Stories in Colour

Today we're on a hunt with artists through time, searching for the blackest black. We’re after the deepest blacks, the most accurate blacks and the most atmospheric blacks.Beks is joined by artist Stuart Semple to help answer questions such as: is black really a colour and how do we see the colour black?Step back in time to the Palaeolithic era to discover ancient cave paintings at the Lascaux caves. Then jump forward in time to hear about the scientific breakthrough Vantablack and the debates it has caused.-------Stuart Semple is a multidisciplinary British artist whose work spans painting, performance, internet art, and installation. His work is known for its vibrant use of colour and techniques that challenge societal norms and question the role of the artist.-------Watch the full episode on YouTube: https://www.youtube.com/watch?v=q67HKmopxSIYou can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-------Paintings mentioned: Frans Hals, ‘The Laughing Cavalier’, 1624 © The Wallace Collection, London https://www.wallacecollection.org/explore/collection/search-the-collection/laughing-cavalier/ John Singer Sargent, ‘Madame X (Virginie Amélie Avegno Gautreau)’, 1883-84 © The Metropolitan Museum of Art, New York https://www.metmuseum.org/art/collection/search/12127 John Singer Sargent, ‘Lord Ribblesdale’, 1902 https://www.nationalgallery.org.uk/paintings/john-singer-sargent-lord-ribblesdale -------Further reading:Find out more about the history of the Lascaux caves: https://lascaux.fr/en/history-of-lascaux/If you want to find out more about how we see colour, check out our first ever episode of 'Stories in Colour': https://www.youtube.com/watch?v=gYTWp_iLRh4&list=PLvb2y26xK6Y5oKGCTKesXyO-LR3f2XcZF&index=19Isaac Newton, ‘Opticks: A Treatise of the Reflexions, Refractions, Inflections and Colours of Light’, 1704 [Book] https://wellcomecollection.org/works/d445akky/items Find out more about Vantablack: https://www.vantablack.co.uk/Take a look at Asif Khan's Hyundai Pavillion: https://www.asif-khan.com/project/hyundai-pavilion/Find out more about Sir Anish Kapoor’s work with Vantablack: https://www.theartnewspaper.com/2020/03/11/anish-kapoor-to-unveil-worlds-blackest-sculptures-during-2021-venice-biennale https://www.southbankcentre.co.uk/whats-on/anish-kapoor/#venue Find out more about Stuart Semple's work: https://stuartsemple.com/ Find out more about MIT's "blackest black" coating and 'The Redemption of Vanity': https://news.mit.edu/2019/blackest-black-material-cnt-0913Robert Fludd, ‘Utriusque cosmi maioris scilicet et minoris metaphysica, physica atque technica historia ... [Tractatus secundus de naturae simia seu technica macrocosmi historia]’, 1624 [Book] https://wellcomecollection.org/works/tymqmuxa/items?canvas=42 -------Episode credits: Guest: Stuart Semple Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren, Tom Gulliver and Timothy Carpenter Video Producers: Jeanne Kenyon and Alessandro Sorenti Editor: Oli Mason Theme music: Theo Elwell

How do the colours artists choose – and the ways each of us experience them – help us find a story?Join Beks and author Chloë Ashby as they take a closer look at how to ‘read’ colour in some of the National Gallery’s most iconic paintings. From Van Gogh to Caravaggio, they examine how different artists use colour to guide narrative, shape meaning and even evoke emotion.Whether you’re an art lover or new to art history, uncover hints and tips for how to decode your favourite paintings through colour.-------Chloë is an author and award-winning arts critic. She is the author of Wet Paint (2022) and Second Self (2023). Her third novel, ‘Family Friends’, will be published by Penguin Fig Tree in summer 2026. She is also the author of two non-fiction books on art history: ‘Look At This If You Love Great Art (2021)’ and ‘Colours of Art: The Story of Art in 80 Palettes’ (2022).