-building as part of his artistic practice.Tune in to gain a deeper understanding of Isolotto’s process and his innovative approach to contemporary installation art.You can follow Uffe on Instagram at @uffeisolotto https://www.instagram.com/uffeisolotto/ and learn more about his installation for the Danish Pavilion at Venice Biennale at @wewalkedtheearth https://www.instagram.com/wewalkedtheearth04:47 Journey into Art and Education10:07 First Major Projects and Public Art12:34 Venice Biennale Experience15:57 Collaborations and Challenges18:19 Creative Process and World Building28:04 Skills and People Management30:49 Exploring Hyperrealistic Sculpture31:30 Post-Venice Reflections33:14 Venturing into Filmmaking37:40 Artistic Practice and Longevity44:49 Funding and Challenges54:52 Advice for Young Artists58:04 Current Projects and Future PlansPS: We ran into a few technical issues during the recording of this episode, which means a small section of the conversation didn’t make it into the final cut and the audio isn’t perfect throughout. We appreciate your understanding.Also mentioned in this episode:NTS Radio: https://www.nts.live/ | https://www.instagram.com/nts_radio/ | @NTSLIVEUKDanish Art Foundation: https://www.kunst.dk/english/about-us | https://www.instagram.com/statenskunstfond/Thomas Foldberg: https://thomasfoldberg.dk/ | https://www.instagram.com/thomas_foldberg_studio/Lars Von Trier: https://www.imdb.com/name/nm0001885/ | https://www.instagram.com/larsvontrier_/Soft Baroque: https://softbaroque.com/ | https://www.instagram.com/soft_baroque/Anne Sofie Madsen: https://www.instagram.com/annesofiemadsenstudio/Carlsberg Foundation: https://www.carlsbergfondet.dk/en/ | https://www.instagram.com/carlsbergfondet/ | @Carlsbergfondet1876Simon Starling: https://www.contemporaryartlibrary.org/artist/simon-starling-14184Den Frie: https://denfrie.dk/en/ | https://www.instagram.com/denfrie.cph/Holstebro Kunstmuseum: https://en.holstebrokunstmuseum.dk/ | https://www.instagram.com/holstebrokunstmuseum/The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media:Instagram: https://www.instagram.com/installationartpodcastTiktok: @installationartpodcast📚 More information about the show and previous episodes:https://installationartpodcast.com/Your host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ | — | ||||||
| 7/15/25 | ![]() Dead Fish, Shredded Cars and Wax: Inside the World of Petah Coyne | Episode 32 features an unforgettable conversation with acclaimed New York-based sculptor and installation artist Petah Coyne. Known for her intricate, large-scale works crafted from an extraordinary range of materials – from dead fish and shredded trailers to wax, taxidermy, and black sand. Coyne’s career spans decades and her works are in major museum collections, including MoMA, the Whitney, the Met, and the Guggenheim. In this candid, in-depth interview, she shares not only her creative evolution and technical processes but also the personal stories, risks, and moments of doubt behind her monumental career.Key takeaways from this interview include:• The wild true story of how 5,000 dead fish played a role in launching her art career.• How Petah developed her own patented wax formula and the extreme logistics behind shipping large-scale works across the world.• A behind-the-scenes account of her first major institutional installation and the unexpected accident that helped get it reviewed by The New York Times.• Her perspective on rejection, persistence, and why she applied for grants every year for a decade before getting one.• Thoughtful reflections on time, mortality, and the pressure artists feel to keep creating.From poetic anecdotes to hard-earned wisdom, this episode offers a rare glimpse into the mind of a successful and deeply generous artist whose work, like great literature, lingers long after the first encounter.03:52 The Dead Fish Prank07:36 Early Life and Artistic Beginnings14:40 How To Avoid School16:00 Moving to New York22:22 First Big Break and Installation Art41:34 The Importance of Archival Quality46:22 Finding and Working with Assistants48:53 Fragility and Tactility of Artworks51:09 The Stolen Sculpture Incident54:36 Selling Large Sculptures to Collectors01:07:04 Navigating the Art World01:09:52 The Importance of Feedback01:24:56 Funding Art Projects01:31:01 Experimenting with New Mediums01:37:43 Final Thoughts and Advice To ArtistsPetah Coyne is based in New York and is represented by Galerie Lelong & Co., New York: https://galerielelong.com/artists/11-petah-coyne/ and Nunu Fine Art, Taiwan: https://www.nunufineart.com/petah-coyneYou can find out more about her work on her website: https://www.petahcoyne.org/And follow her on Instagram: https://www.instagram.com/petahcoyneAlso mentioned in this episode:The Jealous Curator: https://thejealouscurator.substack.com/about | https://www.instagram.com/thejealouscurator/ Art For Your Ear Podcast, interview with Petah Coyne: https://www.thejealouscurator.com/blog/2020/11/20/just-be-wonderful/ Herron School of Art and Design: https://herron.indianapolis.iu.edu/ Art Academy of Cincinnati: https://www.artacademy.edu/ | https://www.instagram.com/artacademyofcincinnati/ | @artacademycincinnati Columbia University: https://www.columbia.edu/ | https://www.instagram.com/columbia/ | @columbia Jody Pinto: https://www.jodypinto.com/ Alice Acock: https://www.aaycock.com/ Donna Dennis: https://www.donnadennisart.com/ | https://www.instagram.com/donnadennisstudio/ Judy Pfaff: https://www.judypfaffstudio.com/ | https://www.instagram.com/judy.pfaff/ Holly Solomon: https://www.bonhams.com/stories/39878/works-from-the-collection-of-holly-solomon/ Sculpture Center: https://www.sculpture-center.org/ | https://www.instagram.com/sculpturecenter/# Marian Griffiths: https://www.artforum.com/news/marian-griffiths-1922-2008-189230/ Leo Castelli: https://www.castelligallery.com/about/leo-castelli | https://www.instagram.com/castelligallery Adam Gopnick: https://www.adamgopnik.com/bio | https://x.com/adamgopnik Chazen Museum of Art: https://chazen.wisc.edu/ Eva Hesse: https://www.theartstory.org/artist/hesse-eva/ Sol LeWitt: https://www.theartstory.org/artist/lewitt-sol/ Mary Sabbatino: https://www.cpal-info.com/mary-sabbatino | https://www.instagram.com/mary_sabbatino/ Gallery Lelong: https://galerielelong.com/ | https://www.instagram.com/galerielelong Guerilla Girls: https://www.guerrillagirls.com/ | https://www.instagram.com/guerrillagirls/ | @GUERRILLAGIRLSIréne Hultman: https://tdps.yale.edu/profile/irene-hultman-monti | https://www.instagram.com/irenehultmanmonti/The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Facebook group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.facebook.com/share/g/16YGzqRtwb/Mentioned in this episode:Get your .art domain namehttps://get.art/?refdotart=art5044n9z17m promo code: ART5044N9Z17M | — | ||||||
