
Sound, Light & Frequency
Has the U.S. government been conducting a slow-drip UFO disclosure campaign through Hollywood movies and television for more than 70 years? The new podcast Sound, Light & Frequency tackles that mind-blowing question thro...
Insights from recent episode analysis
On the show
- Brent Friedman6 eps
- Bryce Zabel2 eps
- Ernest Cline1 ep
Also: Brett Leonard, Brent, Dean Alioto, David O’Leary, Todd Masters
Audience Interest
Podcast Focus
Publishing Consistency
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Based on 1 signal.
Built from
By chart position
- 🇺🇸United States · DocumentaryHOME#6933K to 176K
- 🇬🇧United Kingdom · Documentary#524.0K to 21K
- 🇧🇷Brazil · Documentary#114750 to 4.0K
- 🇦🇺Australia · Documentary#92676 to 3.6K
- 🇨🇦Canada · Documentary#113573 to 3.0K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
41K to 218K🎙 ~2x weekly·31 episodes·Last published 6d ago - Monthly Reach
Unique listeners across all episodes (30 days)
82K to 436K🇺🇸81%🇬🇧10%🇧🇷2%+5 more - Active Followers
Loyal subscribers who consistently listen
45K to 240K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Plays
—
Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 10/15/26 | Why Do Rockstars See UFOs? | What happens when a rock star goes looking for the people who supposedly know the truth about UFOs—and actually finds them? In “Why Do Rockstars See UFOs?,” Bryce Zabel and Brent Friedman trace the extraordinary journey of Blink-182’s Tom DeLonge from lifelong UFO obsessive to participant in the modern disclosure story. DeLonge didn’t wait for government insiders to find him; he went looking for them, eventually building relationships with generals, intelligence officials and aerospace figures and assembling the remarkable team behind To The Stars Academy. At the center of that origin story was retired Air Force Major General Neil McCasland, whom DeLonge privately described as a crucial adviser who helped connect him with other insiders. Now there’s a haunting new chapter: McCasland walked out of his New Mexico home in February 2026 and has never been found. There is no evidence linking his disappearance to UFOs—but considering the extraordinary things DeLonge claimed McCasland knew, it is one more mystery surrounding a story that was already difficult to explain. And it raises an uncomfortable question: when the worlds of entertainment and national security come together to tell the UFO story, who exactly is using whom? From there, the investigation travels backward through rock-and-roll history to perhaps its most famous UFO witness: John Lennon. On August 23, 1974, Lennon and May Pang said they watched a silent, gunmetal craft hover remarkably close to their Manhattan penthouse for as long as fifteen minutes before moving down the East River and disappearing. Lennon drew it, wrote about it, talked publicly about it, and eventually sang about “UFOs over New York.” Yet despite the location, the duration and two credible eyewitnesses, almost nobody else seems to have reported seeing what they saw. That mystery opens the door to David Bowie, Sammy Hagar, Robbie Williams, Billy Corgan, Ace Frehley and an astonishing musical history stretching from “Mr. Spaceman” and “Longer Boats” to “After the Gold Rush,” “Calling Occupants of Interplanetary Craft” and “Aliens Exist.” Why have so many musicians not only sung about the phenomenon but claimed extraordinary experiences of their own? Is it simply personality, lifestyle and openness to the unusual—or could people who spend their lives immersed in sound, light and frequency actually perceive the world a little differently? High Fidelity, High Strangeness follows the music into a mystery that may be much bigger than rock and roll. To learn more: www.SoundLightFrequency.com See omnystudio.com/listener for privacy information. | 1h 12m 55s | ||||||
| 10/8/26 | The Herrington Denial | John Herrington is in denial. The former Reagan administration official and Secretary of Energy has finally spoken publicly about Brent Friedman's extraordinary account of a 1981 conversation in which Herrington allegedly revealed that aliens were real, the government knew it, and he'd seen them himself. In an explosive interview with Jesse Michels on American Alchemy, Herrington denies the conversation ever happened and questions Brent's credibility. Now Brent fires back, armed with family photographs, a story he's told consistently for decades, and some pointed questions about Herrington's changing account. Who's telling the truth? And why does it matter more than ever? In this special breaking episode of Sound, Light & Frequency, Bryce Zabel and Brent Friedman also examine David Grusch's startling new revelations on Joe Rogan, Richard Dolan's perspective on the Herrington controversy and the mysterious Formula, and an intriguing discovery involving Steven Spielberg's family and Wright Field. What began as a conversation on a back porch 45 years ago has become part of a much bigger story about UFOs, Hollywood, and government secrecy. Brent and Bryce didn't plan to make this episode. Breaking events gave them no choice. To learn more: www.SoundLightFrequency.comSee omnystudio.com/listener for privacy information. | 1h 23m 11s | ||||||