-------Watch the full episode on YouTube: https://www.youtube.com/watch?v=8iOg5ICy090You can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-------Paintings mentioned: Édouard Manet, ‘A Bar at the Folies-Bergère’, 1882 © Courtauld Gallery, London (Samuel Courtauld Trust) https://gallerycollections.courtauld.ac.uk/object-p-1934-sc-234 Michelangelo Merisi da Caravaggio, ‘The Supper at Emmaus’, 1601 https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-the-supper-at-emmaus Diego Velázquez, ‘The Toilet of Venus ('The Rokeby Venus')’, 1647-51 https://www.nationalgallery.org.uk/paintings/diego-velazquez-the-toilet-of-venus-the-rokeby-venus Hilaire-Germain-Edgar Degas, ‘Combing the Hair ('La Coiffure')’, About 1896 https://www.nationalgallery.org.uk/paintings/hilaire-germain-edgar-degas-combing-the-hair-la-coiffure Vincent van Gogh, ‘Sunflowers’, 1888 https://www.nationalgallery.org.uk/paintings/vincent-van-gogh-sunflowers Peter Paul Rubens, ‘The Judgement of Paris’, Probably 1632-5 https://www.nationalgallery.org.uk/paintings/peter-paul-rubens-the-judgement-of-paris-------Further reading: Chloë Ashby, ‘Colours of Art: The Story of Art in 80 Palettes’, 2022 [Book] Chloë Ashby, ‘Look at This if You Love Great Art’, 2021 [Book]Find out more about Hilaire-Germain-Edgar Degas’s fiery painting ‘Combing the Hair ('La Coiffure')' on our YouTube channel: https://www.youtube.com/watch?v=IOSllLel-UI Explore 'The Story of Van Gogh's Yellow Palette' from the National Gallery's Chemistry of Colour YouTube series: https://www.youtube.com/watch?v=kdapnts7kIkFind out more about the restoration of Rubens’s ‘The Judgement of Paris’ here: https://www.youtube.com/watch?v=tiL3z0a9-eo -------Episode credits: Guest: Chloë Ashby Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren and Tom Gulliver Video Producer: Alessandro Sorenti Editor: Paul Frankl Theme music: Theo Elwell

What makes two volcano-born pigments so dangerous? Hint: they weren’t scorching hot when artists used them. Orpiment and realgar both contain arsenic, a foe we’ve previously faced on ‘Stories in Colour’.From volcanoes to ancient alchemical practices, art historian Evie Hatch joins Beks to uncover the origins and histories of these orange and yellow pigments. Together, they discuss how orpiment and realgar have been used, where their names come from and the risks artists faced painting with them.-------Evie Hatch is an art historian specialising in the history and characteristics of artist pigments. She is the writer and presenter of Jackson's Art Pigment Stories series and author of the 2025 book ‘Pigment Stories: The History of Artists' Colour’.-------Watch the full episode on YouTube: https://www.youtube.com/watch?v=xXdv6XZoJBEYou can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-------Paintings mentioned:Titian, ‘The Holy Family with a Shepherd’, About 1510 https://www.nationalgallery.org.uk/paintings/titian-the-holy-family-with-a-shepherd Titian, ‘Bacchus and Ariadne’, 1520-3 https://www.nationalgallery.org.uk/paintings/titian-bacchus-and-ariadne Jacopo Tintoretto, ‘Christ washing the Feet of the Disciples’, About 1575-80 https://www.nationalgallery.org.uk/paintings/jacopo-tintoretto-christ-washing-the-feet-of-the-disciples Jacopo Tintoretto, ‘The Origin of the Milky Way', About 1575 https://www.nationalgallery.org.uk/paintings/jacopo-tintoretto-the-origin-of-the-milky-way Rachel Ruysch, ‘Flowers in a Vase’, About 1685 https://www.nationalgallery.org.uk/paintings/rachel-ruysch-flowers-in-a-vase Margarito d’Arezzo, ‘The Virgin and Child Enthroned, with Scenes of the Nativity and the Lives of the Saints’, Probably about 1263-4 https://www.nationalgallery.org.uk/paintings/margarito-d-arezzo-the-virgin-and-child-enthroned-with-narrative-scenes Abraham Mignon, ‘Still Life with Flowers and a Watch’, About 1660-79 © Rijksmuseum, Amsterdam https://www.rijksmuseum.nl/en/collection/object/Still-Life-with-Flowers-and-a-Watch--7404dc80eb5bfc4161ed6ccf454e293f?tab=data-------Further reading:Pliny the Elder, ‘Natural History’ [Book]Find out more about Plutarch’s version of the tale of King Midas in "On Superstition" from ‘Moralia’, produced about 100 AD [Essay] Cennino Cennini, ‘Il Libro dell’arte’, produced in late 14th-century [Book] Find out more about ‘Titian’s Painting Technique