| 6/3/25 | ![]() Bonus: Why This 2026 Venice Biennale Scandal Is Splitting the Art World – with Carrie Scott | In this bonus episode of the Installation Art podcast, curator and art consultant Carrie Scott joins me to delve into the ongoing controversy surrounding the Venice Biennale Australian Pavilion. Together we discuss:• How artist Khaled Sabsabi and curator Michael Dagostino were appointed to represent Australia at the 2026 Venice Biennale and then abruptly cancelled• The procedural, political, and social dimensions of the decision made by Creative Australia, its impact on the local and international art scene, and what it means for artistic freedom• How the Australian arts community is responding to the shock decision• Carrie shares her personal experiences and insights, offering a poignant perspective on the value of art that challenges and provokes.We also touch on recent tragic news that affects the Biennale more broadly and raises questions about who has the authority to decide what kind of art is “acceptable” or what art is about.05:02 The Australian Pavilion Controversy: An Overview06:51 Selection Process for the Australian Pavilion10:46 Creative Australia's Decision and Backlash12:10 Senate Hearing and Further Repercussions17:36 Personal Reflections on the Controversy38:40 National Pavilions and Curator's Theme39:09 Tragic Passing of Koyo Kouoh42:38 Journalist's Role and Agenda45:16 Art and Political Sensitivities48:14 Personal Reflections on 9/1153:16 Curatorial Challenges and Responses58:59 Speculations and Broader ImplicationsCarrie Scott is a curator and art consultant based in London: https://www.carrie-scott.com/ | https://www.instagram.com/carriescottcurates/ SEEN is a next-generation art consultancy, shining a light on the opaque world of galleries, auction houses and dealers: https://www.seen.art/ | https://www.instagram.com/watchseenart/ | @watchseenart📬 Got comments? Share your thoughts: SpeakPipe.com/InstallationArtPodcastOr DM us on Instagram: https://www.instagram.com/installationartpodcast/ If you want to help the Sabsabi-Dagostino project in Venice, go to this website: https://khaledsabsabi.com/support-the-venice-biennale-2026-exhibition-by-khaled-sabsabi-curated-by-michael-dagostino/ Or purchase a unique artwork by Sabsabi to help raise funds: https://unvanishedsabsabi.myshopify.com/ Khaled Sabsabi speaks: https://www.abc.net.au/listen/programs/the-art-show/khaled-sabsabi-speaks/105050484 https://www.theguardian.com/australia-news/audio/2025/apr/01/exclusive-khaled-sabsabi-speaks-on-the-damage-of-being-dumped-from-the-venice-biennale-full-story-podcast Also mentioned in this episode:Khaled Sabsabi: https://khaledsabsabi.com/ | https://www.instagram.com/peacefender/ Michael Dagostino: https://www.sydney.edu.au/museum/about-us/our-people.html Creative Australia: https://creative.gov.au/ | https://www.instagram.com/creative.australia/ Venice Biennale: https://www.labiennale.org/en | https://www.instagram.com/labiennale/ | @BiennaleChannelAdrian Collette: https://www.linkedin.com/in/adrian-collette-31a192ba/?originalSubdomain=au The Australian article “Your Taxpayer Dollars At Work: Arts Council takes Creative Approach to Racism” https://www.theaustralian.com.au/subscribe/news/1/?sourceCode=TAWEB_WRE170_a_GGL&dest=https://www.theaustralian.com.au/business/margin-call/arts-council-takes-creative-approach-to-racism/news-story/00e630f4d43423d15892ead5cfadaf8d&memtype=anonymous&mode=premium&v21=HIGH-Segment-2-SCORE&V21spcbehaviour=appendend Memo: https://www.memoreview.net/ | https://www.instagram.com/memo_review/ MCA Sydney: https://www.mca.com.au/ | https://www.instagram.com/mca_australia | @mcaaustralia Liz-Ann McGregor op-ed: https://www.theguardian.com/artanddesign/2025/feb/18/australia-venice-biennale-sabsabi-dumped-former-museum-contemporary-art-head-says-ntwnfb Thank You Very Much, 2006: https://khaledsabsabi.com/work/thank-you-very-much/ Monash University Museum of Art: https://www.monash.edu/muma/home | https://www.instagram.com/mumamonash Lindy Lee: https://www.lindylee.net/ | https://www.instagram.com/lindylee.13/ Simon Mordant: https://en.wikipedia.org/wiki/Simon_Mordant Koyo Kouoh: https://curatorsintl.org/about/collaborators/5322-koyo-kouoh | https://www.instagram.com/madamekoyo/ Interview with Koyo Kouoh: https://podcasts.apple.com/au/podcast/the-art-world-what-if/id1203133627?i=1000649955901Hank Willis Thomas: https://hankwillisthomas.com/ | https://www.instagram.com/hankwillisthomas/ Lubaina Himid: https://en.wikipedia.org/wiki/Lubaina_Himid | https://www.instagram.com/lubainapics/ Josh Milani: https://milanigallery.com.au/ | https://www.instagram.com/milanigallery 🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories: https://www.linkedin.com/groups/14532340/ | — | ||||||
| 4/9/25 | ![]() What Every Artist Should Know About Public Art: Elizabeth Lewis from Tilt | Try Descript: https://get.descript.com/s8kjemvu79fzIn this episode, we speak with Elizabeth Lewis, Public Art Division Manager at Tilt Industrial Design, who offers a fascinating insider's perspective on how large-scale public artworks are engineered, managed, and brought to life. Elizabeth reveals the complex ecosystem of stakeholders involved in creating public art and shares invaluable advice for artists looking to break into this challenging but rewarding medium.What you will learn:• How industrial designers like Elizabeth act as "translators" between artists' creative visions and the technical requirements needed to bring monumental works to life• The truth about public art budgets and practices• Practical advice for artists wanting to venture into public art, including starting with temporary installations and test sites• How indigenous artists are bringing multidisciplinary approaches to public art that may reshape the entire fieldAbout Elizabeth Lewis:Elizabeth Lewis is the Public Art Division Manager at Tilt Industrial Design, an Australian firm specialising in technically complex and ambitious public art projects. With a background in industrial design, she has overseen numerous large-scale installations throughout Australia, working with established artists, emerging creators, and First Nations storytellers to translate artistic visions into enduring public works.03:17 Early Life and Inspirations04:39 Educational Journey05:39 First Job Experiences08:01 Transition to Tilt14:58 Challenges in Public Art18:29 Skills and Learning33:50 Project Timelines35:55 The Lifespan of Public Art45:49 The Role of Public Art Curators48:01 Building Networks and Identifying Artists50:49 First Nations and Indigenous Art53:01 The Growth of Public Art in Sydney59:09 Convincing Developers to Invest in Art01:05:08 Advice for Emerging Public Artists01:24:53 Current and Upcoming Projects01:26:08 Where to Find More InformationTilt Industrial Design: https://tilt-industrialdesign.com/ | https://www.instagram.com/tiltindustrialdesign Also mentioned in this episode:ResMed: https://shop.resmed.com.au/ | https://www.instagram.com/resmedanz/ | @resmedanz5242 BOC: https://www.boc.com.au/shop/en/au/home | @boclimited Tim