The Kitchen Sisters Present

Perhaps it was the AIDS Quilt that redefined what a monument could look like and who could create it. Or maybe it was the quilters of Gee's Bend or the Freedom Quilting Circle in Alabama, taking the scraps of their lives — old military camo uniforms, overalls, flour sacks — honoring the living and the dead. Quilts as monuments, memorials, large and small, stretch far back into our American story.Monuments are a contentious issue these days in the South and beyond. But right now, in Alabama, the Sew Their Names Project — some 20 quilters, a reverend, and a judge — are bringing unlikely collaborations together to embroider the names of hundreds of forgotten people who were once enslaved. Creating quilts that record and tell.Today The Kitchen Sisters, together with the Jule Collins Smith Museum of Fine Art at Auburn University, present: Quilts as Monuments: Sew Their Names

Today, we're thinking about Marcyliena Morgan, a keeper extraordinaire, a linguistic anthropologist who founded and championed the Hip Hop Archive at Harvard. Marcyliena Hazel Morgan was born in Chicago, May 8, 1950 and passed away September 28, 2025. We were fortunate to interview her in 2018 as part of the opening story in our NPR series The Keepers, about activist archivists, rogue librarians, curators, collectors and historians. Keepers of the culture and the cultures and collections they keep. Guardians of history large and small, protectors of the free flow of information and ideas. Individuals who take it upon themselves to preserve some part of our cultural heritage. Marcyliena Morgan was all that and more. Our story delves into the the founding of the Hip Hop Archive and Research Institute at Harvard by Dr. Morgan and Professor Henry Louis Gates Jr. to “facilitate and encourage the pursuit of knowledge, art, culture, scholarship and responsible leadership through Hiphop.”You’ll hear from Professor Morgan, Professor Gates, Nas, Patrick Douthit aka 9th Wonder, an array of Harvard archivists and students studying at the archive as well as the records, music and voices being preserved there. We've also included more of our original interview with Dr. Morgan. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. We're part of the Radiotopia Network from PRX.

In the 1950s, some ingenious Russians, hungry for jazz, boogie woogie, rock n roll, and other music forbidden in the Soviet Union, devised a way to record banned bootlegged music on exposed X-ray film salvaged from hospital waste bins and archives. The eerie, ghostly looking recordings etched on X-rays of peoples' bones and body parts, were sold illegally on the black market.“Usually it was the Western music they wanted to copy,” says Sergei Khrushchev, son of former Soviet Premier Nikita Khrushchev. “Before the tape recorders they used the X-ray film of bones and recorded music on the bones—Bone Music.”“They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan — forbidden Western music captured on the interiors of Soviet citizens.”And we follow the making of X-ray recordings into the 21st century with Jack White and Third Man Records in Nashville, Tennessee.ProductionProduced by Roman Mars & 99% Invisible and The Kitchen Sisters Nikki Silva & Davia Nelson. With help from Brandi Howell, Andrew Roth and Nathan Dalton. We spoke with Sergei Khrushchev, son of Nikita Khrushchev; Gregory “Grisha” Freidin, Professor Emeritus of Slavic Languages and Literature from Stanford; Alexander Genis, Russian writer and broadcaster; Xenia Vytuleva, visiting professor at Columbia University in the department of History and Theory of Architecture; Anya Von Bremzen, author of a the memoir Mastering the Art of Soviet Cooking. A version of this story originally ran on NPR as part of The Kitchen Sisters’ “Hidden Kitchens” series.The Kitchen Sisters Present is part of the Radiotopia podcast network from PRX.

The Real Ambassadors is a poignant tale of cultural exchange, anti-racism, and jazz history. And it's a love story — between life-long husband and wife partners, Iola & Dave Brubeck and their vision for a better world. Appalled by the racist treatment of Black jazz musicians in the United States in the 1950s and 60s, the Brubecks wrote a musical based on the Jazz Ambassadors Program established by President Eisenhower and the US State Department during the Cold War. In an effort to win hearts and minds, jazz musicians were sent out around the world to represent the freedom and creativity of America through their art form. Louis Armstrong, Dizzy Gillespie and most of the other Jazz Ambassadors were Black. The irony is that they were treated like royalty around the world, but could not stay in hotels or play in integrated bands in their own country.Performed live only once, at the Monterey Jazz Festival in 1962, the Real Ambassadors featured Louis Armstrong, Carmen McCrae, Dave Brubeck and Lambert Hendricks and Bavan. The musical was a chance for Louis Armstrong to speak out about his deep feelings about racism and segregation in this country — feelings he rarely expressed publicly.The story features original music, rare archival recorded letters sent back and forth between the Brubecks and Louis Armstrong about the project, rehearsal recordings and interviews with Dave and Iola Brubeck. Other voices include: the Brubecks' sons, Chris and Dan Brubeck, Keith Hatschek, author of the book, "The Real Ambassadors,” Ricky Riccardi, Director of Research Collections for the Louis Armstrong House Museum, and singer/actress Yolande Bavan, the last surviving performer involved in the project.Thanks to: Keith Hatschek, Chris Brubeck, Dan Brubeck, Ricky Riccardi, Yolande Bavan, Lisa Cohen, and Wynton Marsalis.Special thanks to: The Louis Armstrong Educational Foundation and the Louis Armstrong House Museum; Michael Bellacosa and the Brubeck Collection, Wilton Library, Wilton, Connecticut; The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66 Mosaic Records 270; The Milken Family Foundation Archive Oral History Project; and The Library of Congress.Produced by The Kitchen Sisters (Nikki Silva and Davia Nelson) and Brandi Howell in collaboration with Jackson Spenner. Mixed by Jim McKee.