before 1540’ in the National Gallery’s Technical Bulletin, 2013: https://www.nationalgallery.org.uk/media/16259/vol-34-essay-1-2013.pdf Find out more about the use of orpiment in Margarito d’Arezzo’s ‘The Virgin and Child Enthroned’: https://artsandculture.google.com/story/bAVhk85cvIns0Q Find out more about research on degrading colours in yellow flowers in 17th-century still life paintings here: https://pmc.ncbi.nlm.nih.gov/articles/PMC9176749/ Listen to our episode from series one of ‘Stories in Colour’ on deadly green pigments: https://www.youtube.com/watch?v=9PIn-7FesV8 -------Additional note: Please note that mentions of the emperor Caius during this episode are in reference to the Roman emperor Gaius Caesar (Caligula). https://www.britannica.com/biography/Caligula-Roman-emperor-------Episode credits: Guest: Evie Hatch Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren and Tom Gulliver Video Producer: Alessandro Sorenti Editor: Paul Frankl Theme music: Theo Elwell

Welcome back to a new series of 'Stories in Colour'. To kick off, we’re tackling one of the topics we received the most questions about − synaesthesia.Join Beks and this week’s guests, composer Dr Deborah Pritchard and leading expert on synaesthesia Professor Jamie Ward, as they set out to answer questions such as: What is synaesthesia and what might yellow sound like?We are also joined in the studio by violinist Greta Mutlu and cellist Richard Harwood. They help bring Deborah’s own personal experience of synaesthesia to life through music.-------Jamie is a Professor of Cognitive Neuroscience at the University of Sussex. He is one of the world's leading experts on synaesthesia and is the author of several books, including ‘The Frog Who Croaked Blue: Synesthesia and the Mixing of the Senses’.Deborah is an award-winning British composer known for her work relating to synaesthesia. She has been performed worldwide by the London Symphony Orchestra, BBC Symphony Orchestra and more. She is Associate of The Faculty of Music, Oxford and the Royal Academy of Music and was Visiting Fellow at Keble College, Oxford from 2022-2023.-------Watch the full episode on YouTube: https://www.youtube.com/watch?v=Tko6NE4po0YYou can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-------Paintings mentioned: Sassoferrato, ‘The Virgin in Prayer’, 1640-50 https://www.nationalgallery.org.uk/paintings/sassoferrato-the-virgin-in-prayer Claude Monet, ‘Water-Lilies’, after 1916 https://www.nationalgallery.org.uk/paintings/claude-monet-water-lilies Edvard Munch, ‘The Scream’, 1893. The National Museum, Oslo https://www.nasjonalmuseet.no/en/collection/object/NG.M.00939 -------Further reading: Jamie Ward, ‘The Frog who Croaked Blue: Synesthesia and the Mixing of the Senses’, 2008 Wassily Kandinsky, ‘Concerning the Spiritual in Art’, 1911 Find out more about Deborah Pritchard’s ‘Wall of Water’ and the English String Orchestra: https://www.youtube.com/watch?v=6l4yX6sZqVw Find out more about Maggi Hambling’s ‘Walls of Water’ exhibition 2014-15: https://www.nationalgallery.org.uk/exhibitions/past/maggi-hambling-walls-of-water Find out more about composer Olivier Messiaen: https://www.britannica.com/biography/Olivier-Messiaen Step into the 'National Gallery Imaginarium': https://imaginarium.nationalgallery.org.uk/-------Additional note: The 'National Gallery Imaginarium' digital experience features an introductory poem titled 'The Imaginarium' by poet and novelist Sir Ben Okri.-------Episode credits: Guests: Dr Deborah Pritchard, Professor Jamie Ward Musicians: Cellist Richard Harwood and Violinist Greta Mutlu Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren and Tom Gulliver Video Producers: Alessandro Sorenti and Amber Akaunu Editor: Oli Mason Theme music: Theo Elwell