Phillips: https://tilt-industrialdesign.com/news-media/media/tilts-tim-phillips-managing-director-featured-in-boutique-developer/ | https://www.linkedin.com/in/timphillipsdesigns/ Ateliers Jean Nouvel: https://www.jeannouvel.com/ | https://www.instagram.com/ateliersjeannouvel/ Yann Kersale: https://yannkersale.com/ | https://www.instagram.com/yannkersale/ | @studioyannkersale Reko Rennie: https://rekorennie.com/ | https://www.instagram.com/rekorennie/ Barbara Flynn: https://barbaraflynn.com/ | https://www.instagram.com/barbaraflynnptyltd/ Test Sites: https://www.melbourne.vic.gov.au/public-art-test-sites-program | https://www.instagram.com/publicartmelbourne/ Sculpture By The Sea: https://sculpturebythesea.com/ | https://www.instagram.com/sculpturebythesea | @sculpturebytheseaVivid Sydney: https://www.vividsydney.com/ | https://www.instagram.com/vividsydney/ | @vividsydneyPlacemaking NSW: https://www.planning.nsw.gov.au/about-us/our-work/placemaking-nsw Art And About: https://www.cityofsydney.nsw.gov.au/art-about | https://www.instagram.com/cityofsydney | @CityofSydneyKilometre of Sculpture: https://www.facebook.com/KilometreofSculpture/?profile_tab_item_selected=mentions&_rdr NAVA: https://visualarts.net.au/ | https://www.instagram.com/nava_visualarts/ Janet Laurence: https://www.janetlaurence.com/ | https://www.instagram.com/janetlaurence/ ASPECT Studios: https://www.aspect-studios.com/au/ | https://www.instagram.com/aspectstudios Warren Langley: https://www.warrenlangley.com.au/ | https://www.instagram.com/warren_langley_artist/ Jacob Nash: https://www.jacobnashdesign.com/🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ Mentioned in this episode:Try Descript:https://get.descript.com/s8kjemvu79fz | — | ||||||
| 3/19/25 | ![]() From Vacuum-Packed Bodies to Seagull Hotels: Inside Lawrence Malstaf's Studio | Leave a tip: https://donate.stripe.com/4gw4km4VpeUwdkkbILTry Descript: https://get.descript.com/s8kjemvu79fzIn this episode, we sit down with Belgian artist Lawrence Malstaf, whose innovative work exists at the fascinating intersection of visual art, performance, and theatrical experience. Based in Tromsø, Norway, Malstaf has earned international acclaim for his immersive installations that transform viewers into active participants.Episode Highlights:• Lawrence shares his journey from studying industrial design (rather than fine art at his parents' suggestion) to discovering how this technical background gave him invaluable skills in working with contemporary materials.• We discuss Malstaf’s famous vacuum piece "Shrink" (1995), where participants are sealed between plastic sheets while air is slowly removed, creating both a striking visual image and physical experience that differs dramatically for viewers versus participants.• His recent focus on sustainable art practices and an innovative project creating "hotels" for endangered kittiwake seagulls in Tromsø, transforming an urban nuisance into an interspecies art project.02:44 Quick Questions05:27 Childhood and Early Influences07:51 Industrial Design and Artistic Beginnings09:46 Theater and Installation Art16:41 Creating Opportunities and Multidisciplinary Spaces21:50 Sustainable Art and Seagull Project25:16 Audience Interaction and Physical Experience29:19 Behind The Scenes Challenges32:48 Artistic Evolution and Viral Fame38:22 Sustainable Art Practices41:48 Income From Art44:27 Proudest Moments and Career Reflections47:42 Advice for Emerging Artists49:44 Internship Opportunity51:48 Dream Projects58:46 Where to Find More InformationLawrence Malstaf (b. 1972, Bruges, Belgium) is based in Tromsø, Norway. He creates installation and performance art that exists at the borderline between visual arts and theatrical experience. With a focus on movement, coincidence, order and chaos, he develops immersive sensorial environments that often position visitors as co-actors in the artwork. His background in industrial design informs his technical approach to materials and mechanisms, while his experience in scenography for dance and theater influences the performative aspects of his installations.You can find out more about his work on his website: https://www.lawrencemalstaf.com/ and get the latest updates on his Instagram: https://www.instagram.com/lawrencemalstaf/ Malstaf is represented by Tallieu Art Office: https://www.artoffice.be/artists/lawrence-malstaf/ All images courtesy of the artist.Also mentioned in this episode:Ischa Tallieu: https://www.linkedin.com/in/ischatallieu/?originalSubdomain=be Tailleu Art Office: https://www.artoffice.be/ | https://www.instagram.com/tallieu_art Bains Connective in Brussels: https://www.artfactories.net/Les-Bains-Connective-Bruxelles.html Frankfurter Kunstverein: https://www.fkv.de/en/ | https://www.instagram.com/frankfurterkunstverein/ | @FrankfurterKunstvereinFILE Festival for Electronic Languages: https://file.org.br/ https://www.instagram.com/filefestival/ Paola Perissinotto: https://digitalartarchive.at/database/artist/1340/Delphin Ruché: https://www.rissa-cs.org/ | https://www.instagram.com/rissa_citizen_science/ The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: https://www.tiktok.com/@installationartpodcast?_t=ZS-8um3RdvX9zs&_r=1📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/Mentioned in this episode:Try Descript:https://get.descript.com/s8kjemvu79fz | — | ||||||
| 2/25/25 | ![]() Natasha Johns Messenger on Site-Determined Installation and Public Art | Episode 28 features an in-depth conversation with Australian-American artist Natasha Johns Messenger, renowned for her architectural interventions, site-determined work and public art commissions.Key insights from this interview include:• How her educational journey shifted her from figurative painting to abstraction and then installation art and filmmaking.• The distinct creative and logistical differences between public art and to museum installations.• Behind-the-scenes stories of unexpected technical issues and the importance of the right collaborators in her creative process.