| 10/1/26 | Midnight in Television City | A pounding on the door wakes Daniel Tibbets from a dead sleep. It’s around midnight, and a producer friend is standing outside telling him to get dressed—they have to go. Where they’re headed, who they’re meeting, and what those mysterious visitors say they have to show them will become one of the strangest nights of Tibbets’ life. After the reveal of the Formula and the extraordinary reaction that followed, Sound, Light & Frequency moves deeper into its active investigation. From the beginning, Bryce Zabel and Brent Friedman have wondered whether what happened to them during Dark Skies was unique—or whether other people in Hollywood had their own encounters with mysterious insiders, extraordinary claims, and purported physical evidence. Veteran television executive and producer Daniel Tibbets now comes forward with a story that rivals theirs for sheer strangeness and specificity, along with previously unaired material connected to his experience. It’s a story that pushes the investigation beyond Bryce and Brent’s own history and raises a larger question: how many other people in Hollywood have stories like this that have never been told? To learn more: www.SoundLightFrequency.comSee omnystudio.com/listener for privacy information. | 1h 03m 21s | ||||||
| 9/24/26 | Wisdom of the Crowd | A week after Sound, Light & Frequency released the mysterious drawing Bryce Zabel and Brent Friedman have spent years calling “the Formula,” the reaction has been immediate, intense and far larger than they expected. The image—drawn for them in 1996 by the man who called himself J.C. and claimed to be from the Office of Naval Intelligence—has now escaped into the wild. Listeners, researchers, podcasters, skeptics and experiencers have begun comparing it to older systems of consciousness, tracing possible historical sources and raising new questions about what J.C. may actually have been trying to tell them. That was always the point of releasing it. Bryce and Brent have called Sound, Light & Frequency an active investigation from the beginning, and now the investigation has expanded beyond the two of them. In “Wisdom of the Crowd,” they open the file wider, bringing in the audience, fellow podcasters and outside researchers—not to declare the mystery solved, but to examine what has emerged since the Formula became public and to follow the new leads wherever they go. The reveal was not the end of the story. It may have been the beginning of a much larger one. To learn more: www.SoundLightFrequency.comSee omnystudio.com/listener for privacy information. | 1h 12m 27s | ||||||
| 9/17/26 | Secrets of the Universe: The Formula Reveal | For thirty years, Bryce Zabel and Brent Friedman have held onto a mysterious artifact from the night Dark Skies premiered: a formula written on the back of a bank deposit envelope by a party crasher who said he was from the Office of Naval Intelligence. He called it “Sound, Light & Frequency” — the “Secrets of the Universe.” Now, for the first time, they are releasing the original Formula publicly. In this landmark episode, Bryce and Brent retrace how the Formula came into their possession, reveal it in full, and explain where their investigation has led them — what they believe the symbols may represent, why someone claiming to be from Naval Intelligence might have wanted them to see it, and whether understanding the Formula makes that extraordinary encounter seem more or less credible. Then the investigation changes hands. The Formula is now available for anyone to examine, analyze, challenge and interpret. After thirty years, the wait is over — and the larger conversation can begin. To learn more: www.SoundLightFrequency.comSee omnystudio.com/listener for privacy information. | 2h 00m 31s | ||||||
| 9/10/26 | UFOstelevision+4 | David O’Leary | HistoryMajestic-12+1 | RoswellWashington+1 | Project Blue BookUFO television+5 | — | 1h 03m 39s | ||
| 9/3/26 | UFOsalien abduction+4 | Brent Friedman | iHeartPodcastsThe X-Files | — | UFO mythologyalien-human hybrids+6 | — | 1h 04m 27s | ||