When the artist Louise Nevelson immigrated to America as a child, she was told that ‘the streets... would be paved in gold’. Obviously, they weren’t, but that hasn’t stopped modern artists turning pretty much everything else golden. Even a toilet. Join National Gallery Courses and Events Programmer Caroline Miller, Associate Curator of Contemporary and Modern Priyesh Mistry and host Beks in the final episode of our sparkling miniseries, where we look to uses of gold in modern and contemporary art. From glistening gold in Gustav Klimt’s ‘The Kiss’ to an artwork so valuable it has hardly ever been displayed. We explore what gold has meant for contemporary artists and how they have tested the limits of this sparkling colour and material. Caroline is the Courses and Events Programmer at the Gallery. She develops online and in-person courses that expand access and engagement for the National Gallery’s audiences worldwide. Priyesh is Associate Curator, Contemporary and Modern at the National Gallery where he works towards an ambitious programme to integrate contemporary art within the context of the museum and its historic collections. _______Watch the full episode on our YouTube channel: https://www.youtube.com/watch?v=Z3I4VzE_QPIYou can email us with any questions via [email protected] Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast _______Paintings mentioned:Joseph Beuys, ‘How to Explain Pictures to a Dead Hare’, 1965. Galerie Schmela, Düsseldorf [Performance art] https://www.artgallery.nsw.gov.au/collection/works/434.1997.9/ Anselm Kiefer, 'Mein Rhine', 2024. Thaddaeus Ropac, Salzburg Villa Kast [Exhibition] https://ropac.net/online-exhibitions/171-anselm-kiefer-mein-rhein/ Jan van Eyck, ‘The Arnolfini Portrait’, 1434. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait Anselm Kiefer, 'Field of the Cloth of Gold', 2021. Gagosian, Le Bourget [Exhibition] https://gagosian.com/exhibitions/2021/anselm-kiefer-field-of-the-cloth-of-gold/ Anselm Kiefer, ‘Aus Herzen und Hirnen sprießen die Halme der Nacht (From Hearts and Brains the Stalks of Night Are Sprouting)’, 2019-2020. Emulsion, oil, acrylic, shellac, straw, gold leaf, wood, and metal on canvas, 185 ⅛ x 330 ¾ inches (470 x 840 cm) https://gagosian.com/exhibitions/2021/anselm-kiefer-field-of-the-cloth-of-gold/ Gustav Klimt, 'Pallas Athene', 1898. Wein Museum, Vienna https://sammlung.wienmuseum.at/en/object/102991-pallas-athene/ Gustav Klimt, 'The Kiss (Lovers)', 1908 (completed 1909). Belvedere Museum, Vienna https://sammlung.belvedere.at/objects/6678/der-kuss-liebespaar Barkley L. Hendricks, ‘Lawdy Mama’, 1969. Studio Museum in Harlem https://www.studiomuseum.org/artworks/lawdy-mama-2 Barkley L. Hendricks, ‘Father, Son, and...’, 1969. Art Bridges https://artbridgesfoundation.org/artworks/hendricks-father-son-and Louise Nevelson, ‘Royal Tide II’, 1961–1963. Whitney Museum of American Art, New York https://whitney.org/collection/works/428 Chris Burden, ‘Tower of Power’, 1985. Exhibition: “Chris Burden: Extreme Measures” at New Museum, New York, 2013-14 https://archive.newmuseum.org/exhibitions/1861 Maurizio Cattelan, ‘AMERICA’, 2016. Bowl: 18K Gold; Pipes and flushmeter: gold plated. 72,4 cm x 35,6 cm x 68,6 cm. Exhibition: ‘Maurizio Cattelan: “America”’ at Solomon R. Guggenheim Museum, New York, 2016-17 https://www.guggenheim.org/exhibition/maurizio-cattelan-america [Episode artwork] Gustav Klimt, The Kiss (Lovers), 1908 (completed 1909). Belvedere Museum, Vienna https://sammlung.belvedere.at/objects/6678/der-kuss-liebespaar _______Further reading:Discover more on gold in the National Gallery’s collection on our YouTube channel: https://www.youtube.com/watch?v=diJUaHMnazU https://www.youtube.com/playlist?list=PLvb2y26xK6Y6T7IfNAc1jMa_zMoX231MX Find out more about Angela Davis here: https://www.britannica.com/biography/Angela-Davis Take a closer look at the artist Louise Nevelson and her assemblage art: https://www.npg.org.uk/collections/search/portrait/mw72654/Louise-Nevelson Find out more about Maurizio Cattelan’s ‘America’ (2016): https://www.bbc.co.uk/news/articles/cjev7vn4qp0o https://www.bbc.co.uk/news/articles/c1j8z6r8zl6o Find out more about artist Marcel Duchamp: https://www.britannica.com/biography/Marcel-Duchamp -------Episode credits: Guests: Caroline Miller and Priyesh Mistry Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technician: Ian Warren Video editors: Jeanne Kenyon...