• The impact of her filmmaking studies on her artistic career and the dream projects she envisions for the future.00:00 Quick Fire Questions03:38 Early Artistic Influences07:23 Art School Journey12:48 First Exhibitions and Installations16:19 Expanding Horizons: New York and Beyond37:13 Public Art vs. Installation Art42:17 Public Perception of Art45:30 Challenges in Public Art Installations48:23 Unexpected Installation Issues55:10 Career Decisions and Filmmaking59:09 Significant Opportunities01:04:11 Dream Projects and Future Plans01:05:55 Meeting the Queen of Holland01:09:06 Current and Upcoming Projects01:15:15 Public Artworks to VisitFind out more about her work on her website: https://www.natashajohnsmessenger.com/ Follow her Instagram: https://www.instagram.com/natashajohnsmessengerAlso mentioned in this episode:Robert Irwin: https://en.wikipedia.org/wiki/Robert_Irwin_(artist) RMIT: https://www.rmit.edu.au/ | https://www.instagram.com/rmituniversity/ | @rmitGertrude Contemporary: https://gertrude.org.au/ | https://www.instagram.com/gertrudecontemporary/ Bala Starr: https://weareuntold.org/2024-women-of-gold/bala-starr Kate Shaw: https://www.kateshaw.org/ | https://www.instagram.com/kateshawart/Bus Projects: https://busprojects.org.au/ | https://www.instagram.com/busprojects/The Museum of Dirt: http://www.artdes.monash.edu.au/globe/issue9/mdtitle.html Max Delaney: https://www.instagram.com/maxdelany/Australian Centre for Contemporary Art: https://acca.melbourne/ | https://www.instagram.com/acca_melbourne/ MCA: https://www.mca.com.au/ | https://www.instagram.com/mca_australia | @mcaaustraliaCentre for Contemporary Photography: https://ccp.org.au/ | https://www.instagram.com/ccp_australia/ ACP: https://en.wikipedia.org/wiki/Australian_Centre_for_Photography Perth Institute of Contemporary Arts: https://pica.org.au/ | https://www.instagram.com/pica_perth/International Studio & Curatorial Program: https://www.linkedin.com/company/international-studio-&-curatorial-program-iscp-/ | https://www.instagram.com/iscp_nyc/ Creative Australia (formerly Australia Council): https://creative.gov.au/ | https://www.instagram.com/creative.australia/ Sara Reisman: https://www.linkedin.com/in/sara-reisman/ | https://www.instagram.com/reismansara/ Station Gallery: https://stationgallery.com/ | https://www.instagram.com/stationgalleryaustralia/ A Streetcar Named Desire: https://en.wikipedia.org/wiki/A_Streetcar_Named_Desire BAM: https://www.bam.org/ | https://www.instagram.com/bam_brooklyn | @BAMorg Cate Blanchett: https://www.imdb.com/name/nm0000949/ | https://www.instagram.com/cate_blanchettofficial/ Bowness Photography Prize: https://maph.org.au/bowness-photography-prize/ https://www.instagram.com/maph_photography/ Strange Engine: https://www.strangeengine.org/ John Wardle Architect: https://wardle.studio/ | https://www.instagram.com/wardle.studio/ Jacaranda Industries: https://www.jacarandaindustries.com/ | https://www.instagram.com/jacarandaindustries/ European Museum Technology: https://europeanmuseum.tech/ | @europeanmuseumtechMonash University: https://www.monash.edu/ | https://www.instagram.com/monash_uni Bluebottle: https://bb3.net.au/#/ | https://www.instagram.com/bluebottle3/ Brian Scales: https://www.linkedin.com/in/brian-scales-01566745/?originalSubdomain=au On Beam Engineering: https://onbeam.com.au/ Derek John: https://djprojects.net/ | https://www.instagram.com/julie_derek_djprojects Vault by Rob Robertson Swann: https://acca.melbourne/education/resources/public-art/melbourne-public-art-trail/1-ron-robertson-swann-vault-1980/ Richard Serra: https://www.guggenheim.org/artwork/artist/richard-serra Public Art for Public Schools: http://nycsca.org/Community/Public-Art-for-Public-Schools/About-Us Percent For Art NYC: https://dcla-percent-for-art-nyc.hub.arcgis.com/ Columbia University: https://www.columbia.edu/ | https://www.instagram.com/columbia/ | @columbia Heide Museum of Modern Art: https://www.heide.com.au/ | https://www.instagram.com/heidemoma Escher Museum: https://www.escherinhetpaleis.nl/ | https://www.instagram.com/escherinpaleis/ No Longer Empty: https://www.nyc-arts.org/organizations/no-longer-empty/ | https://www.instagram.com/nolongerempty/🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories: https://www.linkedin.com/groups/14532340/ | — | ||||||
| 2/18/25 | ![]() Bonus: Lessons on Longevity and Legacy Inspired by Sandy Skoglund | Leave a voice message here: https://www.speakpipe.com/InstallationArtPodcastIn this bonus episode, I recap my recent conversation with legendary artist Sandy Skoglund. Key topics include:Sandy’s belief about needing a NYC loft to be a “real artist”Her relentless pursuit of new skills like sculpting, bronze casting, and 3D modelingThe longevity of art and advocating for it after you’re goneThe episode also explores Sandy's innovative approaches to storage issues and her strategies for making long-lasting, transportable art. Additionally, I share some personal challenges and inspirations gained from the interview, and tease insights available in the full conversation.00:00 Introduction and Episode Overview01:31 Listener Feedback and Appreciation03:10 Challenges of Studio Spaces for Artists04:14 Sandy's Relentless Pursuit of New Skills10:24 Managing Storage and Donations13:01 Thoughts on Posthumous Legacy14:39 Material Challenges and Preservation18:38 Final Reflections and Call to ActionAlso mentioned in this episode:Episode 26: Exploring Unconventional Materials with Installation Art Pioneer Sandy Skoglund: https://installationartpodcast.com/sandy-skoglund-026 Art For Your Ear Podcast, interview with Sandy Skoglund: https://thejealouscurator.libsyn.com/sandy-skoglund-believe-you-have-to-do-itOn Apple Podcasts: https://podcasts.apple.com/gb/podcast/sandy-skoglund-believe-you-have-to-do-it/id996338562?i=1000547949009 The Jealous Curator: https://thejealouscurator.substack.com/about | https://www.instagram.com/thejealouscurator/Sandy Skoglund: https://www.sandyskoglund.com/ | https://www.instagram.com/sandyskoglundart/ 🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcastYoutube: https://www.youtube.com/@installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ | — | ||||||
| 1/28/25 | ![]() Exploring Unconventional Materials with Installation Art Pioneer Sandy Skoglund | Try Descript here: https://get.descript.com/s8kjemvu79fzIn this episode, host Anastasia welcomes legendary American installation artist Sandy Skoglund for a fascinating dialogue about her life's work, creative process, and the challenges she has faced. Key insights from this episode:• How some of her childhood experiences formed her perspective as an artist.• The genesis of her first major installation, “Radioactive Cats” and the evolution of her work from photography to sculpture.• The intricate process and materials involved in creating her installations, from found objects to experimental ephemeral media like Cheez Doodles and marmalade.• Challenges with material durability and unexpected issues like insect infestations in food-based art.• The importance of learning new skills from scratch to produce her projects.