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- 🇦🇺AU · Performing Arts#1935K to 30K
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Est. listeners per new episode within ~30 days
2.5K to 15K🎙 ~2x weekly·404 episodes·Last published 3d ago - Monthly Reach
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5K to 30K🇦🇺100% - Active Followers
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2K to 12K
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From 11 epsHost
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Recent episodes
FINAL FIVE: Katerina Papacostas, Chess on Broadway
May 29, 2026
31m 41s
Katerina Papacostas Is Making All the Right Moves in Chess on Broadway
May 28, 2026
1h 16m 15s
A Look Back at Lynn Nottage Shaping Stories That Matter in American Theater
May 1, 2026
1h 08m 21s
A Look Back at J. Harrison Ghee & Caroline Bowman Before the Breakthrough Moments
Apr 20, 2026
1h 28m 16s
A Look Back at Ann Harada and Finding Longevity as an Actor
Apr 13, 2026
1h 08m 03s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 5/29/26 | ![]() FINAL FIVE: Katerina Papacostas, Chess on Broadway | In the previous episode, you heard stories from Katerina Papacostas, where we got into her theater experiences as a 19-year-old as well as her current show, Chess, and filling in for the lead role of Florence Vassy. But there’s more to uncover! And she’s back to answer the Final Five Questions, but first we have an audition story, when Kat was in final callbacks for a Broadway show. And this of course leads us into one my favorite subjects, self-tapes.went in for the role of Nicola in Kinky Boots. -- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 31m 41s | ||||||
| 5/28/26 | ![]() Katerina Papacostas Is Making All the Right Moves in Chess on Broadway | Broadway performer Katerina Papacostas joins the opening episode of Season 10! She has spent years of working in on tours, on Broadway, and across regional theatre. Currently appearing in the Tony Award–nominated revival of Chess, Kat recently stepped into the lead role of Florence Vassy, filling in for Lea Michele. In this conversation, Kat opens up about the realities of building a sustainable career in the arts — from survival jobs and burnout to leaving New York entirely and eventually becoming a software engineer while still pursuing performance. She shares how redefining success for herself created a healthier and more balanced creative life, both onstage and off. It’s an honest conversation about persistence, reinvention, and what it really takes to stay in the game long enough for opportunities to arrive. -- Why I’ll Never Make It was recently selected by MillionPodcasts as one of the Top 70 Musical Theatre Podcasts on the web (2026 Edition). This podcast is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 1h 16m 15s | ||||||
| 5/1/26 | ![]() A Look Back at Lynn Nottage Shaping Stories That Matter in American Theater✨ | storytellingtheater+4 | Lynn Nottage | RuinedMJ | — | Lynn Nottagetheater+5 | — | 1h 08m 21s | |
| 4/20/26 | ![]() A Look Back at J. Harrison Ghee & Caroline Bowman Before the Breakthrough Moments✨ | identity in performing artsnavigating visibility+4 | J. Harrison GheeCaroline Bowman | Kinky BootsEvita+3 | MunySt. Louis | identityperforming arts+7 | — | 1h 28m 16s | |
| 4/13/26 | ![]() A Look Back at Ann Harada and Finding Longevity as an Actor✨ | longevity in actingBroadway career+3 | Ann Harada | M. ButterflyInto the Woods+2 | — | Ann HaradaBroadway+7 | — | 1h 08m 03s | |
| 4/3/26 | ![]() A Look Back at Adrienne Walker Navigating Rejection as a Broadway Actor✨ | rejectionBroadway+4 | Adrienne Walker | The Lion KingKiss Me, Kate+1 | — | rejectionBroadway+5 | — | 1h 32m 31s | |
| 3/26/26 | ![]() A Look Back at Misha Osherovich and Breaking Free from Body Image Pressures in Theater✨ | body imagemental health+3 | Misha Osherovich | A Clockwork Orange | — | body imageeating disorders+5 | — | 1h 06m 59s | |
| 3/13/26 | ![]() A Look Back at Sharon Catherine Brown and a Legacy of Passion and Joy for Theater✨ | theaterlegacy+3 | Sharon Catherine Brown | Goodspeed MusicalsThe Notebook+1 | — | theaterSharon Catherine Brown+4 | — | 2h 32m 39s | |
| 3/6/26 | ![]() A Look Back at Anthony Rapp, From The Little Prince to Seasons of Love✨ | Broadwaytheater industry+4 | Anthony Rapp | BeetlejuiceRent+1 | — | Broadway debuttheater+6 | — | 1h 21m 34s | |
| 2/20/26 | ![]() A Look Back at Lisa Howard Defining Success on Her Own Terms in Broadway Musicals✨ | Broadwaytheatre+4 | Lisa Howard | 42nd StreetThe 25th Annual Putnam County Spelling Bee+2 | — | Broadwaymusicals+5 | — | 1h 12m 02s | |
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| 2/13/26 | ![]() A Look Back at Geoffrey Owens and the Dignity of Work Beyond Broadway and Television✨ | dignity of workperception of actors+4 | Geoffrey Owens | The Cosby ShowRent | — | Geoffrey Owensdignity of work+5 | — | 1h 26m 29s | |
| 2/6/26 | ![]() A Look Back at John McGinty and His Persistence as a Deaf Actor on the Broadway Stage✨ | deaf actorsBroadway+4 | John McGinty | Children of a Lesser GodThe Hunchback of Notre Dame | — | deaf actorBroadway debut+6 | — | 59m 51s | |
| 2/2/26 | ![]() What Does “Making It” Even Mean? — A Look Back at Ten Conversations✨ | retrospectivecareer challenges+4 | — | Why I’ll Never Make It | — | making itcareer+5 | — | 4m 22s | |
