Natalie Haynes Stands Up for the Classics

The overlooked Olympian who was the resolutely unmarried goddess of the hearth and home. In fact, Zeus awarded her a glorious gift for remaining unmarried, a tradition Natalie very much feels should be continued. In Hestia's Roman form of Vesta her Vestal Virgins guarded the sacred flame in her temple. Edith Hall thinks she's like Nigella, a domestic goddess, which may explain why references to her are hard to find, but that her importance both to men and women at the time cannot be overestimated. 'Rockstar mythologist' Natalie Haynes is the best-selling author of 'Divine Might', 'Stone Blind', and 'A Thousand Ships' as well as a reformed comedian who is a little bit obsessive about Ancient Greek and Rome.Edith Hall is Professor of Classics at Durham University, specialising in ancient Greek literature. She has written over thirty books and is a Fellow of the British Academy.Producer...Beth O'Dea

The Queen of the Olympian gods is swallowed whole by her father at birth and then marries her brother Zeus, who turns himself into a cuckoo to seduce her. Hera, or Juno to the Romans, has her triumphs. She adds the eyes to the tail feathers of her sacred bird the peacock by plucking them from the hundred-eyed monster Argos. And in the Iliad she dons a magic bra given to her by Aphrodite to persuade Zeus to support the Greeks against the Trojans. Her loyalty to the Greeks begins when Trojan prince Paris doesn't choose her as the most beautiful. She then devotes her life to persecuting him and his people. Perhaps a slight overreaction. But is Hera a monster or just mistreated by the undisputed worst husband of all time?At a packed out solo show recorded at the Hay Festival Natalie puts the case for and against.'Rockstar mythologist' Natalie Haynes is the best-selling author of 'Divine Might', 'Stone Blind', and 'A Thousand Ships' as well as a reformed comedian who is a little bit obsessive about Ancient Greek and Rome.Producer...Beth O'Dea

Natalie is joined by Professors Islam Issa and Edith Hall to tell the story of the great library of Alexandria. It was included in Alexander the Great's original design for his city, located in the Nile Delta. Alexandria was to be a city of knowledge. The founders of the library were ambitious: they wanted nothing less than to collect all the books in the world. They were willing to pay huge sums, but they were also ruthless and unscrupulous. The Ptolemies would write to fellow rulers and wealthy friends and ask to borrow their priceless texts. Then the library would copy the scrolls, and return the copies. Or alternatively they'd just steal them. Handily, papyrus, the principal reading material of the era, grew in great abundance around Alexandria. So there was plenty of it for those copies. Less fortunately, it's extremely flammable. So in 48 BCE, when Julius Caesar's besieged army set fire to ships in the harbour in order to block the invading fleet, the fire spread and destroyed a significant part of the library.'Rockstar mythologist' Natalie Haynes is the best-selling author of 'Divine Might', 'Stone Blind', and 'A Thousand Ships' as well as a reformed comedian who is a little bit obsessive about Ancient Greek and Rome.Islam Issa is Professor of Literature and History at Birmingham City University. His book 'Alexandria, the City that Changed the World' is the Winner of the Runciman Award and The Times, Sunday Times, TLS, Booklist, Epoch Times and Waterstones Book of the Year.Edith Hall is Professor of Classics at Durham University, specialising in ancient Greek literature. She has written over thirty books and is a Fellow of the British Academy.Producer...Mary Ward-Lowery

No togas today please. Natalie celebrates the mid-winter festival of Ancient Rome, Saturnalia. According to Catullus, it's the 'best of days'. Expect cross-dressing, sweets, drinking games and the wearing of special pyjamas. Oh and anarchy and jokes. Sounds a bit like a Christmas pantomime? Not surprising, according to veteran pantomime dame André Vincent, who traces the origins of panto back to the fifth century. Early in that same century - late antiquity - a Roman Christian named Macrobius wrote the most comprehensive extant guide to Saturnalia, which was celebrated in some places, in one way or another, until possibly the eleventh century.You are invited to be part of this festive show which includes gifts for the entire Radio Theatre audience (cue noisy rustling of sweet bags) and the wearing of traditional Saturnalian pointy hats (the 'pileus') to celebrate. Even Professor Llewelyn Morgan has one. Honest.Producer...Mary Ward-Lowery

Aesop is probably the most famous author from antiquity, judging by the ongoing sales of his fables about animals. It should be easy to do a show about him, thinks Natalie. But it turns out that everything we know, or think we know about Aesop, is contradicted somewhere. He may have been Thracian, Phrygian or Ethiopian; mute - or talkative; clever, provoking and possibly blasphemous. It's a complicated story, and fables aren't even a Greek invention. With guests Edith Hall and Adam Rutherford, Natalie also takes advice from comedian Al Murray.Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.Producer...Mary Ward-Lowery

The Greek goddess of love, sex, desire and beauty, Aphrodite is mostly depicted naked and/or wet. And depending on your age and taste, that could be by Botticelli, Bananarama or Lady Gaga. Born from the sea foam, you can still visit her rock in Cyprus, where there's always a crowd of tourists. No one is immune to her charms, says Hesiod. In fact we can all learn from Aphrodite's stress-busting strategy: when something annoying or stressful happens, she goes to Cyprus - for a bath.Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.Producer...Mary Ward-Lowery