• Insightful anecdotes about storage, transportation, and installation of large-scale art pieces.Sandy also reflects on the financial and logistical aspects of sustaining a career in the arts. This episode is an inspiring look into the dedication, creativity, and adaptability required in contemporary installation art, from the perspective of a very influential artist.03:45 Early Life and Artistic Beginnings08:28 First Installations and Influences10:04 Radioactive Cats and Alternative Spaces12:34 Material Choices and Fresh Hybrid15:45 Challenges with Unusual Materials48:25 The Saw Incident in Manhattan49:33 Advice for Installation Artists50:34 Documenting and Installing Art51:46 Creating Walking On Eggshells57:25 Funding and Financial Aspects of Art01:00:29 Challenges and Rewards01:09:30 The Loft Scene and Working Spaces01:17:41 New Work and Upcoming ProjectsSandy Skoglund is based in Jersey City, New Jersey. You can find out more about her work on her website sandyskoglund.com and on her Instagram http://instagram.com/sandyskoglundart/. She works with Holden Luntz Gallery: https://www.holdenluntz.com/artists/sandy-skoglund/Also mentioned in this episode:The Jealous Curator: https://thejealouscurator.substack.com/about | https://www.instagram.com/thejealouscurator/ Art For Your Ear Podcast, interview with Sandy Skoglund: https://thejealouscurator.libsyn.com/sandy-skoglund-believe-you-have-to-do-ithttps://podcasts.apple.com/gb/podcast/sandy-skoglund-believe-you-have-to-do-it/id996338562?i=1000547949009 Howdy Doody: https://en.wikipedia.org/wiki/Howdy_Doody George Segal: https://www.theartstory.org/artist/segal-george/ Edward Kienholz: https://www.theartstory.org/artist/kienholz-edward/ Nancy Reddin Kienholz: https://en.wikipedia.org/wiki/Nancy_Reddin_Kienholz Real Art Ways: https://www.realartways.org/ | http://instagram.com/realartways Cheez Doodles: https://en.wikipedia.org/wiki/Cheez_Doodles Janet Borden Inc.: https://janetbordeninc.com/ | https://www.instagram.com/janetbordeninc/ Marcel Duchamp: https://www.theartstory.org/artist/duchamp-marcel/ Adobe Photoshop: https://www.adobe.com/products/photoshop.html | https://www.instagram.com/adobe/ Dieu Donné: https://www.dieudonne.org/ | http://instagram.com/dieudonnepaper | @DieuDonnePaperMillMcNay Art Museum: https://www.mcnayart.org/ | https://www.instagram.com/mcnayart | @mcnayartmuseum2403 Rule Gallery: https://rulegallery.com/ | https://instagram.com/rulegallery/ The Chinati Foundation: https://chinati.org/ | https://instagram.com/chinatifoundation/ Donald Judd: https://www.theartstory.org/artist/judd-donald/ Rutgers University: https://www.rutgers.edu/ | https://www.instagram.com/rutgersu | @RutgersUThe Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ Mentioned in this episode:Try Descript:https://get.descript.com/s8kjemvu79fz | — | ||||||
| 1/14/25 | ![]() Bonus: What Is Installation Art? A Brief History and Personal Perspective | In this bonus episode of The Installation Art Podcast, host Anastasia Parmson delves into the question: “What is installation art?” through a personal lens.We explore the historical roots and evolution of the medium, significant artists and works, and discuss foundational concepts, such as site-specificity, scale and accumulation, and how those differentiate installation from other contemporary art mediums.We take a look at notable artists and their historic contributions, as well as some of the guests previously featured on the show. This episode offers examples and personal observations inviting listeners to share their own perspectives and experiences.00:00 Introduction and Listener Message01:53 Defining Installation Art: A Personal Interpretation02:50 Early Pioneers: Duchamp and Schwitters05:06 Mid-20th Century Innovations07:10 Assemblage and Accumulation08:45 Site Specificity and Scale17:15 Video and Multimedia Installations18:46 Public Art and Murals21:32 Conclusion and Listener EngagementMentioned in this episode:Marcel Duchamp: https://www.theartstory.org/artist/duchamp-marcel/ Bicycle wheel,1913 Porte 11 Rue Larrey,1927 1200 Coal Sacks,1938 Air de Paris,1919Kurt Schwitters: https://www.theartstory.org/artist/schwitters-kurt/ Merzbau, 1923-1937: https://www.tate.org.uk/research/tate-papers/08/kurt-schwitters-reconstructions-of-the-merzbau Joseph Beuys: https://www.theartstory.org/artist/beuys-joseph/ Yves Klein: https://www.theartstory.org/artist/klein-yves/ Le Vide, 1958: https://www.littleartnecdotes.com/le-vide-1958/ Iris Clert Gallery: https://en.wikipedia.org/wiki/Iris_Clert_Gallery Arman: https://www.theartstory.org/artist/arman/ Poubelles: https://www.armanstudio.com/artworks/poubelles Le Plein, 1960Daniel Spoerri: https://www.theartstory.org/artist/spoerri-daniel/ Barry Le Va: https://en.wikipedia.org/wiki/Barry_Le_Va Christo & Jeanne Claude: https://www.theartstory.org/artist/christo-and-jean-claude/ Robert Smithson: https://www.theartstory.org/artist/smithson-robert/ Installation Art: https://www.goodreads.com/book/show/6467162-installation-art?from_search=true&from_srp=true&qid=jnQ7mtEYpb&rank=4 Emma Fielden: https://www.emmafielden.com/ | https://www.instagram.com/emmafielden/ Do Ho Suh: https://www.instagram.com/dohosuhstudio/ Nika Neelova: https://www.nikaneelova.com/ | https://www.instagram.com/nikaneelova/?hl=en Korakrit Arunanondchai: https://en.wikipedia.org/wiki/Korakrit_Arunanondchai | https://www.instagram.com/kritbangkok/?hl=en Pipilotti Rist: https://pipilottirist.net/ | https://www.instagram.com/pipilotti_rist_studio/ Nicolas Rupcich: https://nicolasrupcich.com/ | https://www.instagram.com/rupcich/ Barbara Kruger: https://en.wikipedia.org/wiki/Barbara_Kruger Antony Gormley: https://www.antonygormley.com/ Ai Weiwei: https://www.aiweiwei.com/ | https://www.instagram.com/aiww/ Felix Gonzales Torres: https://www.theartstory.org/artist/gonzalez-torres-felix/ Wolfgang Laib: https://en.wikipedia.org/wiki/Wolfgang_Laib Denes Farkas: https://denesfarkas.com/ | https://www.instagram.com/denes_k_farkas/ Anne Patterson: https://www.annepatterson.com/ | https://www.instagram.com/annepattersonstudio/?hl=en Jason Peters: https://www.jasonpeters.com/ | https://www.instagram.com/jasonpetersart/ Olga Lah: https://www.olgalah.com/ | https://www.instagram.com/olgalah_studio/ The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories: https://www.linkedin.com/groups/14532340/ | — | ||||||
| 12/24/24 | ![]() Carving Success: Alex Seton on Marble, Art Logistics, and Career Advice | Try Descript: https://get.descript.com/s8kjemvu79fzIn Episode 24, we delve into the artistic journey and career insights of acclaimed Australian artist Alex Seton. This fascinating conversation covers:• The logistics and insider info about creating large-scale marble sculptures and installations.• Alex's unique creative process, from childhood influences to professional milestones.• Insightful anecdotes about public art commissions and navigating institutional complexities.