| 1/10/26 | ![]() Kate Baldwin Finds Creative Purpose Beyond Just Performing (REWIND) | This past fall 2025 I got to see two of my favorite leading ladies on stage. The first was Christine Sherrill, who was making her Broadway debut in Mamma Mia. She and I had first worked together in the out-of-town tryout for First Wives Club back in 2015 that ran for about a month and a half in Chicago. But due to various factors that show never ended up coming to New York. Nonetheless, Christine was so great in that show. And she brought that same energy and vocal power to the role of Donna in Mamma Mia as well. The second leading lady I got to see was also someone I had worked with before in 42nd Street at Goodspeed in Connecticut. Now, she wasn’t making her Broadway debut, but she was playing a character for the first time: Roxie Hart in the long-running musical Chicago. She has about another month in this role, and so to celebrate her fantastic performance in the show I thought I would replay my conversation from 2022 with this dynamic leading lady...Kate Baldwin --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 51m 02s | ||||||
| 12/31/25 | ![]() Justin Collette Brings Beetlejuice to Life at the Palace Theatre (Season 9 Finale) | Step inside the dressing room with Beetlejuice's Justin Collette for a behind-the-scenes conversation that’s equal parts bone broth and backstage banter. From the rock riffs of School of Rock to the undead hilarity of Beetlejuice, Justin shares his wild ride from Canadian improv star and punk band frontman to taking center stage on Broadway. We discuss his his technique of “farting with vocal cords” as well as punk bands and improv nights. It's a season finale with backstage stories, audition adventures (including a fire alarm mishap), and heartfelt reflections on leadership, creativity, and finding joy in the moment. --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 57m 19s | ||||||
| 12/17/25 | ![]() Jen Rudolph Helps Actors Focus on the Business of Acting | Being an actor requires a constant balancing act between showing up creatively and understanding how the industry actually functions. And Jen Rudolph has spent years operating at the intersection of casting, coaching, and strategy. She shows actors how to become clearer, more intentional collaborators in the room and more viable professionals outside of it. Together we talk about her years as a casting director and the creation of The Actor’s Green Room, where she worked closely with actors in person. This eventually morphed into the online space and the leap to fully digital training with the creation of the 2% Signature System. Jen also gives her honest and sometimes controversial assessment of education, access, and the cost of becoming a more bookable professional. Jen’s insights show us why some actors keep getting called in, keep getting trusted, and keep getting hired. And as a special treat, you get my full conversation with Jen in one single episode, something normally reserved for subscribers, that include auditions stories and the Final Five questions. --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 1h 17m 04s | ||||||
| 12/8/25 | ![]() David Bushman Proves There’s No Expiration Date on a Theater Career | Chicago is now celebrating 29 years on Broadway, with multiple national and international companies as well. And for more than two decades David Bushman has been a part of various Chicago productions around the world. But what makes David’s story remarkable isn’t just his longevity with the show—it’s the path that got him there. We talk about his early days in community theater, his unexpected move from a 17-year ballet career into musical theater, and the fact that he booked his first Broadway contract at the age of 50. He shows that “late bloomers” aren’t late at all—they’re just following a different rhythm. --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 1h 29m 41s | ||||||
| 11/29/25 | ![]() FINAL FIVE: Trisha Paytas, YouTuber and Broadway Performer in Beetlejuice | The previous episode with Trisha Paytas covered so much ground, from her recent Broadway debut in Beetlejuice to her rise as a YouTube star. But one of the best parts of every conversation is when we get to discuss the Final Five Questions. It’s where we hear about personal lessons, hopes for the industry, and those moments that truly define an artist’s career. --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 15m 38s | ||||||
| 11/22/25 | ![]() Trisha Paytas on Media, Missteps, and Making Her Broadway Debut | Trisha Paytas joins the podcast to talk about her unexpected and much-talked-about Broadway debut in Beetlejuice. She shares what drew her to the show, how the opportunity came about, and what it’s been like stepping into a completely new kind of spotlight. We also get into her family background and the early days of her online career, how she first gained attention, and the twists and turns of twenty years on YouTube. Trisha speaks openly about the fandom she’s built, the tougher moments she’s faced, and the mental health journey and personal growth that have shaped who she is today. It’s an honest, surprising conversation about reinvention, vulnerability, and the ways we keep learning from both the chaos and the successes along the way. Special thanks to Jimmy Whetzel and Hannah McKinley for their production and editing efforts in putting this episode together. --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 40m 08s | ||||||
| 11/14/25 | ![]() Apologizing for My Own "Why I’ll Never Make It" Moment... | In this brief update, I open up about the last several weeks—Broadway opening week, getting sick, and a recent injury—and how all of it pulled me away from releasing new episodes. I share what’s been going on, why the silence stretched longer than I wanted, and how grateful I am for the patience and support of this community as I get things back on track. Learn more about your ad choices. Visit megaphone.fm/adchoices | 4m 38s | ||||||