| 8/27/26 | alien comedyUFO history+4 | Bryce ZabelBrent Friedman | My Favorite MartianMork & Mindy+8 | — | alienscomedy+6 | — | 1h 06m 28s | ||
| 8/20/26 | aliensparanormal+5 | — | HistoryOur Haunted Planet+2 | — | ultraterrestrialstrickster events+6 | — | 1h 16m 19s | ||
| 8/13/26 | alien contactscience fiction+5 | — | Falling SkiesCaptive State+5 | — | alien invasionHollywood+8 | — | 1h 00m 37s | ||
| 8/6/26 | alien encountersscience fiction+3 | Brent Friedman | SupermanMy Favorite Martian+9 | — | alienE.T.+5 | — | 58m 19s | ||
| 7/30/26 | alienscreature effects+4 | Todd Masters | MASTERSFXThe Empire Strikes Back+1 | — | alienscreature effects+6 | — | 1h 03m 43s | ||
| 7/23/26 | cultural encounterstechnology and civilization+4 | — | Apple TV+The Twilight Zone+4 | BorneoIsrael | culture clashfirst contact+5 | — | 1h 20m 02s | ||
| 7/18/26 | UFO disclosuregovernment documents+3 | Brent | iHeartPodcasts | — | UFODisclosure+5 | — | 13m 50s | ||
| 7/16/26 | UFOsabductions+3 | Dean Alioto | The Experiencers: Full DisclosureFire in the Sky | — | UFOabduction+3 | — | 1h 22m 22s | ||
| 7/9/26 | science fictionalienation+5 | — | ShowtimeiHeartPodcasts+3 | — | The Man Who Fell to EarthDavid Bowie+7 | — | 1h 01m 22s | ||
| 7/2/26 | UFO historyalien abduction+4 | — | NBCThe New York Times+3 | New Orleans | UFOalien abduction+8 | — | 1h 19m 01s | ||
| 6/25/26 | UFOsHollywood+4 | — | The Why FilesAmerican Alchemy+8 | — | UFO mysteryHollywood+6 | — | 1h 06m 07s | ||
| 6/18/26 | UFOsaliens+4 | — | Disclosure DayRoswell+1 | — | Disclosure DayUFO community+5 | — | 1h 15m 46s | ||
| 6/11/26 | science fictionmedia history+5 | — | The War of the WorldsThe Face | — | H.G. WellsOrson Welles+6 | — | 57m 41s | ||
| 6/4/26 | UFOsHollywood+4 | Brett Leonard | Naval IntelligenceSound, Light & Frequency+1 | — | UFOHollywood+6 | — | 1h 08m 12s | ||
| 5/28/26 | UFO secrecyHollywood anecdotes+4 | — | Office of Naval Intelligence2001: A Space Odyssey | North HollywoodMoon+1 | UFOMoon+7 | — | 1h 20m 34s | ||
| 5/21/26 | HollywoodUFO mythology+4 | — | NBCDark Skies | — | HollywoodDark Skies+6 | — | 57m 16s | ||
| 5/14/26 | UFOsparanormal+4 | — | The Mothman Prophecies | Skinwalker RanchAgoura Hills | UFOtelepathy+5 | — | 1h 09m 17s | ||
| 5/7/26 | UFO storytellingSteven Spielberg+5 | Ernest Cline | Ready Player One | — | Steven SpielbergDisclosure Day+7 | — | 1h 00m 53s | ||
| 4/30/26 | conspiracy theoriesRoswell+5 | — | NBCShowtime+1 | RoswellNew Mexico | RoswellJFK+8 | — | 54m 36s | ||
| 4/23/26 | paranoiaartifacts+4 | — | The Vast of Night | — | paranoiaartifacts+6 | — | 51m 10s | ||
| 4/16/26 | Disney and UFOsalien storytelling+5 | — | DisneyCIA+5 | TomorrowlandHollywood+1 | DisneyUFO+8 | — | 45m 32s | ||
| 4/9/26 | UFO storytellingHollywood cinema+4 | — | The Day the Earth Stood StillFlying Saucer+2 | — | UFOsHollywood+4 | — | 49m 52s | ||
| 4/2/26 | Hollywoodufology+4 | Brent Friedman | Defense Intelligence AgencyDark+2 | — | Hollywoodufology+5 | — | 1h 05m 29s | ||
| 3/26/26 | UFOsUSOs+4 | Bryce ZabelBrent Friedman | The AbyssAtlantis: The Lost Empire | Vancouver Island | UFO mysteryUnidentified Submerged Objects+4 | — | 57m 09s | ||
| 3/19/26 | alien possibilityscience and belief+4 | — | ContactDark Skies | — | Carl SaganContact+5 | — | 48m 28s | ||
| 3/12/26 | UFOsgovernment secrecy+3 | Brent Friedman | iHeartPodcastsHangar 18 | — | Brent FriedmanBryce Zabel+5 | — | 50m 28s | ||
| 3/5/26 | UFOsPresidents+4 | — | Independence DayRaiders | Area 51Washington+1 | UFOObama+5 | — | 48m 06s | ||
| 2/26/26 | UFOsfilmmaking+4 | — | Close Encounters of the Third KindDark Skies+1 | — | UFOsSteven Spielberg+6 | — | 50m 34s | ||
| 2/19/26 | UFO disclosureHollywood+5 | — | Office of Naval IntelligenceNBC+4 | — | UFOHollywood+7 | — | 47m 22s | ||
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Chart history for Sound, Light & Frequency
Peaked at #29 in KE, currently #29 in KE.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| KE | — | #29 | #29 | — |
| Denmark | — | #46 | #46 | — |
| United Kingdom | — | #52 | #52 | — |
| GR | — | #52 | #52 | — |
| IS | — | #64 | #64 | — |
| United States | — | #69 | #69 | — |
| Sweden | — | #75 | #75 | — |
| Finland | — | #82 | #82 | — |
| PL | — | #91 | #91 | — |
| Australia | — | #92 | #92 | — |
| CZ | — | #112 | #112 | — |
| Canada | — | #113 | #113 | — |
| Brazil | — | #114 | #114 | — |
| Ireland | — | #115 | #115 | — |
| TH | — | #139 | #139 | — |
| Norway | — | #140 | #140 | — |
| PT | — | #143 | #143 | — |
| South Africa | — | #144 | #144 | — |
| New Zealand | — | #154 | #154 | — |
| SG | — | #156 | #156 | — |
Chart Positions
21 placements across 21 markets.
Chart Positions
21 placements across 21 markets.