• Tips for emerging artists on studio space, residencies, and entering the commercial gallery scene.Tune in for an engaging blend of career advice, fun anecdotes, and practical experiences from a mid-career artist.02:43 Introduction and Work-Life Balance04:27 Early Life and Background08:13 Art Education and Career Beginnings21:52 Path To Professional Success30:22 Art and Mental Health Challenges42:22 Physical Toll of Sculpture47:43 Public Art Stories and Disasters55:23 The Australian Flag and War Memorial Commissions01:02:21 Logistics and Challenges of Heavy Sculptures01:08:24 Navigating Relationships With Galleries01:23:06 Residencies and Their Impact01:33:17 Sustainability in Sculpture01:40:16 Dream ProjectAlex Seton is based in Sydney. You can find out more about his work on his website http://www.alexseton.com/ and on his Instagram alexseton_He is represented by Sullivan+Strumpf gallery: https://www.sullivanstrumpf.com/ | https://www.instagram.com/sullivanstrumpf/Also mentioned in this episode:Edna St Vincent Millay: https://www.poetryfoundation.org/poets/edna-st-vincent-millay Abdel Nasser: https://en.wikipedia.org/wiki/Gamal_Abdel_Nasser CSIRO: https://www.csiro.au/en/ Walden by Thoreau: https://en.wikipedia.org/wiki/Walden St Ignatius College: https://www.riverview.nsw.edu.au/ | NIDA (National Institute of Dramatic Art): https://www.nida.edu.au/ UNSW Art & Design (formerly College of Fine Arts): https://www.unsw.edu.au/arts-design-architecture/our-schools/art-design | https://www.instagram.com/unsw/ Brian O’Dwyer: https://www.mutualart.com/Artist/Brian-O-dwyer/AAA0DDC26E101929 Alexie Glass-Kantor: https://creative.gov.au/news/biographies/alexie-glass-kantor/ | https://www.instagram.com/alexieglass/ Russell Storer: https://artasiapacific.com/news/m-names-new-senior-curator-and-head-of-curatorial-affairs Claire Healy and Sean Cordeiro: https://claireandsean.com/ | https://www.instagram.com/clairehealyandseancordeiro/ Liam Gillick: https://liamgillick.info/ Wombeyan Caves: https://www.nationalparks.nsw.gov.au/visit-a-park/parks/wombeyan-karst-conservation-reserve Maunsell Wickes: https://maunsellwickes.com/home/ | https://www.instagram.com/maunsellwickesgallery/ Art Gallery of NSW: https://www.artgallery.nsw.gov.au/ | https://www.instagram.com/artgalleryofnsw/ Ben Quilty: https://benquilty.com/ | https://www.instagram.com/benquilty/ Claire Milliedge: https://claremilledge.com/ | https://www.instagram.com/claremilledge/ Michael Reid: https://michaelreid.com.au/ | https://www.instagram.com/michaelreidsydney/ S. H. Ervin Gallery: https://www.shervingallery.com.au/ | https://www.instagram.com/shervingallery/ Pigpen: https://www.peanuts.com/about/pigpen Mitchell Ferrie: https://nandahobbs.com/artist/mitchell-ferrie | https://www.instagram.com/mitchellferrie/ Nanda\Hobbs: https://nandahobbs.com/ https://www.instagram.com/nandahobbs Joel Elenberg: https://www.aasd.com.au/artist/93-joel-elenberg/works-in-past-sales/?page=3 Anna Schwartz: https://annaschwartzgallery.com/ | https://www.instagram.com/annaschwartzgallery/ Sculpture By The Sea: https://sculpturebythesea.com/ | https://www.instagram.com/sculpturebythesea Newcastle University: https://www.newcastle.edu.au/ | https://www.instagram.com/uni_newcastle Ken Unsworth: https://artistprofile.com.au/ken-unsworth/ Australian Museum: https://australian.museum/ Ron Robertson Swann: https://www.artgallery.nsw.gov.au/collection/artists/robertson-swann-ron/ Australian War Memorial: https://www.awm.gov.au/ | https://www.instagram.com/awmemorial Museums of History NSW: https://mhnsw.au/ Hyde Park Barracks: https://mhnsw.au/visit-us/hyde-park-barracks/ Jennifer Turpin: https://turpincrawfordstudio.com.au/ Arts Law: https://www.artslaw.com.au/ | <a href="https://www.instagram.com/artslawaustralia" rel="noopener... | — | ||||||
| 12/10/24 | ![]() 404.zero: Crafting Generative Art through Code, Sound and Improvisation | Try Descript here: https://get.descript.com/s8kjemvu79fzIn episode 23 of The Installation Art Podcast, I’m joined by the brilliant duo behind 404.zero, Kristina and Alex. Renowned for their groundbreaking work at the intersection of visuals, sound, and technology, 404.zero crafts mesmerizing large-scale installations and modular soundscapes that explore big philosophical questions around death, the unknown, and the cosmos.From self-taught programming to custom-built tools and hardware, 404.zero push the boundaries of what’s possible in audio-visual art. In our conversation, they share their journey, creative process, and insights into the challenges and joys of working on ambitious international projects. We also discuss:• Their successful venture into modular music production.• How the self-taught duo's use of modular synthesizers has redefined their approach to art-making.• From remote installations to visa issues, Kristina and Alex share some of the logistical hurdles they have been facing.• Their belief that installations should invite profound personal reflection and interaction.00:00 Introduction and Quick Questions01:24 Early Influences and Career Beginnings06:57 Meeting and Collaborating09:01 First Major Projects20:41 Innovative Installations and Techniques31:46 Installation in Unique Venues33:05 Creating Site-Specific Soundscapes34:11 Challenges and Outsourcing34:44 Audience Interaction and Impact48:00 Visa Issues and Future Aspirations404.zero’s work has been showcased at major festivals like Dark Mofo, MUTEK, GAMMA and more. Learn more about their projects on their website: https://www.404zero.com/ & check out the visuals on Youtube: https://www.youtube.com/@404zero and follow them on Instagram: https://www.instagram.com/404.zero 🎙️ Found value in this episode? Don’t forget to follow, rate, and review the podcast on your favorite platform! ⭐️⭐️⭐️⭐️⭐️🗣️ Have thoughts or questions? Leave us a voice message and it might be featured in a future episode! https://www.speakpipe.com/InstallationArtPodcast Also mentioned in this episode:Mariinsky Theater: https://www.mariinsky.ru/en/ Multimedia Art Museum (MAMM): https://mamm-mdf.ru/en/ Touchdesigner: https://derivative.ca/ | https://www.instagram.com/TouchDesigner/ Moscow Planetarium: https://en.wikipedia.org/wiki/Moscow_Planetarium Xology: https://www.xology.com/hardware-design Kinect tracking: https://en.wikipedia.org/wiki/Kinect Greenhouse Studios: https://www.greenhouse.is/ | https://www.instagram.com/greenhouse.studios/ Bedroom Community: https://bedroomcommunity.net/ | https://www.instagram.com/bedroom_community/ Dark Mofo: https://darkmofo.net.au/ | https://www.instagram.com/dark_mofo MONA: https://mona.net.au/ | https://www.instagram.com/monamuseum/ Art Gallery of NSW: https://www.artgallery.nsw.gov.au/ | https://www.instagram.com/artgalleryofnsw/ 🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host is Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ Mentioned in this episode:Try Descript:https://get.descript.com/s8kjemvu79fz | — | ||||||