| 11/7/25 | ![]() FINAL FIVE: Abbie Goldberg & Mason McDowell, Musical Theater Writers | In the previous episode, Abbie Goldberg and Mason McDowell dove into their new musical 504 as well as the obstacles they’ve faced trying to produce their own works, and it was such an insightful conversation. But there’s still so much more to explore! That’s why I’m thrilled to have Abbie and Mason back here with me for the Final Five Questions—where we get a little more personal by uncovering lessons learned, hopes for the industry, and a deeper look at what drives them as artists. --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 17m 58s | ||||||
| 10/31/25 | ![]() Abbie Goldberg and Mason McDowell Turn a Movement Into a Musical | Writers Abbie Goldberg and Mason McDowell are the creative team behind 504: The Musical — a new show inspired by the real-life 1977 sit-in that ignited the disability rights movement. What started as a 25-day protest in San Francisco became a landmark moment in history, paving the way for the Americans with Disabilities Act. Abbie and Mason share what drew them to musicalize this event and how they balance storytelling and activism in telling such an important story. We also talk about the ongoing challenges of accessibility within theater itself — from a festival that couldn’t accommodate their actors to the irony of competing for a grant against their own mentor. Through it all, their journey reflects the very message of their show: that change takes persistence, collaboration, and a little bit of creative rebellion. --- Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 52m 05s | ||||||
| 10/15/25 | ![]() Historias Hispanas en Español - Bianca Marroquín, Luis Salgado y Mas (REWIND) | Bienvenidos y gracias por acompañarnos en esta edición especial de Why I’ll Never Make It! En esta segunda parte de mi serie sobre historias hispanas, escucharán a mis invitados anteriores compartir sus propias historias y experiencias en español. Roberto Araujo y Final Five Bianca Marroquín y Final Five Luis Salgado Jaime Lozano y Final Five Alina Alcántara y Final Five Tadeo Martinez y Final Five Cecy Trevino (part 1 and part 2) En este episodio no habrán entrevistas, sólo historias hispanas vividas y contadas por los propios protagonistas. Sitio Web - whyillnevermakeit.com --- — Why I’ll Never Make It is an independent production of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of this podcast please subscribe or donate. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 39m 20s | ||||||
| 10/14/25 | ![]() Hispanic Stories in English - Matt Zambrano and Dan Domingues (REWIND) | As Hispanic Heritage Month comes to a close, I wanted to share a episode from 2020. This is part one in a series of former Hispanic guests of the podcast coming back to share their stories in their own words. The second part - la segunda parte - will be en español. Matt Zambrano was the very first guest on the podcast. He and I did Man of La Mancha together in Orlando. Dan Domingues is a NY actor who took part in my Spotlight episode on Only Make Believe, a nonprofit that brings interactive theater into children’s hospitals and cafe facilities. They both share insights about the work they do as well as very personal feelings about their own ethnicity and heritage. In this episode as well as the Spanish one, there are no back and forth questions from me. In fact, I’ve done very little editing to these recordings, just cleaning up sound quality as much as possible and structuring these episodes together. But in general, I’m simply stepping back to let previous guests tell their own story, and say what THEY want to say. --- To get early access to full conversations, please become a subscriber . And to support the ongoing efforts of this podcast you can also donate as well. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 37m 29s | ||||||
| 9/26/25 | ![]() Audition Stories 2025 with Lynn Nottage, Aubie Merrylees, Elizabeth Hess, Simon Tam, and More! | It’s been several seasons since the last time Audition Stories took center stage, but they’re finally back — and this time with a brand-new collection of unforgettable moments from the audition room. These are the kinds of stories that stick with you long after the casting table has cleared: the ones that make you laugh, cringe, and nod in recognition at just how unpredictable this business can be. From quick recoveries and bold risks to the kind of mishaps you can’t help but retell, these guests pull back the curtain on what it’s really like to step into an audition and leave it all on the line. And to close things out, I share my own personal story—one that’s been twenty years in the making and is now leading to my Broadway debut in Beetlejuice. Lynn Nottage Aubie Merrylees Elizabeth Hess Sònia Victoria Werner Akiko Aizawa Simon Tam Corrie Legge Jocelyn Jones Moshe Lobel Patrick Oliver Jones Auditions are where careers begin, where resilience is tested, and where surprises can change everything. This episode celebrates all of that and more. --- To get more audition stories, please subscribe . And to support the ongoing efforts of this podcast you can also donate as well. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices | 1h 24m 38s | ||||||
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