Welcome back to Stories in Colour! And welcome to the first episode of our new miniseries in which we'll be telling the story of a rare, sparkling and glistening colour – or should we say material?Join Nelly von Aderkas from the National Gallery’s Scientific department and host Beks as they dive into the ancient origins of gold! From colliding supernovas to the tomb of Tutankhamun and the man with the Midas touch, we will be exploring the materiality of gold, where this precious metal comes from and its symbolism in art and literature.Nelly is a Specialist Scientist and Organic Analyst at the National Gallery with a background in paintings conservation._______Watch the full episode on our YouTube channel: https://www.youtube.com/watch?v=-z2Xr4O8sqEYou can email us with any questions via [email protected] out more about the podcast on our website: https://www.nationalgallery.org.uk/podcast_______Paintings mentioned:Jacopo di Cione, 'The Crucifixion', about 1369-70. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jacopo-di-cione-the-crucifixion Nicolas Poussin, 'Midas Washing at the Source of the Pactolus', ca. 1627. The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437328 Jean-François de Troy, 'The Capture of the Golden Fleece', 1742-3. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jean-francois-de-troy-the-capture-of-the-golden-fleece Nicolas Poussin, 'The Adoration of the Golden Calf', 1633-4. The National Gallery, London https://www.nationalgallery.org.uk/paintings/nicolas-poussin-the-adoration-of-the-golden-calf _______Further reading:Discover more on gold in the National Gallery’s collection: https://www.youtube.com/watch?v=diJUaHMnazU https://www.youtube.com/playlist?list=PLvb2y26xK6Y6T7IfNAc1jMa_zMoX231MXFind out more about gold in Jacopo di Cione’s 'The Crucifixion': https://artsandculture.google.com/story/4gUB2kjMQI3paAFind out more about Tutankhamun's Golden Burial Mask: https://gem.eg/en/collection/artefacts/the-golden-burial-mask-of-tutankhamunFind out more about Tutankhamun's coffins: https://egypt-museum.com/innermost-coffin-of-tutankhamun/Take a look at Egyptian coffins in the collection of the Fitzwilliam Museum: https://egyptiancoffins.org/coffin-catalogueCennino Cennini, 'Il libro dell'arte', written late 14th centuryKassia St Clair, 'The Secret Lives of Colour', 2016J.R.R. Tolkein, 'The Hobbit', 1937Apollonius Rhodius, 'Argonautica', written around 3rd century BC[Author unknown], 'Beowulf', [date unknown]Ovid, 'Metamorphoses', composed around 8th century ADStephen Fry, 'Troy: The Greek Myths Reimagined', 2021_______Episode credits: Guest: Nelly von Aderkas Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren and Timothy Carpenter Video Producer: Jeanne Kenyon Video Editor: Alessandro Sorenti Theme music: Theo Elwell

What exactly is a rainbow and how is it formed? Why does it have seven colours? And what have rainbows symbolised in mythologies and art? Join colour expert Dr Alexandra Loske, National Gallery Principal Scientist Joseph Padfield and National Gallery host Beks Leary as they cover rainbows from Noah’s Ark to Olafur Eliasson, and Pink Floyd's Dark Side of the Moon to Georges Seurat’s ‘The Rainbow’ study.Alexandra is a colour expert, art historian and museum curator. Her exhibition 'Colour: A Chromatic Promenade through the Royal Pavilion' is on display at The Royal Pavilion in Brighton until October 2025. She is also author of 'The Artist's Palette' and 'Colour: A Visual History'. Joseph is a Principal Scientist at the National Gallery. He brings a wealth of expertise across multiple domains, including data management, digital infrastructure, conservation documentation, digital imaging, web development, preventive conservation, museum lighting, colour science, and the technical examination of paintings. -----Watch the full episode on YouTube: https://youtu.be/XjaFKMexBygYou can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-----To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast -----Paintings mentioned:Angelica Kauffman RA, ‘Colouring’, 1778-80. Royal Academy of Arts, London © Photo: Royal Academy of Arts, London. Photographer: John Hammond https://www.royalacademy.org.uk/art-artists/work-of-art/colour Jan Van Eyck, ‘The Annunciation’, about 1434/1436. National