| 11/26/24 | ![]() Bonus: Recap of Interview With Alex Chinneck | In this special bonus episode of 'The Installation Art Podcast,' we celebrate a milestone by revisiting an insightful interview with the renowned artist Alex Chinneck, which can be found here: https://installationartpodcast.com/alex-chinneck-021 Key takeaways include:• Chinneck's innovative approach to large-scale sculptures and public installations.• His creative methods for securing materials and collaborations through sheer perseverance and inventive resourcefulness.• The necessity of allowing public art to evolve or be removed over time, embracing its impermanence.• Overcoming rejection and the value of naivete in the art world.• The dichotomy between commercial and public art.This recap episodes not only celebrates Chinneck’s extraordinary projects but also offers lessons and food for thought for artists and contemporary art enthusiasts.Homework: Anselm (2023) – the documentary Chinneck loved and recommended: https://www.dailymotion.com/video/x910krcAnselm Kiefer: Remembering The Future – another documentary available to watch on Youtube: https://www.youtube.com/watch?v=FUQuhoqTKtg and on Vimeo: https://vimeo.com/112053965 Try Descript, my favourite audio and video editing program: https://get.descript.com/s8kjemvu79fz Have thoughts or feedback? Leave us a voice message: https://www.speakpipe.com/InstallationArtPodcast Or email anastasia@installationartpodcast.com00:48 Celebrating One Year of the Podcast01:22 Revisiting the Alex Chinneck Interview04:04 Alex Chinneck's Journey into Art10:03 The Mindset of Alex Chinneck14:41 Facilitation Over Fabrication 16:00 Maintaining Naivety and Ambition17:24 Facing Rejection and Perseverance19:45 The Struggle with Self-Sufficiency25:03 The Complexity of Public Art28:00 Homework and Final ThoughtsThe Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ | — | ||||||
| 11/19/24 | ![]() Defying Logic and Gravity: The Art of Facilitation with Alex Chinneck | Try Descript: get.descript.com/s8kjemvu79fzREPLAY: As a one-year podcast anniversary celebration we are re-relasing this fascinating interview that was originally published in two parts.In this in-depth discussion, renowned UK artist Alex Chinneck delves into his evolution as a creative practitioner, from his time at Chelsea College of Art to his viral architectural interventions and public art projects. In this episode we will hear:• Exactly how Alex bootstrapped huge projects with no budget.• Why he suffered from severe burnout and what changes had to be made in his process• About the importance of facilitation over fabrication• His experiences regarding the challenges of permanent and temporary public art projects• About collaborations whose role has been instrumental in realizing Chinneck’s ambitious visionAlex Chinneck is based in Kent, UK. Check out his work on his website https://www.alexchinneck.com/ and give him a follow on Instagram: https://www.instagram.com/alexchinneck/Where to see Alex's permanent public sculptures:• The inverted pylon "A Bullet From A Shooting Star" on Ordnance Crescent, Greenwich peninsula, London. • The cracked facade titled "Six Pins And Half A Dozen Needles" at 77 Fulham Palace Road in Hammersmith, London.• The exploding staircase "A Spring in Your Step" in Circus Street, Brighton.• Series of "Group Hug" sculptures on buildings in Nancy, France.Also mentioned in this episode:Chelsea College of Arts: https://www.arts.ac.uk/colleges/chelsea-college-of-arts | https://www.instagram.com/unioftheartslondon/ Tate Britain: https://www.tate.org.uk/visit/tate-britain | https://www.instagram.com/tate Conrad Shawcross: https://en.wikipedia.org/wiki/Conrad_Shawcross | https://www.instagram.com/conradshawcross/?hl=enDavid Murphy: https://www.davidmurphystudio.co.uk/ | https://www.instagram.com/_davidmurphystudio/Ibstock Brick: https://www.ibstock.co.uk/ibstock-brick | https://www.instagram.com/ibstock.official/Smith And Wallwork Engineers: https://www.smithandwallwork.com/who-are-we/ | https://www.instagram.com/smithandwallwork/English Heritage: https://www.english-heritage.org.uk/ | https://instagram.com/englishheritageArts Council England: https://www.artscouncil.org.uk/ | https://www.instagram.com/aceagrams Frank Gehry: https://en.wikipedia.org/wiki/Frank_GehryRachel Whiteread: https://gagosian.com/artists/rachel-whiteread/ | https://www.instagram.com/rachelwhitereadofficialRichard Wilson: https://www.richardwilsonsculptor.com/ Gordon Matta-Clark: https://en.wikipedia.org/wiki/Gordon_Matta-ClarkCovent Garden: https://www.coventgarden.london/ | https://www.instagram.com/coventgardenldnIlluminate Productions: https://www.illuminateproductions.co.uk/ | http://instagram.com/illuminating_artsThe Darent Wax Company: https://www.darentwax.com/ | https://uk.linkedin.com/company/the-darent-wax-company-ltdAnselm Kiefer: Remembering the Future: https://www.imdb.com/title/tt4212634/ | Watch here: https://youtu.be/FUQuhoqTKtg?si=JYiPNUgjV_oG9HZRAlan Yentob: https://en.wikipedia.org/wiki/Alan_Yentob | https://www.instagram.com/ayentob1/Millimetre: https://millimetre.uk.net/ | https://www.instagram.com/millimetremakes/ Milan Design Week: https://www.salonemilano.it/en | https://instagram.com/isaloniofficial/ Anish Kapoor: https://anishkapoor.com/ | https://www.instagram.com/dirty_cornerAntony Gormley: https://www.antonygormley.com/ Richard Serra: https://gagosian.com/artists/richard-serra/Michael Heizer: https://gagosian.com/artists/michael-heizer/Thom Yorke: https://www.youtube.com/channel/UC9BJwi8Q2AiLtLHdGlWqsrQ | https://www.instagram.com/thomyorke/Richard Nutborne Scenic Studio: https://rnscenicstudio.com/ | https://www.instagram.com/rnscenicstudioPhotographs courtesy of the artist by: James Champion, Stephen O'Flaherty, Chris Tubbs, Jeff Moore, Angie Dixon, It's Nice That, Marc Wilmot, Charles Emerson.The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories: https://www.linkedin.com/groups/14532340/ Mentioned in this episode:Try Descript:https://get.descript.com/s8kjemvu79fz | — | ||||||
| 11/5/24 | ![]() Elizabeth Day: Unraveling Trauma Through Art and Activism | In episode 20, we sit down with renowned Australian artist and activist Elizabeth Day. Known for her inventive use of materials such as unraveled textiles, grass casts, and even chewing gum, Elizabeth shares her meandering career path from traditional painting, to working with inmates, to large-scale installations that address themes of migration, trauma, and social change.Tune in to hear about:• Her unique approach to textile-based installations• Public art projects addressing Indigenous histories and social issues• Transforming everyday materials into impactful works• Processing personal and collective trauma through art• Upcoming projects, including a retrospective exhibitionThis conversation offers a deep dive into Day’s artistic philosophy, her commitment to activism through art, and her advice to emerging artists. Perfect for anyone seeking insights into socially engaged art practices and innovative material use.Elizabeth Day is based in Sydney, Australia. You can find out more about her work on her website https://elizabethday.art/ and on her Instagram @elizabethday28 https://www.instagram.com/elizabethday28/ 02:42 Migration and Family Background05:05 Art Education and Early Influences06:14 Exploring Installation Art09:54 Life in London and Artistic Awakening11:39 Return to Australia and First Installations16:26 Prisons and Social Issues21:51 Unravelling and Textile Art23:22 Chewing Gum Paintings and Activism26:28 Site-Specific Art and Public Spaces27:27 Material Choices and Sustainability28:13 Textile Art in the Contemporary Scene31:49 Grass Casts: A Unique Medium33:48 Liverpool, Liverpool: A Tale of Two Cities37:51 Studio Spaces: The Struggle for Artists44:51 Processing Trauma Through Art49:21 Current Projects and Future AspirationsElizabeth