We travel to the Mississippi Delta and the world of Lebanese immigrants, where barbecue and the blues meet kibbe, a kind of traditional Lebanese raw meatloaf. Lebanese immigrants began arriving in the Delta in the late 1800s, soon after the Civil War. Many worked as peddlers, then grocers and restaurateurs.Kibbe — a word and a recipe with so many variations. Ground lamb or beef mixed with bulgur wheat, cinnamon, salt and pepper. Many love it raw. However it’s made, it’s part of the glue that holds the Lebanese family culture together in the Mississippi Delta and beyond.We visit Pat Davis, owner of Abe’s BAR-B-Q at the intersection of Highway 61 and 49 in Clarksdale, Mississippi, the famed crossroads where, legend has it, blues icon Robert Johnson made a deal with the devil to play guitar better than anybody. Since 1924 Abe’s has been known for it’s barbecue, but if you know to ask, they’ve got grape leaves in the back.Chafik Chamoun, who owns Chamoun’s Rest Haven on Highway 61, features Southern, Lebanese and Italian food — but he’s best known for his Kibbe. Chafik arrived in Clarksdale from Lebanon in 1954, and first worked as a peddler selling ladies slips and nylon stockings.Sammy Ray, Professor Emeritus at Texas A&M University, Galveston, talks about growing up in a barbecue shack that his mother ran on the edge of what was then called “Black Town.” His father peddled dry goods to the Black sharecroppers.During the civil rights movement in the 1960s, Abe’s BAR-B-Q and Chamoun’s Rest Haven were some of the only restaurants in the area that would serve Black people. “We were tested in 1965,” Pat Davis remembers. “A bunch of Black kids went to all the restaurants on the highway and every one refused them except Chamoun’s and my place. And everybody else got lawsuits against them.”The list of famous Lebanese Americans is long and impressive. Ralph Nader, Paul Anka, Dick Dale, Casey Kasem, Khalil Gibran and Vince Vaughn, to name a few. But the one most people talked about on our trip was Danny Thomas. Pat Davis took us out in the parking lot to listen to a CD that he just happened to have in his car of Danny Thomas singing in Arabic.“We called ourselves Syrians when we first came here,” Davis says. “And until Danny came and said he was Lebanese then we all began to realize we really are Lebanese and Danny Thomas can say it. So we’re Lebanese now.”Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva), mixed by Jim McKee, for the James Beard Award winning Hidden Kitchens series on NPR.The Kitchen Sisters Present is produced by The Kitchen Sisters with Nathan Dalton and Brandi Howell. We are part of PRX's Radiotopia, a curated network of podcasts created by independent producers.kitchensisters.org @kitchensisters on Instagram and Facebook

Willie Nelson and Dallas-born actress Robin Wright, along with some wild and extraordinary tellers, take us across Texas and share some of their Hidden Kitchen stories. Gas station tacos, ice houses, Chili Queens, Stubb's BBQ, cowboy kitchens, car wash kitchens, space food. With special guests Jimmie Dale Gilmore, Kinky Friedman, Joe Nick Patoski, and so many more.Produced by The Kitchen Sisters with support from the National Endowment for the Humanities, the National Endowment for the Arts, Corporation for Public Broadcasting, Texas Humanities, KUT, NPR and contributors to The Kitchen Sisters Productions.

“From the very beginning the intent was that the American people needed to be able to access the records so that we would be able to hold the government accountable for its actions.” - David FerrieroDuring the first Trump administration, when access to certain websites and information was being threatened, we started our Keepers series about activist archivists, rogue librarians, historians, collectors, curators — protectors of the culture and the free flow of information and ideas. Today our national librarians and archivists are being fired, our museums are being threatened, our journalists are being hampered, and truth and transparency is once again under attack.In 2017, we talked with David Ferriero, the 10th Archivist of the United States, about the the beginnings of the National Archives under Franklin Roosevelt and its purpose. Ferriero tells of early keepers like Stephen Pleasonton, a brave civil servant who saved the Constitution and Declaration of Independence as the British burned Washington during the War of 1812. Stories of a letter from Fidel Castro to President Roosevelt requesting a $10 dollar bill, and a letter from Annie Oakley to William McKinley volunteering to rally 50 women sharp shooters to fight in the Spanish Civil War.Selected as Archivist of the United States in 2010 by President Obama during the time of his Open Government Initiative, Ferriero worked to make the system more transparent and accessible to the public. With a collection of about 13 billion pieces of paper, 43 million photographs and miles and miles of film and video and about 6 billion electronic records, Ferriero believes “we are responsible for documenting what is going on.” “I think my favorite times are twice a year when we do naturalization ceremonies in the Rotunda and between 50 and 200 new citizens are sworn in in front of the Constitution," he said. "Just to see them experiencing the documents outlining the rights that are now theirs. Those are powerful moments.”