Gallery of Art, Washington https://www.nga.gov/artworks/46-annunciation Bartolomé Bermejo, ‘Saint Michael triumphant over the Devil with the Donor Antoni Joan’, 1468. The National Gallery, London https://www.nationalgallery.org.uk/paintings/bartolome-bermejo-saint-michael-triumphs-over-the-devil John Constable, ‘Salisbury Cathedral from the Meadows’, exhibited 1831. Tate, Purchased by Tate with assistance from the National Lottery through the Heritage Lottery Fund, The Manton Foundation, Art Fund (with a contribution from the Wolfson Foundation) and Tate Members in partnership with Amgueddfa Cymru-National Museum Wales, Colchester and Ipswich Museums Service, National Galleries of Scotland, and The Salisbury Museum 2013. © Photo: Tate https://www.tate.org.uk/art/artworks/constable-salisbury-cathedral-from-the-meadows-t13896 John Everett Millais, ‘The Blind Girl’, 1856. Birmingham Museums Trust © Photo by Birmingham Museums Trust https://dams.birminghammuseums.org.uk/assetbank-birminghammuseums/action/viewAsset?id=3114&index=22&total=215&view=viewSearchItem Georges Seurat, ‘The Rainbow: Study for 'Bathers at Asnières'’, 1883. The National Gallery, London https://www.nationalgallery.org.uk/paintings/georges-seurat-the-rainbow-study-for-bathers-at-asnieres Further reading:Alexandra Loske, The Artist's Palette: The Palettes Behind the Paintings of 50 Great Artists, 2024 Alexandra Loske, Colour: A Visual History, 2019 Find out more about the exhibition ‘Colour: A Chromatic Promenade through the Royal Pavilion’ at The Royal Pavilion, Brighton: https://brightonmuseums.org.uk/event/colour/ Raymond L. Lee and Alistair B. Fraser, The Rainbow Bridge: Rainbows in Art, Myth and Science, 2001 Isaac Newton, Opticks: or, A Treatise of the Reflexions, Refractions, Inflexions and Colours of Light, 1704 Pink Floyd ‘Dark Side of the Moon’ album cover: http://www.hipgnosiscovers.com/pinkfloyd/darksideofthemoon.html Cesare Ripa, Iconologia, 1593 Find out more about Olafur Eliasson’s ‘Your Rainbow Panorama’ (2011) at ARoS Aarhus Art Museum, in Denmark: https://www.aros.dk/en/art/the-collection/olafur-eliasson-your-rainbow-panorama-2011/ Find out more about the work of Andy Goldsworthy: https://andygoldsworthystudio.com/ Find out more about Hiroshi Sugimoto’s ‘Opticks’: https://www.sugimotohiroshi.com/polarized-color-1 Find out more about artist and writer David Batchelor: https://www.davidbatchelor.co.uk/works/installations/ Find out more about solar geometry in Constable’s ‘Salisbury Cathedral from the Meadows’: https://www.tate.org.uk/research/in-focus/salisbury-cathedral-constable/reassessing-the-rainbow Thomas Forster, Researches about Atmospheric Phaenomena, [1815]-----End credits:Guests: Dr Alexandra Loske and Joseph Padfield Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren and Tom Gulliver Editor: Jeanne Kenyon and Paul Frankl Theme music: Theo Elwell

Where did all the colour go? And how might Western culture have feared it, or deemed it superficial, in art and philosophy? We celebrate the 25th anniversary of seminal book ‘Chromophobia’ with its author David Batchelor, who reflects on these ideas a quarter of a century on. David speaks to National Gallery host Beks Leary about ideas of colour from philosopher Plato and artist Paul Cezanne, to the film ‘The Wizard of Oz’, photojournalist Don McCullin and pop artist Andy Warhol. They also ask the pressing question: ‘is beige a passive aggressive colour?’ David Batchelor is an artist and writer based in London, who, for thirty years, has been concerned with our experience of colour within the modern urban environment, and with historical conceptions of colour within Western culture. His work comprises sculpture, installation, drawing, painting, photography and animation.-----Watch the full episode on YouTube: https://youtu.be/bOrd81eklxMYou can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-----To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast -----Artworks mentioned: Paul Cezanne, ‘Hillside in Provence’, about 1890-2. The National Gallery, London https://www.nationalgallery.org.uk/paintings/paul-cezanne-hillside-in-provence Jean-Auguste-Dominique Ingres, ‘Madame Moitessier’, 1856. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jean-auguste-dominique-ingres-madame-moitessier Pierre-Auguste Renoir, ‘The Skiff (La Yole)’, 1875. The National Gallery, London https://www.nationalgallery.org.uk/paintings/pierre-auguste-renoir-the-skiff-la-yole Claude Monet, ‘The Gare St-Lazare', 1877. The National Gallery, London https://www.nationalgallery.org.uk/paintings/claude-monet-the-gare-st-lazare Sir Don McCullin CBE, ‘Shell-shocked US Marine, The Battle of Hue’, 1968, printed 2013. ARTIST ROOMS Tate and National Galleries of Scotland https://www.tate.org.uk/art/artworks/mccullin-shell-shocked-us-marine-the-battle-of-hue-ar01201 / https://www.nationalgalleries.org/art-and-artists/130204 English or French (?), ‘The Wilton Diptych’, about 1395-9. The National Gallery, London https://www.nationalgallery.org.uk/paintings/english-or-french-the-wilton-diptych Further reading:David Batchelor, Chromophobia [Book], 2000 Aristotle, Poetics, composed around 4th century BCE Johann Joachim Winckelmann, History of Ancient Art (Geschichte der Kunst des Alterthums) [Book], 1764 Herman Melville, Moby Dick: or, The Whale [Book], 1851 Vidor, King, et al., The Wizard of Oz [Film], 1939 Salman Rushdie, The Wizard of Oz (BFI Film Classics) [Book], 1992 Charles Blanc, Grammaire des arts du dessin: architecture, sculpture, peinture [Book], 1867 Roland Barthes, ‘Camera Lucida: Reflections on Photography’ [Book], 1980Find out more about photojournalist Don McCullin: https://donmccullin.com/Find out more about Andy Warhol’s prints here: https://warholfoundation.org/warhol/catalogue-raisonne/catalogues-raisonnes-print/ https://www.moma.org/collection/works/portfolios/61240 Additional note: Jean-Auguste-Dominique Ingres’s ‘Madame Moitessier’ features a Japanese Imari vase._______ Episode Credits:Guest: David BatchelorHost and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren and Tom Gulliver Editor: Jeanne KenyonTheme music: Theo Elwell

We're asking how we feel about colour – or more accurately how colours make us feel – and whether that's the same for all of us. Join colour specialist Zeynep Sagir and National Gallery host Beks Leary to get emotional about colour. Along the way, we talk about Pablo Picasso’s ‘Blue Period’ and Derek Jarman’s final film ‘Blue’, the calming green of John Constable’s ‘The Cornfield’, and Mark Rothko’s colour field abstractions. And we’ll see just how cultural our perception of colour really is. Zeynep is an artist, colour consultant, and founder of The Colour Club. She holds a Master’s degree from Central Saint Martins and spent two years researching colour psychology. Since graduating, she has gone on to become a certified colour consultant and colour therapist. Through The Colour Club, Zeynep runs workshops, hosts events, and offers consultancy, as well as publishing articles and interviews. Find out more about The Colour Club on Instagram: https://www.instagram.com/thecolourclub/ -----Watch the full episode on YouTube: https://youtu.be/CN0KgUJtjJAYou can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-----To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast -----Paintings mentioned: John Constable, ‘The Cornfield’, 1826. The National Gallery, London https://www.nationalgallery.org.uk/paintings/john-constable-the-cornfield Derek Jarman, ‘Blue’, 1993. Tate https://www.tate.org.uk/art/artworks/jarman-blue-t14555 Vincent van Gogh, ‘Van Gogh’s Chair’, 1888. The National Gallery, London https://www.nationalgallery.org.uk/paintings/vincent-van-gogh-van-gogh-s-chair Vincent van Gogh, ‘Gauguin's Chair’, 1888. Van Gogh Museum, Amsterdam https://www.vangoghmuseum.nl/en/collection/s0048V1962 Further reading: Find out more about The Colour Club here: https://www.thecolourclub.co.uk/ Josef Albers, Interaction of Color, 1963 To find out more about research conducted during the 2004 Olympic Games in Athens on how ‘Red enhances human performance in contests’ see: https://www.nature.com/articles/435293a Wassily Kandinsky, Concerning the Spiritual in Art, [1911] Read the full letter from Vincent van Gogh to his brother Theo, dated on or about Wednesday, 28 October 1885: https://vangoghletters.org/vg/letters/let537/letter.html Discover more about Vincent van Gogh’s letters: https://www.vangoghmuseum.nl/en/art-and-stories/stories/all-stories/van-goghs-letters Find out more about colour field painting and abstract expressionist artists, such as Mark Rothko, here: https://www.tate.org.uk/art/art-terms/colour-field-painting ----- Episode Credits Guest: Zeynep Sagir Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren and Timothy Carpenter Editor: Jeanne Kenyon and Paul Frankl Theme music: Theo Elwell

