The Kitchen Sisters Present

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed the Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And he made sure that the people making this powerful work were known and knew each other. Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.Tom passed away on February 13, 2023. There’s a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired. As film enthusiasts gather this weekend at the Telluride Film Festival, The Kitchen Sisters Present... The Tom Luddy Connection: The Man, The Movies, The Rolodex. Produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

Narrated by Andy Garcia. At the turn of the century until the 1930s in the cigar factories of Tampa and Ybor City, a well dressed man in a panama hat with a loud and beautiful voice sat atop a platform and read to the cigar workers as they rolled. These readers, known as Lectores de Tabaqueres, read Cervantes, Zola, Victor Hugo, Karl Marx, Jules Verne…. It was the voices and words of these lectores, before radio and mechanization, who informed, organized, and incited the cigar workers, who labored by hand until the 1930s, when both the rollers and readers were replaced by mechanization. A lost tradition of story and smoke.From the Lost & Found Sound series on NPR. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Jay Allison. The Kitchen Sisters Present is part of Radiotopia from PRX.

The worlds of a young Canadian immigrant, an Italian pasta-making family, and a 70-year-old survivor of the Armenian Genocide converge in this story of the San Francisco Treat.A Canadian woman, Lois DeDomenico, marries an Italian immigrant, Tom DeDomenico, whose family founded Golden Grain Macaroni in San Francisco. Just after WWII, the newlyweds rent a room from an elderly Armenian woman, Pailadzo Captanian, who teaches the young, pregnant, 18-year-old Lois how to cook — including how to make yogurt, baklava, and pilaf.During those hours in the kitchen, the old Armenian woman tells Lois the story of her life — her forced trek from Turkey to Syria, leaving her two young sons with a Greek family, her husband’s murder, the birth of her baby along the way (his name means “child of pain”), the story of the genocide. Mrs. Captanian shows Lois a book she wrote shortly after her experiences — one of the only eyewitness accounts written at the time. Most survivor accounts were published 30–40 years later. Hers was published in 1919 for the Paris Peace Talks, in hopes that it would help provide context for the establishment of an Armenian state.Years after the DeDomenicos move away from Mrs. Captanian’s home, Tom’s brother is having dinner at the young couple’s house. He looks down at the pilaf Lois made and says, “This would be good in a box.” They name it Rice-A-Roni.

Muriel "Aggie" Murch and her husband, Academy Award winning film editor and sound designer Walter Murch, have lived on Blackberry Farm in Bolinas for some five decades, along with their children, chickens, and horses. The two just celebrated their 60th wedding anniversary.They both have newly published books, and are out on the circuit telling their stories that stand at the intersection of the organic farming movement and the independent filmmaking movement of the 1970’s.Director Francis Coppola, Walter’s longtime collaborator, describes his new book, Suddenly Something Clicked, as "a vast encyclopedia of cinema and everything that can be touched by it."Director Phillip Kaufman said this about Harvesting History While Farming the Flats: "Blackberry Farm is Aggie Murch's Walden Pond. She made existence sustainable, rebuilt life over and over, helped spirits enter the world and gently helped them leave. She’s got the gift."We have known and admired the Murches for some four decades and asked if we might do a story to celebrate this moment of love and publishing and graciously they said yes.Produced by The Kitchen Sisters, Davia Nelson & Nikki Silva, in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee. Special Thanks to City Lights Bookstore and Peter Maravelis.Funding for our stories comes from listener contributions to The Kitchen Sisters Productions, The Robert Sillins Family Foundation, The Every Page Foundation, The Susie Tompkins Buell Foundation, The Buenas Obras Fund, The TRA Fund, Barbara & Howard Wollner, Michael Pollan & Judith Belzer, Bonnie Raitt, and you.Our deep thanks to our community for your spirit and for supporting the stories.The Kitchen Sisters Present is part of Radiotopia from PRX, a network of independent podcasts that widen your world.Thank you for subscribing and thanks for listening.

The Women’s School of Planning and Architecture, popularly known as WSPA, ran for four summers from 1974 to 1979. You could learn woodworking in the morning and feminist theory in the afternoon, and then let loose and make candy houses in the evening. Childcare was free, tuition was minimal, and the locations were scattered throughout the country, making it easy for interested parties to attend.WSPA was the brainchild of seven women, Leslie Kanes Weisman, Phyllis Birkby, Katrin Adam, Bobbie Sue Hood, Ellen Perry Berkeley, Marie Kennedy, and Joan Forrester Sprague. These women represented a mix of academic, professional, and practical experience. What they wanted to create was an educational curriculum, by women and for women, that freed architecture from the hierarchies of existing schools and practice. At their workshops, held on a succession of college campuses, starting with St. Joseph’s College in Biddeford, Maine, everyone was a student and everyone was a teacher. No one was passive. For many of the participants, it was their first experience of being the majority gender in a design classroom or architecture office. Even decades later, they remembered the experience with happy tears. As with many collaborative enterprises with shoestring budgets, WSPA eventually dissipated, but not before giving a generation of women architects the tools (sometimes literally) to imagine a more communitarian world.Produced by Brandi Howell with host Alexandra Lange for New Angle: Voice, the podcast about Pioneering Women in American Architecture brought to you by the Beverly Willis Architecture Foundation. Special thanks in this episode to Leslie Kanes Wisemen, Katrin Adam, Cathy Simon, and Paulett Taggart. And to the Smith College Special Collections, which houses all of the WSPA archives. Visit NewAngleVoice instagram page to see some incredible photos from this collection, including the Building Charades and Architecture Cakes. Visit New Angle: Voice wherever you find your podcasts. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We're part of Radiotopia from PRX, a network of curated podcasts created by independent producers. Visit kitchensisters.org for more stories and info about our projects and public events.