is exhibited by Mais Wright gallery: https://www.maiswright.com/artists/elizabeth-day/You san see her work in person in “Dreams Nursed in Darkness” at Woollongong Art Gallery until 24 November 2024: https://wollongongartgallery.au/wag-exhibitions/dreams-nursed-in-darkness Also mentioned in this episode:Cementa Festival: https://cementa.com.au/ | https://www.instagram.com/cementafestival/ Anton Holzner: https://www.artnet.com/artists/anton-holzner/Greenham Common: https://en.wikipedia.org/wiki/Greenham_Common_Women's_Peace_CampSydney College of the Arts: https://www.sydney.edu.au/arts/schools/sydney-college-of-the-arts.html | https://www.instagram.com/artss_sydney/ Rose Ann McGreevy: http://roseannmcgreevy.blogspot.com/ Barbara Halnan: https://www.articulateprojectspace.org/project/22-03-W Robert Smithson: https://www.theartstory.org/artist/smithson-robert/ Long Bay Correctional Centre: https://en.wikipedia.org/wiki/Long_Bay_Correctional_Centre Dreams Nursed in Darkness exhibition: https://wollongongartgallery.au/wag-exhibitions/dreams-nursed-in-darknessClaire Taylor: https://imaginaries.wordpress.com/ Karla Dickens: https://www.artgallery.nsw.gov.au/collection/artists/dickens-karla/ | https://www.instagram.com/karla_dickens/Leanne Tobin: https://www.facebook.com/p/Tobin-Art-100063743792327/ Megan Cope: https://www.megancope.com.au/ | https://www.instagram.com/nutmegandhoney/Fred Williams: https://www.artgallery.nsw.gov.au/collection/artists/williams-fred/Conny Dietzschold Gallery: https://www.connydietzscholdgallery.com/ | https://www.instagram.com/connydietzscholdgallery/Mais Wright gallery: https://www.maiswright.com/ | https://www.instagram.com/maiswright.gallery Paul Howard: https://en.wikipedia.org/wiki/Paul_Howard_(artist_curator)Waverley Artist Studios: https://www.waverley.nsw.gov.au/recreation/arts_and_culture/creative_opportunities/waverley_artist_studiosClothing Factory at Carriageworks: https://carriageworks.com.au/events/the-clothing-store-artist-studios/ | https://www.instagram.com/carriageworks/ The National: https://www.the-national.com.au/ Fauvette Loureiro Memorial Scolarship: https://www.sydney.edu.au/news-opinion/news/2024/09/26/fauvette-loureiro-memorial-scholarship-2024-recipients-announced.htmlThe Longford Project: https://longfordproject.com/ Anna Gibbs: https://westernsydney.academia.edu/AnnaGibbs Julie Gough: https://juliegough.net/ | https://www.instagram.com/julietasmania Noelene Lucas: https://noelenelucas.com/ Australia Council (now Creative Australia: https://creative.gov.au/ Bathurst Regional Art Gallery: https://bathurstart.com.au/ | https://www.instagram.com/bathurstregionalartgallery/ The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.🔔 Hit subscribe or follow wherever you’re listening to never miss a new episode.📢 Follow us on social media: Instagram: https://www.instagram.com/installationartpodcast/Tiktok: @installationartpodcast📚 More information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ 🗣️ We’d love to hear your thoughts! Whether it’s feedback, an idea for a guest, or a takeaway from an episode, leave... | — | ||||||
| 10/15/24 | ![]() Capturing Motion in Stillness: David Spriggs' Layered Installations | In this episode, we sit down with internationally renowned artist David Spriggs to explore his unique approach to installation art through the use of layered transparent sheets. David shares his career path from early artistic experiments in England and Canada, to his education at prestigious institutions like Central Saint Martins. Key learning moments include:Insights into David’s technique of transparent layering to create spatial, multidimensional works that transform with audience interaction.Reflections on his upbringing and how his family has influenced his career.A deep dive into his notable projects and how context, time, and space shape his installations.The logistical challenges of creating and transporting large-scale installations, particularly during the COVID-19 lockdowns.This episode provides a compelling look at how transparency, space, and viewer perception play a pivotal role in David Spriggs’ work, offering valuable insights for artists, curators, and contemporary art enthusiasts alike.David Spriggs is based on Vancouver Island, Canada. You can find out more about his work on his website https://davidspriggs.art and on his Instagram @david_spriggs https://www.instagram.com/david_spriggs/ 03:03 Family influence and becoming an artist06:09 Academic Pursuits and Global Experiences07:15 Discovering his innovative installation technique13:06 The Role of Context and Audience in Art32:07 Reflecting on the impact of COVID-1933:37 Creating the First Wave installation40:37 The importance of scale and color52:26 Lighting vs transparency55:24 Dream projects and future aspirationsAlso mentioned in this episode:Emily Carr University in Vancouver: https://www.ecuad.ca | https://www.instagram.com/emilycarru/ Central Saint Martins: https://www.arts.ac.uk/colleges/central-saint-martins | https://www.instagram.com/csm_news/ Concordia University: https://www.concordia.ca/ | https://www.instagram.com/concordiauniversity/ Bauhaus University: https://www.uni-weimar.de/en/university/start/ | https://www.instagram.com/bauhaus_uni/ Sharjah Biennial: https://sharjahart.org/ | https://www.instagram.com/sharjahart/ Messums Whiltshire: https://www.messums.org/ | https://www.instagram.com/messumswest The New York Stock Exchange Pediment: https://en.wikipedia.org/wiki/New_York_Stock_Exchange_Building Pittura infamante: https://en.wikipedia.org/wiki/Pittura_infamanteCaspar David Friedrich: https://en.wikipedia.org/wiki/Caspar_David_Friedrich Gestalt psychology: https://en.wikipedia.org/wiki/Gestalt_psychologyOku-Noto Triennale: https://www.oku-noto.jp/ja/index_en.html | https://www.instagram.com/okunotojp/ Great Wave by Hokusai: https://en.wikipedia.org/wiki/The_Great_Wave_off_Kanagawa Ian Spriggs: https://ianspriggs.com/ | https://www.instagram.com/ianspriggs/ Noor Ryadh: https://riyadhart.sa/en/noor-riyadh/ | https://instagram.com/noorriyadhfestival The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and behind-the-scenes stories of creating and showing work that is site-specific, ephemeral, large scale or immersive.Hit subscribe or follow wherever you’re listening to never miss a new episode.Follow on Instagram: https://www.instagram.com/installationartpodcast/Follow on Tiktok: @installationartpodcastMore information about the show and previous episodes: www.installationartpodcast.comYour host Anastasia Parmson: www.anastasiaparmson.art | https://www.instagram.com/anastasiaparmson.art/🔨🗣️ Join the conversation in our Linkedin group The Installation Art Society, a space for conversations about installation art and a platform for practitioners to share insights, discuss technical aspects, and exchange behind-the-scenes stories:https://www.linkedin.com/groups/14532340/ | — | ||||||
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