Meet an enigmatic pigment discovered entirely by accident at the start of the 18th century. Its story involves a rogue inventor with an unlikely connection to Doctor Frankenstein, a characterful trio of Johanns, and a renowned Botticelli forgery. This pigment came to be known as Prussian blue or Berlin blue. Before its discovery, a range of blue pigments existed but each had a significant flaw: natural ultramarine was prohibitively expensive, smalt discoloured, azurite turned green and indigo faded. Join colour specialist Evie Hatch and National Gallery host Beks Leary for a conversation about the pigment most famously seen in the blue revolution of Japanese woodblock printing, which inspired the Impressionists, as well as in earlier Rococo painting. Evie Hatch is an art historian specialising in the history and characteristics of artist pigments. She is the writer and presenter of Jackson's Art Pigment Stories series. -----Watch the full episode on YouTube: youtu.be/WK1GSvP6VYsYou can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-----Paintings mentioned: Paolo Veronese’s Four Allegories of Love series, about 1575: https://www.nationalgallery.org.uk/paintings/search-the-collection?q=Four+Allegories+of+Love&tpf=&tpt=&acf=&act=  Probably by Jean-Baptiste Perronneau, A Girl with a Kitten, 1743. The National Gallery, London https://www.nationalgallery.org.uk/paintings/probably-by-jean-baptiste-perronneau-a-girl-with-a-kitten  Katsushika Hokusai, Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830-32. The Metropolitan Museum of Art, New York https://www.metmuseum.org/art/collection/search/45434  Claude Monet, Impression, Soleil Levant, 1872. Musée Marmottan Monet, Paris https://www.marmottan.fr/en/notice/4014/  Claude Monet, Bathers at La Grenouillère, 1869. The National Gallery, London https://www.nationalgallery.org.uk/paintings/claude-monet-bathers-at-la-grenouillere  Umberto Giunti, Forgery in the manner of Sandro Botticelli, Virgin and Child, about 1920-29. The Courtauld, London (Samuel Courtauld Trust) Photo © The Courtauld/Bridgeman Images https://gallerycollections.courtauld.ac.uk/object-p-1947-lf-40  Further reading: Rebecca Solnit, A Field Guide to Getting Lost, 2005 Deutsche Akademie der Wissenschaften zu Berlin, Miscellanea berolinensia ad incrementum scientiarum, 1710 For more information on Paolo Veronese’s use of the pigment smalt in the ‘Four Allegories of Love’ series, see the National Gallery’s Technical Bulletin Volume 17, 1996: http://www.nationalgallery.org.uk/technical-bulletin/penny_roy_spring1996  Jackson’s article on Prussian Blue ‘The History of Prussian Blue (and why you won’t find it in most acrylic ranges)’ by Evie Hatch, 2022: https://www.jacksonsart.com/blog/2022/10/07/the-history-of-prussian-blue/  Watch videos about the science of colour, including ultramarine blue, on the National Gallery YouTube channel: https://www.youtube.com/playlist?list=PLvb2y26xK6Y4V3T1xHphum23El4b93YzC Additional information: *Note – Prussia was officially dissolved by the Allied Control Council of occupied Germany on 25 February 1947 -----Episode credits: Guest: Evie Hatch Host and executive producer: Beks Leary Producer: Harry Rosehill Researcher: Hannah Rogers Technicians: Ian Warren, Jon Sheldon, Ash Baker, Steven Pasquale, Tom Gulliver and Timothy Carpenter Editors: Jeanne Kenyon and Amber Akaunu Theme music: Theo Elwell 

How has colour changed the world? A vibrant new podcast from the National Gallery, Stories in Colour launches with our first two episodes on Wednesday 28 May 2025.The Times ★★★★ ‘There’s lots to enjoy here.’  In each episode, we uncover the hidden mysteries woven into colour from antiquity to the present day. Along the way, you'll hear from curators, scientists, historians, artists, and more experts, looking at humanity’s efforts to make colour and make meaning with it. And amongst these stories, you will see - and hear - the National Gallery’s paintings in a whole new spectrum of light.