Natalie Haynes returns with a new series of sparkling stories from the ancient world which shed light on the world today.Cleopatra was a brilliant politician, a ruthless leader and a massive brain-box, who spoke nine languages. The Queen of Egypt had charisma to burn, but she probably didn't look like Elizabeth Taylor. Her intelligence and magnetism were more than enough to attract the attentions of the world's most powerful men, and to keep her in power - in a notoriously lethal dynasty - for over twenty years. Guests Jane Draycott and Llewelyn Morgan join Natalie to make sense of the Ptolemaic family naming system, to discover what it took to stay at the top for so long in dangerous times, and to find out just how besotted Mark Antony was with the Egyptian Queen. Cleopatra knew exactly how to make an impression: she entertained the war-weary Antony on a gold-covered luxury barge, fragrant with burning spices, decked out with fairy lights. She made him rub her feet at a banquet for losing a bet and he famously wandered out of an important lecture because Cleopatra was passing and he preferred to talk to her. Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.Producer...Mary Ward-Lowery

Athene is charismatic and bloodthirsty, goddess of wisdom, war and...handicrafts. Owl-eyed Athene is not interested in love, although she is very fond of the hero Odysseus and gives him a leg-up whenever she can. War is Athene's thing, the bloodier the better. She's perfectly happy to humiliate and degrade her enemies, including the feisty and talented weaver Arachne, who challenges Athene to a weaving competition. Athene loves a scrap so it's game on: looms at dawn. She weaves a depiction of her own glorious success over Poseidon in the battle for Attica. Arachne creates a tapestry which shows scenes of gods tricking, seducing, assaulting and kidnapping mortal women. Her message is that the 'protection' of the gods is not worth the cost. Athene is speechless and it's clear who has won the challenge. But Arachne has to pay a price for victory. Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.Producer...Mary Ward-Lowery

Epigrams, jokes, highly-polished poems in praise of the Emperor. Oh, and absolute filth. These are what made the name of the first-century Roman poet Martial. It has taken nearly two thousand years for Martial's work to be considered a fit subject for study by classicists. His poems to the Emperor may have been as highly crafted as a Fabergé egg, but nestled beside these jewels, in the same volume, were works of 'incomprehensible obscenity'. The Romans loved both, apparently. His work is still funny, and still shocking. Natalie is joined by Professor Llewelyn Morgan and comedian Robin Ince to discover what we can learn about the poet and his readers from his work, and if he can still make us laugh. Spoiler: he can.‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. She explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.Producer: Mary Ward-Lowery

The poet Lucretius's major work is a six-book poem on epicurean philosophy and physics. Doesn’t sound exactly promising? But his contemporaries and poetic descendants RAVED about it, even Cicero, who is mean about everyone. Ovid says that ‘the verses of sublime Lucretius will die only on the day the world ends’. But the world nearly did end for his work because only one manuscript survived, lost for centuries, only to be rediscovered in the Renaissance. ‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago. This is the eighth series (x 4) of the show and all the other episodes are available as podcasts on BBC Sounds.Guests include Professor Llewelyn Morgan and Andrew Copson, Chief Executive of Humanists UK. Producer: Mary Ward-Lowery

It seems that classical scholars are wrong about the date of the volcanic eruption that destroyed the ancient city of Pompeii almost two thousand years ago. It's taken a few ripe pomegranates and some squashed grapes, carbonised by pyroclastic flow, to change our minds about this UNESCO World Heritage Site. The eruption was definitely in the year 79, but the month? Most written sources mistakenly suggest it was August but if you know your fruit, you will know that pomegranates and grapes ripen in the autumn in Italy. So the presence of these fruit in the remains of the city suggest the eruption must have taken place later in the year.Natalie draws on the blisteringly dramatic account of the disaster by Pliny the Younger, writing to his friend, the historian Tacitus. She talks to archaeologist Dr Sophie Hay, who has spent nineteen years living and working in Italy and is a leading expert on the site. There are poignant details: many bodies discovered there were carrying keys, because people expected to be able to return to their homes once the eruption had subsided. Others had pillows wrapped around their heads to protect them from the pumice and lava raining down on them as they tried to escape.‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. She explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago. With guests Dr Sophie Hay and Professor Llewelyn MorganProducer Mary Ward-Lowery

"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.Today Natalie stands up for Clytemnestra, who has been characterised as the worst wife in Greek mythology. This is open to debate: she's certainly a good mother, if a little bit murderous of her husband. But it turns out that Agamemnon probably deserves it. After all he sacrifices one of their daughters to Artemis without a second thought and then turns up at home years later with Cassandra, the future-seeing woman he has 'won' as a prize (also read: trafficked and enslaved) at the Battle of Troy. These actions demonstrate a certain lack of respect for his wife, as well as cruelty of the highest order. Cassandra reads the room, obviously, but nobody listens to her. Clytemnestra has a good legal brain and states her case convincingly. But it's unlikely to end well.With Professor Edith Hall. Producer...Mary Ward-Lowery